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... CRITICISM , RAPE OF THE LOCK , and other POEMS . By GEORGE SOUTAR , M.A. , Litt . D. 2s . 6d . HAZLITT - ESSAYS ON POETRY . By D. NICHOL SMITH , M.A. , Editor of Dryden's ' Essay of Dramatic Poesy , ' & c . 2s . 6d . SCOTT - MARMION ...
... CRITICISM , RAPE OF THE LOCK , and other POEMS . By GEORGE SOUTAR , M.A. , Litt . D. 2s . 6d . HAZLITT - ESSAYS ON POETRY . By D. NICHOL SMITH , M.A. , Editor of Dryden's ' Essay of Dramatic Poesy , ' & c . 2s . 6d . SCOTT - MARMION ...
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... critics that ever lived . " This opinion alone might well be an excuse for a volume of the gems of Hazlitt's criticism . But such a volume needs no excuse nowadays when the development of literary criticism is taking its place as a ...
... critics that ever lived . " This opinion alone might well be an excuse for a volume of the gems of Hazlitt's criticism . But such a volume needs no excuse nowadays when the development of literary criticism is taking its place as a ...
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... critic ; and its scheme allows the essays to be printed in extenso . It gives a consecutive account of the chief phases of English poetry from the age of Elizabeth to the beginning of the nineteenth century , and ... CRITICISM . vi PREFACE .
... critic ; and its scheme allows the essays to be printed in extenso . It gives a consecutive account of the chief phases of English poetry from the age of Elizabeth to the beginning of the nineteenth century , and ... CRITICISM . vi PREFACE .
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William Hazlitt. CONTENTS . PAGE INTRODUCTION- I. BIOGRAPHICAL 11. HAZLITT'S CRITICISM . CHRONOLOGICAL TABLE . ESSAYS ON POETRY- I. ON CRITICISM II . ON POETRY IN GENERAL III . THE AGE OF ELIZABETH IV . SPENSER • V. SHAKESPEARE VI ...
William Hazlitt. CONTENTS . PAGE INTRODUCTION- I. BIOGRAPHICAL 11. HAZLITT'S CRITICISM . CHRONOLOGICAL TABLE . ESSAYS ON POETRY- I. ON CRITICISM II . ON POETRY IN GENERAL III . THE AGE OF ELIZABETH IV . SPENSER • V. SHAKESPEARE VI ...
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... OF DRYDEN'S ESSAY OF DRAMATIC POESY , ' etc. WILLIAM BLACKWOOD AND SONS EDINBURGH AND LONDON MCMI All Rights reserved From an William Hazlitt . Engraving after Bewick . PREFACE CHRONOLOGICAL TABLE ESSAYS ON POETRY- ON CRITICISM.
... OF DRYDEN'S ESSAY OF DRAMATIC POESY , ' etc. WILLIAM BLACKWOOD AND SONS EDINBURGH AND LONDON MCMI All Rights reserved From an William Hazlitt . Engraving after Bewick . PREFACE CHRONOLOGICAL TABLE ESSAYS ON POETRY- ON CRITICISM.
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Common terms and phrases
admiration Æneid age of Elizabeth appeared beauty character Chaucer Coleridge Coleridge's delight Della Cruscan Dr Johnson dramatic Dream Dryden Edinburgh Review edition English Epistle equal Essay on Criticism excellence expression Faery Queen fame fancy faults feeling French friends genius gives Hamlet Hazlitt heart heaven human idea imagination Julius Cæsar Lamb language lectures less literary literature lived look Lord Lyrical Ballads Macbeth manner Milton mind Muse nature never objects opinion Othello painter painting Paradise Lost passage passion person philosophy Plain Speaker poem poet poetical poetry political Pope pride principle prose reader rhyme satire says seems sense Shake Shakespeare soul sound speak Spenser spirit striking style sweet taste things thought tion Titian translation Troilus and Cressida truth verse volume William Hazlitt words Wordsworth writers ΙΟ
Popular passages
Page 114 - Here we may reign secure: and in my choice. To reign is worth ambition, though in hell ; Better to reign in hell than serve in heaven.
Page 118 - They, looking back, all the eastern side beheld Of Paradise, so late their happy seat, Waved over by that flaming brand, the gate With dreadful faces thronged and fiery arms...
Page 102 - Memory and her siren daughters, but by devout prayer to that eternal Spirit who can enrich with all utterance and knowledge, and sends out his seraphim with the hallowed fire of his altar to touch and purify the lips of whom he pleases...
Page 102 - I trust hereby to make it manifest with what small willingness I endure to interrupt the pursuit of no less hopes than these, and leave a calm and pleasing solitariness, fed with cheerful and confident thoughts, to embark in a troubled sea of noises and hoarse disputes, put from beholding the bright countenance of truth in the quiet and still air of delightful studies...
Page 139 - ... you more than see it, you feel it too. Those who accuse him to have wanted learning, give him the greater commendation: he was naturally learned: he needed not the spectacles of books to read Nature; he looked inwards, and found her there. I cannot say he is everywhere alike; were he so, I should do him injury to compare him with the greatest of mankind. He is many times flat and insipid; his comic wit degenerating into clenches, his serious swelling into bombast. But he is always great, when...
Page 126 - Oft she rejects, but never once offends. Bright as the sun, her eyes the gazers strike, And, like the sun, they shine on all alike. Yet graceful ease, and sweetness void of pride, Might hide her faults, if belles had faults to hide: If to her share some female errors fall, Look on her face, and you'll forget 'em all.
Page 138 - He was the man who of all modern, and perhaps ancient poets, had the largest and most comprehensive soul, All the images of Nature were still present to him, and he drew them, not laboriously, but luckily: when he describes any thing, you more than see it, you feel it too.
Page 152 - The night was winter in his roughest mood ; The morning sharp and clear. But now at noon Upon the southern side of the slant hills, And where the woods fence off the northern blast, The season smiles, resigning all its rage, And has the warmth of May. The vault is blue Without a cloud, and white without a speck The dazzling, splendour of the scene below. Again the harmony comes o'er the vale ; And through the trees I view th' embattled tow'r Whence all the music.
Page 114 - Infernal world ! and thou, profoundest Hell, Receive thy new possessor — one who brings A mind not to be changed by place or time. The mind is its own place, and in itself Can make a Heaven of Hell, a Hell of Heaven.
Page 158 - The cloud-capt towers, the gorgeous palaces, The solemn temples, the great globe itself; * Yea, all which it inherit, shall dissolve, And, like the baseless fabric of a vision, Leave not a wreck behind.