Lives of the Most Eminent English Poets: With Critical Observations on Their Works, Volume 1 |
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Page xvi
... Quarterly . The next generation will no doubt wonder in what way poetic reputations could have been injured by such 6 5 Review of Warton's Essay on Pope . EDITOR'S PREFACE . xvii criticisms , as we ourselves wonder xvi EDITOR'S PREFACE .
... Quarterly . The next generation will no doubt wonder in what way poetic reputations could have been injured by such 6 5 Review of Warton's Essay on Pope . EDITOR'S PREFACE . xvii criticisms , as we ourselves wonder xvi EDITOR'S PREFACE .
Page 5
... Essay xi . 6 5 Printed 1633 , in his fifteenth year . Dedicated to Williams , Bishop of Lin- coln and Dean of Westminster . Johnson was misled by Sprat and by the portrait of Cowley at the age of 13 , prefixed to the volume entitled ...
... Essay xi . 6 5 Printed 1633 , in his fifteenth year . Dedicated to Williams , Bishop of Lin- coln and Dean of Westminster . Johnson was misled by Sprat and by the portrait of Cowley at the age of 13 , prefixed to the volume entitled ...
Page 17
... Sprat ( or , it is said , Clifford ) wrote the inscription , which Johnson tells us ( ' Essay on Epitaphs ' ) he could never read but with " indignation or contempt . " VOL . I. C Nose + to add to the narrative of Dr. Sprat.
... Sprat ( or , it is said , Clifford ) wrote the inscription , which Johnson tells us ( ' Essay on Epitaphs ' ) he could never read but with " indignation or contempt . " VOL . I. C Nose + to add to the narrative of Dr. Sprat.
Page 59
... . " - COWLEY : Poems , 1656 , fol . 55 All these objections to Cowley's belief are urged by Dryden ( in reply to Cowley ) in his Dedication of the Eneid to the Marquis of Normanby . After so much criticism on his poems , the Essays.
... . " - COWLEY : Poems , 1656 , fol . 55 All these objections to Cowley's belief are urged by Dryden ( in reply to Cowley ) in his Dedication of the Eneid to the Marquis of Normanby . After so much criticism on his poems , the Essays.
Page 60
... Essays which accompany them must not be forgotten . What is said by Sprat of his conversation , that no man could draw ... Essay on the Classics , 58 that Cowley was beloved by every Muse that he courted ; and that he has rivalled the ...
... Essays which accompany them must not be forgotten . What is said by Sprat of his conversation , that no man could draw ... Essay on the Classics , 58 that Cowley was beloved by every Muse that he courted ; and that he has rivalled the ...
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Common terms and phrases
Absalom and Achitophel admired Æneid afterwards Albion and Albanius appears blank verse Butler censure character Charles Church Court Cowley Cowley's criticism Cromwell daughter death Dedication delight Denham diction died Donne dramatic Dryden Duke Earl elegance English Essay excellence favour Fcap friends genius Georgics History honour Hudibras Jacob Tonson John John Dryden John Milton Johnson kind King King's known labour Lady language Latin learning letter lines Lives London Lord Lord Roscommon Milton mind nature never NIHIL numbers opinion Paradise Lost Parliament perhaps Pindar play poem poet poetical poetry Pope Portrait Post 8vo pounds praise Preface printed prose published reader reason rhyme satire says Second Edition seems sentiments sometimes Sprat supposed Third Edition thou thought tion told Tonson tragedy translation Tyrannick Love verses versification Virgil Vols Waller Westminster Westminster Abbey Woodcuts words write written wrote
Popular passages
Page 341 - All the images of nature were still present to him, and he drew them not laboriously, but luckily; when he describes anything, you more than see it, you feel it too. Those who accuse him to have wanted learning* give him the greater commendation: he was naturally learned; he needed not the spectacles of books to read nature; he looked inwards, and found her there.
Page 364 - From harmony, from heavenly harmony This universal frame began : From harmony to harmony Through all the compass of the notes it ran, The diapason closing full in Man.
Page 141 - Nothing can less display knowledge, or less exercise invention, than to tell how a shepherd has lost his companion, and must now feed his flocks alone, without any judge of his skill in piping ; and how one god asks another god what is become of Lycidas, and how neither god can tell. He who thus grieves will excite no sympathy ; he who thus praises will confer no honour.
Page 21 - To write on their plan it was, at least, necessary to read and think. No man could be born a metaphysical poet, nor assume the dignity of a writer, by descriptions copied from descriptions, by imitations borrowed from imitations, by traditional imagery, and hereditary similes, by readiness of rhyme, and volubility of syllables n.
Page 162 - How charming is divine Philosophy! Not harsh and crabbed, as dull fools suppose, But musical as is Apollo's lute, And a perpetual feast of nectar'd sweets, Where no crude surfeit reigns.
Page 74 - O could I flow like thee, and make thy stream My great example, as it is my theme! Though deep, yet clear, though gentle, yet not dull, Strong without rage, without o'er-flowing full.
Page 380 - I am as free as Nature first made man, ^) Ere the base laws of servitude began, > When wild in woods the noble savage ran.
Page 364 - From harmony, from heavenly harmony, '• This universal frame began : ' When Nature underneath a heap of jarring atoms lay, And could not heave her head, ••;.-'• The timeful voice was heard from high. Arise ye more than dead.
Page 76 - Horace's wit, and Virgil's state, " He did not steal, but emulate ! " And, when he would like them appear, " Their garb, but not their cloaths, did wear.
Page xiv - If a life be delayed till interest and envy are at an end, we may hope for impartiality, but must expect little intelligence; for the incidents which give excellence to biography are of a volatile and evanescent kind, such as soon escape the memory, and are rarely transmitted by tradition.