The Summing Up |
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Page 88
sation of the persons on the stage at the rising of the curtain concentrates the attention of the audience on them so that the delay in their appearance increases the expectation . No one followed this practice more scrupu- lously than ...
sation of the persons on the stage at the rising of the curtain concentrates the attention of the audience on them so that the delay in their appearance increases the expectation . No one followed this practice more scrupu- lously than ...
Page 90
A play that does not appeal to an audience may have merits , but it is no more a play than a mule is a horse . ... Everyone who has had to do with the theatre knows how strangely audiences affect plays ; a matinée audience and an eve- ...
A play that does not appeal to an audience may have merits , but it is no more a play than a mule is a horse . ... Everyone who has had to do with the theatre knows how strangely audiences affect plays ; a matinée audience and an eve- ...
Page 96
When the plays these authors write fail , they claim it is because audiences have not the sense to appreciate them . ... For consider , the play appeals to the audience as a unity , the current that passes infectiously from one per- son ...
When the plays these authors write fail , they claim it is because audiences have not the sense to appreciate them . ... For consider , the play appeals to the audience as a unity , the current that passes infectiously from one per- son ...
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able accept action actors admire appearance artist asked attention audience beauty believe better called character claim common complete concerned course critic deal difficult discover drama dramatist easy effect emotion English excited existence experience expression eyes fact feel forced French gave give given hand hard human ideas imagination important instinct interest knew knowledge least less literature live longer look matter meaning mind nature never novel novelist offer once one's passed perfect perhaps persons philosophers picture play pleasure possible produced prose reader reason seemed seen sense sometimes sort speak story success suppose taken tell theatre things thought tion told took truth turn universe wanted whole write written wrote young youth