An Essay on the Genius and Writings of Pope, Volume 1 |
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Page 77
... turn on particular and prívate affairs , removed from the view and notice of all men ? The Athenian spectators were ever accustomed to concern themfelves in all public affairs , and to be witnesses and judges of them . The modern stage ...
... turn on particular and prívate affairs , removed from the view and notice of all men ? The Athenian spectators were ever accustomed to concern themfelves in all public affairs , and to be witnesses and judges of them . The modern stage ...
Page 99
... turn which he gives to his tranflations , the boldness of his expreffions , fo little forced and un- natural , that they feem to be born , as it were , with his thoughts , difplay almost as much invention , as the first production of a ...
... turn which he gives to his tranflations , the boldness of his expreffions , fo little forced and un- natural , that they feem to be born , as it were , with his thoughts , difplay almost as much invention , as the first production of a ...
Page 172
... turn in all his " De Horatio quidem ita fentimus ; fi Græcorum Ly- rica extarent , futurum , ut illius furta quamplurima depre- henderentur : qui tamen imitatores fervam pecus appellare non dubitarit.Ex Alcæo , ut opinor , [ Horatii ] ...
... turn in all his " De Horatio quidem ita fentimus ; fi Græcorum Ly- rica extarent , futurum , ut illius furta quamplurima depre- henderentur : qui tamen imitatores fervam pecus appellare non dubitarit.Ex Alcæo , ut opinor , [ Horatii ] ...
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An Essay on the Genius and Writings of Pope, Vol. 1 of 2 (Classic Reprint) Joseph Warton No preview available - 2018 |
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Abelard Addiſon Æneid alfo almoſt alſo ancient beautiful becauſe beſt Boileau Cant character Chaucer circumſtances cloſely compofition Corneille criticiſm defcribed defign deſcription Dryden Eclogue Effay elegant Eloifa epic poetry epiftle Euripides excellent expreffed expreffion exquifite faid fame fatire fays fecond feems fentiments fhall firft firſt folemn fome fpecies ftrokes ftrong fubject fublime fuch fufficiently fylphs genius greateſt himſelf hiſtory Homer Iliad images imagination inftance itſelf Jane Shore juſt laft laſt loft Milton moft moſt mufic muſt nature numbers o'er obfervations occafion Ovid paffage paffion perfon Petrarch piece Pindar pleaſed pleaſure poefy poem poet poetical poetry POPE praiſes prefent profe publiſhed Quintilian Racine reaſon reprefented ſaid ſay ſcene ſeems ſeen ſhall ſhe ſhould ſome Sophocles ſpeak ſpecies ſpirit ſtanza ſtill ſtory ſtriking ſuch taſte thefe themſelves Theocritus theſe thofe thoſe thought tion tragedy tranflated uſed verfes verſe Virgil Voltaire whofe whoſe writer