An Essay on the Genius and Writings of Pope, Volume 1 |
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Page 111
... Racine * Quinetiam , prius effigiem formare , SOLUTIS , Totiufque operis fimulacrum fingere , verbis , Proderit ; atque omnes ex ordine nectere partes , Et feriem rerum , et certos fibi ponere fines , Per quos tuta regens veftigia ...
... Racine * Quinetiam , prius effigiem formare , SOLUTIS , Totiufque operis fimulacrum fingere , verbis , Proderit ; atque omnes ex ordine nectere partes , Et feriem rerum , et certos fibi ponere fines , Per quos tuta regens veftigia ...
Page 165
... Racine had Corneille . II . Corneille found the French stage in a barbarous state , and advanced it to great Perfection : Racine has not fup- ported it in the perfection in which he found it . III . The characters of Corneille are true ...
... Racine had Corneille . II . Corneille found the French stage in a barbarous state , and advanced it to great Perfection : Racine has not fup- ported it in the perfection in which he found it . III . The characters of Corneille are true ...
Page 166
... Racine is fome- times to be found in Corneille : The Grand and Sublime of Corneille is never to be found in Racine . VIII . Racine has painted only the French and the present age , even when he designed to paint another age , and other ...
... Racine is fome- times to be found in Corneille : The Grand and Sublime of Corneille is never to be found in Racine . VIII . Racine has painted only the French and the present age , even when he designed to paint another age , and other ...
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An Essay on the Genius and Writings of Pope, Vol. 1 of 2 (Classic Reprint) Joseph Warton No preview available - 2018 |
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Abelard Addiſon Æneid alfo almoſt alſo ancient beautiful becauſe beſt Boileau Cant character Chaucer circumſtances cloſely compofition Corneille criticiſm defcribed defign deſcription Dryden Eclogue Effay elegant Eloifa epic poetry epiftle Euripides excellent expreffed expreffion exquifite faid fame fatire fays fecond feems fentiments fhall firft firſt folemn fome fpecies ftrokes ftrong fubject fublime fuch fufficiently fylphs genius greateſt himſelf hiſtory Homer Iliad images imagination inftance itſelf Jane Shore juſt laft laſt loft Milton moft moſt mufic muſt nature numbers o'er obfervations occafion Ovid paffage paffion perfon Petrarch piece Pindar pleaſed pleaſure poefy poem poet poetical poetry POPE praiſes prefent profe publiſhed Quintilian Racine reaſon reprefented ſaid ſay ſcene ſeems ſeen ſhall ſhe ſhould ſome Sophocles ſpeak ſpecies ſpirit ſtanza ſtill ſtory ſtriking ſuch taſte thefe themſelves Theocritus theſe thofe thoſe thought tion tragedy tranflated uſed verfes verſe Virgil Voltaire whofe whoſe writer