And whiter than the paper it writ on Shy. What are there masques? Hear you Love news, in faith. Lock up my doors; and when you hear the drum, Laun. I will go before, sir. Mistress, look out at window, for all this; 41 There will come a Christian by, Laun. By your leave, sir. Christian. Lor. Hold here, take this: tell gentle Jessica Go, gentlemen, Exeunt SALARINO and SALANIO. 30 21 How I shall take her from her father's house; SCENE V.-The Same. Before SHYLOCK'S Enter SHYLOCK and LAUNCelot. Shy. Well, thou shalt see, thy eyes shall be The difference of old Shylock and Bassanio:- - Laun. Why, Jessica! Shy. Who bids thee call? I do not bid thee call. Lau». Your worship was wont to tell me I could do nothing without bidding. 10 Salar. Salar. O ten times faster Venus' pigeons fly Gra. That ever holds: who riseth from a feast Enter JESSICA. Jes. Call you? What is your will? Shy. I am bid forth to supper, Jessica : There are my keys. But wherefore should I go? The scarfed bark puts from her native bay, I am not bid for love; they flatter me: Hugg'd and embraced by the strumpet wind! But yet I'll go in hate, to feed upon How like the prodigal doth she return, With over-weather'd ribs and ragged sails, The prodigal Christian. Jessica, my girl, Look to my house. I am right loath to go: Lean, rent, and beggar'd by the strumpet wind! There is some ill a-brewing towards my rest, For I did dream of money-bags to night. Enter LORENZO. Laun. I beseech you, sir, go: my young master doth expect your reproach. Salar. Here comes Lorenzo: more of this hereafter. 20 Shy. So do I his. Lor. Sweet friends, your patience for my long Not I, but my affairs, have made you wait : 20 Jes. His words were, 'Farewell, mistress'; nothing else. Shy. The patch is kind enough, but a huge feeder; Laun. And they have conspired together: I will not say you shall see a masque; but if you do, then it was not for nothing that my nose fell a-bleeding on Black-Monday last, at six o'clock i' the morning, falling out that year on AshWednesday was four year in the afternoon. wives, I'll watch as long for you then. Approach; Enter JESSICA above, in boy's clothes. Jes. Who are you? Tell me for more certainty, Albeit I'll swear that I do know your tongue. Lor. Lorenzo, and thy love. Jes. Lorenzo, certain; and my love indeed, For who love I so much? And now who knows But you, Lorenzo, whether I am yours? 31 Lor. Heaven and thy thoughts are witness that thou art. Jes. Here, catch this casket; it is worth the I am glad 'tis night, you do not look on me, Lor. Descend, for you must be my torch-bearer. 39 : Who chooseth me must give and hazard all he hath. A golden mind stoops not to shows of dross; * And weigh thy value with an even hand. 41 Lor. Jes. I will make fast the doors, and gild myself Gra. Now, by my hood, a Gentile, and no Jew. Enter JESSICA. What, art thou come? On, gentlemen; away! Ant. Who's there? Ant. Fie, fie, Gratiano! where are all the re-t? I have sent twenty out to seek for you. This third, dull lead, with warning all as blunt: If you choose that, then I am yours withal. Gra. I am glad on 't: I desire no more delight, Than to be under sail and gone to-night. Exeunt. To think so base a thought: it were too gross 50 SCENE VII.-Belmont. A Room in PORTIA'S A coin that bears the figure of an angel 糖 Flourish of Cornets. Enter PORTIA, with the Prince Here do I choose, and thrive I as I may! of MOROCCO, and their Trains. Por. There, take it, prince; and if my form lie there, Then I am yours. Por. Go, draw aside the curtains, and discover fhe several caskets to this noble prince. Now make your choice. Mor. The first, of gold, who this inscription bears: me see: I will survey the inscriptions back again : Who chooseth me shall gain what many men desire. Mor. He unlocks the golden casket. O hell! what have we here? A carrion Death, within whose empty eye There is a written scroll. I'll read the writing. All that glisters is not gold; Gilded tombs do worms infold. Cold, indeed; and labour lost : pray thee, let us go and find him out, Exit with his train. Flourish of cornets. Por. A gentle riddance. Draw the curtains: go. Let all of his complexion choose me so. Exeunt. SCENE VIII. Venice. A Street. Enter SALARINO and SALANIO. Who went with him to search Bassanio's ship. 10 Silan. I never heard a passion so confus'd, A sealed bag, two sealed bags of ducats, Of double ducats, stol'n from me by my daughter! stones, 20 Stol'n by my daughter! Justice! find the girl; Salar. Why, all the boys in Venice follow him, 30 40 Salar. A kinder gentleman treads not the earth. 51 Exeunt. SCENE IX.- Belmont. A Room in PORTIA'S Enter NERISSA with a Servitor. Ner. Quick, quick, I pray thee; draw the The Prince of Arragon hath ta'en his oath, Flourish of Cornets. Enter the Prince of ARRA- Por. Behold, there stand the caskets, noble If you choose that wherein I am contain'd, Ar. I am enjoin'd by oath to observe three First, never to unfold to any one 10 If I do fail in fortune of my choice, meant 22 By the fool multitude, that choose by show, 30 Builds in the weather on the outward wall, 40 ་ Who chooseth me shall get as much as he deserves. Ar. What's here? the portrait of a blinking idiot, Presenting me a schedule! I will read it. How much unlike my hopes and my deservings! Who chooseth me shll have as much as he deserves. 60 Ar. What is here? The fire seven times tried this: So be gone, sir: you are sped. Exeunt ARRAGON and Train, A day in April never came so sweet, 70 81 91 Por. No more, I pray thee: I am half afeard Thou wilt say anon he is some kin to thee, Thou spend'st such high-day wit in praising him. Come, come, Nerissa; for I long to see Quick Cupid's post that comes so mannerly. 100 Ner. Bassanio, lord Love, if thy will it be! Exeunt. the narrow seas; the Goodwins, I think they call the place; a very dangerous flat, and fatal, where the carcasses of many a tall ship lie buried, as they say, if my gossip Report be an honest woman of her word. Salan. I would she were as lying a go-sip in that as ever knapped ginger, or made her neighbours believe she wept for the death of a third husband. But it is true, without any slips of prolixity or crossing the plain highway of talk, that the good Antonio, the honest Antonio, -O, that I had a title good enough to keep his name company !— Salar. Come, the full stop. ACT III. SCENE I.-Venice. A Street. Enter SALANIO and SALARINO. Salan. Now, what news on the Rialto? Salur. Why, yet it lives there unchecked that Antonio hath a ship of rich lading wrecked on Salan. Ha! what sayest thou? Why, the end is, he hath lost a ship. Salar. I would it might prove the end of his losses. 21 Salan. Let me say 'amen' betimes, lest the devil cross my prayer, for here he comes in the likeness of a Jew. Enter SHYLOCK. How now, Shylock! what news among the merchants? Shy. You knew, none so well, none so well as you, of my daughter's flight. Salar. That's certain: I, for my part, knew the tailor that made the wings she flew withal. » Salan. And Shylock, for his own part, knew the bird was fledged; and then it is the com. plexion of them all to leave the dam. Shy. She is damned for it. Salar. That 's certain, if the devil may be her judge. Shy. My own flesh and blood to rebel! Salan. Out upon it, old carrion! rebels it at these years? Shy. I say my daughter is my flesh and blood. Salar. There is more difference between thy flesh and hers than between jet and ivory; more between your bloods than there is between red wine and Rhenish. But tell us, do you hear whether Antonio have had any loss at sea or no? Shy. There I have another bad match: a bank. rupt, a prodigal, who dare scarce show his head on the Rialto; a beggar, that used to come so smug upon the mart; let him look to his bond: he was wont to call me usurer; let him look to his bond: he was wont to lend money for a Christian courtesy ; let him look to his bond. s Salar. Why, I am sure, if he forfeit, thou wilt not take his flesh what's that good for? Shy. To bait fish withal: if it will feed nothing else, it will feed my revenge. He hath disgraced me, and hindered me half a million, laughed at my losses, mocked at my gains, scorned my nation, thwarted my bargains, cooled my friends, heated mine enemies; and what's his reason? I am a Jew. Hath not a Jew eyes? hath not a Jew hands, organs, dimensions, senses, affections, passions? fed with the same food, hurt with the same weapons, subject to the same diseases, healed by the same means, warmed and cooled by the same winter and summer, as a Christian is? If you prick us, do we not bleed! if you tickle us, do we not laugh? if you poison us, do we not die? and if you wrong us, shall we not revenge? If we are like you in the rest, we will resemble you in that. If a Jew wrong SCENE II.-Belmont. A Room in PORTIA'S House. a Christian, what is his humility? Revenge. If a Christian wrong a Jew, what should his sufferance be by Christian example? Why, revenge. The villany you teach me I will execute, and it Enter BASSANIO, PORTIA, GRATIANO, NERISSA, shall go hard but I will better the instruction. Exeunt SALANIO, SALARINO, and Servant. Shy. How now, Tubal! what news from Genoa? hast thou found my daughter? Tub. I often came where I did hear of her, but cannot find her. Shy. Why, there, there, there, there! a diamond gone, cost me two thousand ducats in Frankfort! The curse never fell upon our nation till now; I never felt it till now: two thousand ducats in that; and other precious, precious jewels. I would my daughter were dead at my foot, and the jewels in her ear! would she were hearsed at my foot, and the ducats in her coffin! No news of them? Why, so: and I know not what's spent in the search: why, thou-loss upon loss! the thief gone with so much, and so much to find the thief; and no satisfaction, no revenge: nor no ill luck stirring but what lights on my shoulders; no sighs but of my breathing; no tears but of my shedding. 101 Tub. Yes, other men have ill luck too. Antonio, as I heard in Genoa,- Shy. What, what, what? ill luck, ill luck? Tub. hath an argosy cast away, coming from Tripolis. Shy. I thank God! I thank God! Is 't true? is 't true? Tub. I spoke with some of the sailors that escaped the wreck. 110 Shy. I thank thee, good Tubal. Good news, good news! ha! ha! Where? in Genoa? Tub. Your daughter spent in Genoa, as I heard, in one night fourscore ducats. Shy. Thou stickest a dagger in me: I shall never see my gold again: fourscore ducats at a sitting fourscore ducats! Tub. There came divers of Antonio's creditors in my company to Venice, that swear he cannot choose but break. 120 and Attendants. Por. I pray you, tarry: pause a day or two Before you hazard; for, in choosing wrong, I lose your company therefore forbear awhile. There's something tells me, but it is not love, I would not lose you; and you know yourself, Hate counsels not in such a quality. But lest you should not understand me well,— And yet a maiden hath no tongue but thought,I would detain you here some month or two Before you venture for me. I could teach you 10 How to choose right, but then I am forsworn; So will I never be so may you miss me; But if you do, you'll make me wish a sin, That I had been forsworn. Beshrew your eyes, They have o'erlook'd me and divided me : One half of me is yours, the other half yours, Mine own, I would say; but if mine, then yours, And so all yours. O these naughty times Put bars between the owners and their rights; And so, though yours, not yours. Prove it so, 20 Let fortune go to hell for it, not I. I speak too long; but 'tis to reise the time, To eke it and to draw it out in length, To stay you from election. Bass. Let me choose; For as I am, I live upon the rack. 30 Bass. None but that ugly treason of mistrust, Which makes me fear the enjoying of my love: There may as well be amity and life 'Tween snow and fire, as treason and my love. Por. Ay, but I fear you speak upon the rack, Where men enforced do speak any thing. Bass. Promise me life, and I'll confess the truth. Por. Well then, confess and live. Bass. 'Confess' and 'love' Had been the very sum of my confession: O happy torment, when my torturer Doth teach me answers for deliverance ! But let me to my fortune and the caskets. Por. Away then! I am lock'd in one of them: 40 If you do love me, you will find me out. Nerissa and the rest, stand all aloof. Let music sound while he doth make his choice; Then, if he lose, he makes a swan-like end, Fading in music: that the comparison May stand more proper, my eye shall be the stream 50 And watery death-bed for him. He may win ; 60 |