Essays, Biographical, Critical, and Historical: Illustrative of the Rambler, Adventurer, & Idler, and of the Various Periodical Papers Which, in Imitation of the Writings of Steele and Addison, Have Been Published Between the Close of the Eighth Volume of the Spectator, and the Commencement of the Year 1809, Volume 2 |
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Page 9
always complicated with a sense of guilt and remorse ; and generally produce
some hasty and zealous purposes of more uniform virtue and more ardent
devotion ; of something that may secure us not only from the worm that never dies
and ...
always complicated with a sense of guilt and remorse ; and generally produce
some hasty and zealous purposes of more uniform virtue and more ardent
devotion ; of something that may secure us not only from the worm that never dies
and ...
Page 17
... Positive Duties of Religion , as influencing moral conduct ; N° 46 , On
Detraction and Treachery ; N° 48 , On the Precept to Love our Enemies ; No 82 ,
On the Production of Personal Beauty by moral sentiment ; and • Murphy ' s
edition , vol .
... Positive Duties of Religion , as influencing moral conduct ; N° 46 , On
Detraction and Treachery ; N° 48 , On the Precept to Love our Enemies ; No 82 ,
On the Production of Personal Beauty by moral sentiment ; and • Murphy ' s
edition , vol .
Page 20
... at the request of Garrick , he turned his attention towards the stage . His first
production , in this province , was an alteration of Dryden ' s comedy of
Amphytrion , accompanied by new music ; and , in 1760 , he brought forward his “
Zimri ...
... at the request of Garrick , he turned his attention towards the stage . His first
production , in this province , was an alteration of Dryden ' s comedy of
Amphytrion , accompanied by new music ; and , in 1760 , he brought forward his “
Zimri ...
Page 21
About the period of his production of “ Zimri , ” he altered Southern ' s Tragedy of “
Oroonoko ” for Drury - Lane Theatre ; and in 1761 brought upon the same stage ,
an entertainment , ' under the title of “ Edgar and Emmeline . ” This is a Fairy ...
About the period of his production of “ Zimri , ” he altered Southern ' s Tragedy of “
Oroonoko ” for Drury - Lane Theatre ; and in 1761 brought upon the same stage ,
an entertainment , ' under the title of “ Edgar and Emmeline . ” This is a Fairy ...
Page 24
... where moral reflection , criticism , and arrangement , where elegance of
composition , weight of sentiment , and literary disquisition , are merely
demanded , Hawkesworth would have greatly excelled , and would have
produced a work fully ...
... where moral reflection , criticism , and arrangement , where elegance of
composition , weight of sentiment , and literary disquisition , are merely
demanded , Hawkesworth would have greatly excelled , and would have
produced a work fully ...
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Popular passages
Page 232 - Here Reynolds is laid, and to tell you my mind, He has not left a wiser or better behind : His pencil was striking, resistless, and grand : His manners were gentle, complying, and bland ; Still born to improve us in every part, His pencil our faces, his manners our heart...
Page 245 - Three poets in three distant ages born, Greece, Italy, and England did adorn; The first in loftiness of thought surpassed, The next in majesty; in both the last. The force of Nature could no further go, To make a third she joined the former two.
Page 283 - I was very glad to think of anything, rather than politics. In short, I was so engrossed with my tale, which I completed in less than two months, that one evening, I wrote from the time I had drunk my tea, about six o'clock, till half an hour after one in the morning, when my hand and fingers were so weary, that I could not hold the pen to finish the sentence, but left Matilda and Isabella talking, in the middle of a paragraph.
Page 232 - Still born to improve us in every part, His pencil our faces, his manners our heart : To coxcombs averse, yet most civilly steering, When they judged without skill, he was still hard of hearing : When they talk'd of their Raphaels, Correggios, and stuff, He shifted his trumpet,* and only took snuff.
Page 472 - Dictionary was written with little assistance of the learned and without any patronage of the great; not in the soft obscurities of retirement or under the shelter of academic bowers, but amidst inconvenience and distraction, in sickness and in sorrow.
Page 52 - I have been directed to chide, and even repulse, when an offence was either taken or given, at the very time that the heart of the chider or repulser was open before me, overflowing with esteem and affection, and the fair repulser, dreading to be taken at her word, directing this word, or that expression, to be softened or changed. One, highly gratified with her lover's fervour and vows of everlasting love, has said, when I have asked her direction, ' I cannot tell you what to write ; but (her heart...
Page 34 - ... at the reflection : but let not this be read as something that relates only to another ; for a few years only can divide the eye that is now reading from the hand that has written.
Page 225 - Whatever merit these Discourses may have, must be imputed in a great measure to the education which I may be said to have had under Dr. Johnson. I do not mean to say, though it certainly would be to the credit of these Discourses, if I could say it with truth, that he contributed even a single sentiment to them ; but he qualified my mind to think justly.
Page 120 - Fancy, from the scenes of folly, To meet the matron Melancholy, Goddess of the tearful eye, That loves to fold her arms, and sigh ; Let us with silent footsteps go To charnels and the house of woe, To Gothic churches, vaults, and tombs, Where each sad night some virgin comes, With throbbing breast, and faded cheek, Her promis'd bridegroom's um to seek; Or to some abbey's mould'ring tow'rs, Where, to avoid cold wintry show'rs, The naked beggar shivering lies, While whistling tempests round her rise,...
Page 120 - Mid forests dark of aged oak, Ne'er echoing with the woodman's stroke, Where never human art appear'd, Nor ev'n one straw-roof'd cott was rear'd, Where NATURE seems to sit alone, Majestic on a craggy throne; Tell me the path, sweet...
Bibliographic information
| Title | Essays, Biographical, Critical, and Historical: Illustrative of the Rambler, Adventurer, & Idler, and of the Various Periodical Papers Which, in Imitation of the Writings of Steele and Addison, Have Been Published Between the Close of the Eighth Volume of the Spectator, and the ..., Volume 2 Essays, Biographical, Critical, and Historical: Illustrative of the Rambler, Adventurer, & Idler, and of the Various Periodical Papers Which, in Imitation of the Writings of Steele and Addison, Have Been Published Between the Close of the Eighth Volume of the Spectator, and the Commencement of the Year 1809, Nathan Drake Volumes 4-5 of His Essays |
| Author | Nathan Drake |
| Publisher | J. Seeley, 1810 |
| Original from | the University of Michigan |
| Digitized | 6 May 2008 |
| Length | 499 pages |
| Export Citation | BiBTeX EndNote RefMan |