Essays, Biographical, Critical, and Historical: Illustrative of the Rambler, Adventurer, & Idler, and of the Various Periodical Papers Which, in Imitation of the Writings of Steele and Addison, Have Been Published Between the Close of the Eighth Volume of the Spectator, and the Commencement of the Year 1809, Volume 2 |
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Page 124
... double spring : How succ ' ry drinks the running stream , and how Green beds
of parsley near the river grow ; How cucumbers along the surface creep , With
crooked bodies , and with hellies deep . The late narcissus , and the winding trail
Of ...
... double spring : How succ ' ry drinks the running stream , and how Green beds
of parsley near the river grow ; How cucumbers along the surface creep , With
crooked bodies , and with hellies deep . The late narcissus , and the winding trail
Of ...
Page 125
For late returning home he supp ' d at ease , And wisely deem ' d the wealth of
monarchs less : The little of his own , because his own , did please . To quit his
care , he gather ' d first of all In spring the roses , apples in the fall : And when
cold ...
For late returning home he supp ' d at ease , And wisely deem ' d the wealth of
monarchs less : The little of his own , because his own , did please . To quit his
care , he gather ' d first of all In spring the roses , apples in the fall : And when
cold ...
Page 126
... love to grow On verdant banks where gurgling rivulets flow ; How best the
creeping cucumber may swell ; Nor daffodils late bloom would fail to tell ;
Acanthus ' bending stalks , nor ivy hoar , Nor myrtles green , that love the breezy
shore .
... love to grow On verdant banks where gurgling rivulets flow ; How best the
creeping cucumber may swell ; Nor daffodils late bloom would fail to tell ;
Acanthus ' bending stalks , nor ivy hoar , Nor myrtles green , that love the breezy
shore .
Page 127
... and widen into day ; How verdant celery decks its humid bed , How late - blown
flow ' rets round narcissus spread ; The lithe acanthus and the ivy hoar , And
myrtle blooming on the sea - beat shore . Yes , I remember , where Galesus leads
...
... and widen into day ; How verdant celery decks its humid bed , How late - blown
flow ' rets round narcissus spread ; The lithe acanthus and the ivy hoar , And
myrtle blooming on the sea - beat shore . Yes , I remember , where Galesus leads
...
Page 128
... planted lillies , vervain , poppies round ; Nor envied kings , when late , at
twilight close , Beneath his peaceful shed " he sought repose , And culld from
earth , with changeful plenty stord , Th ' unpurchas ' d feasts that pild his varied
board .
... planted lillies , vervain , poppies round ; Nor envied kings , when late , at
twilight close , Beneath his peaceful shed " he sought repose , And culld from
earth , with changeful plenty stord , Th ' unpurchas ' d feasts that pild his varied
board .
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Popular passages
Page 232 - Here Reynolds is laid, and to tell you my mind, He has not left a wiser or better behind : His pencil was striking, resistless, and grand : His manners were gentle, complying, and bland ; Still born to improve us in every part, His pencil our faces, his manners our heart...
Page 245 - Three poets in three distant ages born, Greece, Italy, and England did adorn; The first in loftiness of thought surpassed, The next in majesty; in both the last. The force of Nature could no further go, To make a third she joined the former two.
Page 283 - I was very glad to think of anything, rather than politics. In short, I was so engrossed with my tale, which I completed in less than two months, that one evening, I wrote from the time I had drunk my tea, about six o'clock, till half an hour after one in the morning, when my hand and fingers were so weary, that I could not hold the pen to finish the sentence, but left Matilda and Isabella talking, in the middle of a paragraph.
Page 232 - Still born to improve us in every part, His pencil our faces, his manners our heart : To coxcombs averse, yet most civilly steering, When they judged without skill, he was still hard of hearing : When they talk'd of their Raphaels, Correggios, and stuff, He shifted his trumpet,* and only took snuff.
Page 472 - Dictionary was written with little assistance of the learned and without any patronage of the great; not in the soft obscurities of retirement or under the shelter of academic bowers, but amidst inconvenience and distraction, in sickness and in sorrow.
Page 52 - I have been directed to chide, and even repulse, when an offence was either taken or given, at the very time that the heart of the chider or repulser was open before me, overflowing with esteem and affection, and the fair repulser, dreading to be taken at her word, directing this word, or that expression, to be softened or changed. One, highly gratified with her lover's fervour and vows of everlasting love, has said, when I have asked her direction, ' I cannot tell you what to write ; but (her heart...
Page 34 - ... at the reflection : but let not this be read as something that relates only to another ; for a few years only can divide the eye that is now reading from the hand that has written.
Page 225 - Whatever merit these Discourses may have, must be imputed in a great measure to the education which I may be said to have had under Dr. Johnson. I do not mean to say, though it certainly would be to the credit of these Discourses, if I could say it with truth, that he contributed even a single sentiment to them ; but he qualified my mind to think justly.
Page 120 - Fancy, from the scenes of folly, To meet the matron Melancholy, Goddess of the tearful eye, That loves to fold her arms, and sigh ; Let us with silent footsteps go To charnels and the house of woe, To Gothic churches, vaults, and tombs, Where each sad night some virgin comes, With throbbing breast, and faded cheek, Her promis'd bridegroom's um to seek; Or to some abbey's mould'ring tow'rs, Where, to avoid cold wintry show'rs, The naked beggar shivering lies, While whistling tempests round her rise,...
Page 120 - Mid forests dark of aged oak, Ne'er echoing with the woodman's stroke, Where never human art appear'd, Nor ev'n one straw-roof'd cott was rear'd, Where NATURE seems to sit alone, Majestic on a craggy throne; Tell me the path, sweet...