A History of Modern Criticism 1750-1950: Volume 1, The Later Eighteenth CenturyVol. 2 is missing from the series. |
From inside the book
Results 1-5 of 58
Page
... Johnson 79 6. The Minor English and Scottish Critics 105 7. Italian Criticism 133 8. Lessing and His Precursors 144 9. Storm and Stress , and Herder 176 10. Goethe 201 11. Kant and Schiller 227 Bibliographies and Notes 257 List of ...
... Johnson 79 6. The Minor English and Scottish Critics 105 7. Italian Criticism 133 8. Lessing and His Precursors 144 9. Storm and Stress , and Herder 176 10. Goethe 201 11. Kant and Schiller 227 Bibliographies and Notes 257 List of ...
Page 3
Sorry, this page's content is restricted.
Sorry, this page's content is restricted.
Page 6
Sorry, this page's content is restricted.
Sorry, this page's content is restricted.
Page 9
Sorry, this page's content is restricted.
Sorry, this page's content is restricted.
Page 30
Sorry, this page's content is restricted.
Sorry, this page's content is restricted.
Contents
Preface Introduction | 1 |
Neoclassicism and the New Trends of the Time | 12 |
Voltaire | 31 |
Diderot | 46 |
The Other French Critics | 62 |
Dr Johnson | 79 |
The Minor English and Scottish Critics | 105 |
Italian Criticism | 133 |
Storm and Stress and Herder | 176 |
Goethe | 201 |
Kant and Schiller | 227 |
Bibliographies and Notes | 257 |
List of Abbreviations and Short Titles | 258 |
Chronological Table of Works | 341 |
347 | |
355 | |
Other editions - View all
Common terms and phrases
18th century action actual admired aesthetics ancient argued argument artist beauty become called character classical common completely conception considered Corneille course criticism described Diderot discussion drama early effect emotional England English epic especially Essay expression feeling French genius genres German Goethe Goethe's Greek Herder Homer human Ibid ideal ideas images imagination imitation important individual influence interest interpretation Italy Johnson kind language later Lessing letter literary literature Lives means merely mind moral nature neoclassical never object original painting Paris passages passions philosophical plays poem poet poetic poetry practice praise purely reason recognizes represented romantic rules Schiller seems sense sentimental Shakespeare speak stage style sublime taste theory things thought tion tradition tragedy translation truth unity universal Voltaire wants Werke whole writings