The Works of Samuel Johnson, LL. D.G. Walker, 1820 - English literature |
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Page 28
... fantastic face Thro ' all the turns of matter's maze did trace ; Great Nature's well - set clock in pieces took : On all the springs and smallest wheels did look COWLEY . Of life and motion , and with equal art the 28 COWLEY .
... fantastic face Thro ' all the turns of matter's maze did trace ; Great Nature's well - set clock in pieces took : On all the springs and smallest wheels did look COWLEY . Of life and motion , and with equal art the 28 COWLEY .
Page 29
Samuel Johnson, Arthur Murphy. Of life and motion , and with equal art the whole again of every part . Made up COWLEY . A coal - pit has not often found its poet ; but , that it may not want its due honour , Cleiveland has pa- ralleled ...
Samuel Johnson, Arthur Murphy. Of life and motion , and with equal art the whole again of every part . Made up COWLEY . A coal - pit has not often found its poet ; but , that it may not want its due honour , Cleiveland has pa- ralleled ...
Page 40
... equal pleasure . The artifices of inversion , by which the established or- der of words is changed , or of innovation , by which new words or meanings of words are introduced , is practised , not by those who talk to be understood , but ...
... equal pleasure . The artifices of inversion , by which the established or- der of words is changed , or of innovation , by which new words or meanings of words are introduced , is practised , not by those who talk to be understood , but ...
Page 45
... equal measure dance ; While the dance lasts , how long soe'er it be , My music's voice shall bear it company ; Till all gentle notes be drown'd In the last trumpet's dreadful sound . After such enthusiasm , who will not lament to find ...
... equal measure dance ; While the dance lasts , how long soe'er it be , My music's voice shall bear it company ; Till all gentle notes be drown'd In the last trumpet's dreadful sound . After such enthusiasm , who will not lament to find ...
Page 60
... equal which the tallest pine Hewn on Norwegian hills , to be the mast Of some great admiral , were but a wand He walked with . His diction was in his own time censured as neg- ligent . He seems not to have known , or not to have ...
... equal which the tallest pine Hewn on Norwegian hills , to be the mast Of some great admiral , were but a wand He walked with . His diction was in his own time censured as neg- ligent . He seems not to have known , or not to have ...
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Absalom and Achitophel admired Æneid afterwards ancients appears beauties better blank verse called censure character Charles Charles Dryden composition considered Cowley criticism death defend delight diction dramatic Dryden duke earl elegance English English poetry Euripides excellence fancy faults favour friends genius Georgics heaven heroic honour hope Hudibras images imagination imitation Jacob Tonson John Dryden Juvenal kind king known labour lady language Latin learning lines Lord Lord Roscommon Milton mind nature never NIHIL numbers opinion Paradise Lost Paradise Regained parliament passions perhaps perusal Philips Pindar play pleasing pleasure poem poet poetical poetry pounds praise preface produced published racters reader reason relates remarks reputation rhyme satire says seems sent sentiments shew sometimes Sprat style supposed thee thing thou thought tion tragedy translation truth verses versification Virgil virtue Waller words write written wrote
Popular passages
Page 74 - O could I flow like thee, and make thy stream My great example, as it is my theme! Though deep, yet clear, though gentle, yet not dull, Strong without rage, without o'er-flowing full.
Page 73 - Damn with faint praise, assent with civil leer, And without sneering, teach the rest to sneer; Willing to wound and yet afraid to strike, Just hint a fault and hesitate dislike; Alike...
Page 375 - DRYDEN may be properly considered as the father of English criticism, as the writer who first taught us to determine upon principles the merit of composition. Of our former poets, the greatest dramatist wrote without rules, conducted through life and nature by a genius that rarely misled, and rarely deserted him. Of the rest, those who knew the laws of propriety had neglected to teach them.
Page 35 - To move, but doth if th' other do. And though it in the center sit, Yet when the .other far doth roam, It leans and hearkens after it, And grows erect as that comes home. Such wilt thou be to me, who must, Like th' other foot, obliquely run: Thy firmness makes my circle just, And makes me end where I begun.
Page 206 - At the moment in which he expired, he uttered, with an energy of voice, that expressed the most fervent devotion, two lines of his own version of Dies Ira; : My God, my father, and my friend, Do not forsake me in my end.
Page 144 - It is not to be considered as the effusion of real passion ; for passion runs not after remote allusions and obscure opinions. Passion plucks no berries from the myrtle and ivy, nor calls upon Arethuse and Mincius, nor tells of rough satyrs and fauns with cloven heel.
Page 404 - Blest above; So when the last and dreadful hour This crumbling pageant shall devour, The trumpet shall be heard on high, The dead shall live, the living die, And Music shall untune the sky!
Page 130 - Fancy can hardly forbear to conjecture with what temper Milton surveyed the silent progress of his work, and marked his reputation stealing its way in a kind of subterraneous current, through fear and silence. I cannot but conceive him calm and confident, little disappointed, not at all dejected, relying on his own merit with steady consciousness, and waiting without impatience, the vicissitudes of opinion, and the impartiality of a future generation.
Page 394 - To see this fleet upon the ocean move, Angels drew wide the curtains of the skies; And Heaven, as if there wanted lights above, For tapers made two glaring comets rise.
Page 19 - Their attempts were always analytic ; they broke every image into fragments: and could no more represent, by their slender conceits 'and laboured particularities, the prospects of nature or the scenes of life, than he who dissects a sunbeam with a prism can exhibit the wide effulgence of a summer noon.