Picturing Islam: Art and Ethics in a Muslim LifeworldPicturing Islam: Art and Ethics in a Muslim Lifeworld explores issues of religion, nationalism, ethnicity, and globalization through the life and work of the prominent contemporary Indonesian artist Abdul Djalil Pirous.
|
Contents
Becoming a Muslim Citizen and Artist | |
Revelations and Compulsions | |
Diptych Making Art Islamic and Making Islamic | |
Spiritual Notes in the Social World | |
Anguish Betrayal Uncertainty and Faith | |
A Retrospective | |
Choosing a Frame | |
Other editions - View all
Common terms and phrases
abstract Aceh Acehnese acrylic on canvas Allah anthropology Arabic script art history art world artist and Yayasan Asia Asian Bandung calligraphic paintings collectors color contemporary Indonesian courtesy of Yayasan da’wah Decenta display divine Dutch dzikir Erna etching ethical ethnographic exhibit expression faith feel Figure friends friendship gallery gesture global God’s gold leaf Hamidah Holy ideas images Indonesian Indonesian art Indonesian artist Islamic art Jakarta Jawi kasab Kirin legibility lifeworld look lstiqlal Festival marble paste Meulaboh modernist Mosque Mouna Muhammad Museum Mushaf Muslim Muslim artists Muslim community nation-state night one’s painter painterly Photograph courtesy Picturing Islam Piroes Pirous’s Pirous’s paintings plate political postcolonial prayer Qur’anic calligraphy Qur’anic paintings Qur’anic passages Qur’anic verse recitation reflection religion Religious Affairs religious authorities retrospective show Sadali salat Soeharto spiritual notes story subjectivity Sukarno Sura Surat lchlas tarawih Teuku Oemar violence visual culture War in Aceh writing Yayasan Serambi Pirous