Lives of the English Poets: With an Introduction by Arthur Waugh, Volume 1Frowde |
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Page ix
... true as this is of all art , it is particularly true of criticism , which can , of course , only proceed in accordance with the standards of its time , and which , of all forms of literary ex- pression , shifts its ground most rapidly ...
... true as this is of all art , it is particularly true of criticism , which can , of course , only proceed in accordance with the standards of its time , and which , of all forms of literary ex- pression , shifts its ground most rapidly ...
Page xvii
... true influences of art , even when they seem to break through the veil of his own conventions . And even if his sense of the uses of imagination is confined , and if reason and the moral sense become too frequently identified , what a ...
... true influences of art , even when they seem to break through the veil of his own conventions . And even if his sense of the uses of imagination is confined , and if reason and the moral sense become too frequently identified , what a ...
Page 66
... true , that Milton was the first Englishman who , after the revival of letters , wrote Latin verses with classick elegance . If any exceptions can be made , they are very few : Haddon and Ascham , the pride of Elizabeth's reign ...
... true , that Milton was the first Englishman who , after the revival of letters , wrote Latin verses with classick elegance . If any exceptions can be made , they are very few : Haddon and Ascham , the pride of Elizabeth's reign ...
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Absalom and Achitophel Addison admiration afterwards ancient appears beauties better blank verse Cato censure character Charles Dryden compositions considered Cowley criticism death delight diction diligence dramatick Dryden duke Earl elegance English excellence fancy favour friends genius heroick honour Hudibras images imagination imitation Jacob Tonson John Dryden judgement Juvenal kind King known labour Lady language Latin learning lines lived lord Lord Conway Lord Roscommon Milton mind nature never NIHIL numbers observed opinion Paradise Lost passions perhaps Philips Pindar play pleasure poem poet poetical poetry Pope pounds praise preface produced publick published reader reason relates remarks reputation rhyme satire says seems Sempronius sentiments shew shewn sometimes Sprat style supposed Syphax Tatler thing thou thought tion told tragedy translation truth Tyrannick Love verses versification Virgil virtue Waller Whig words write written wrote