Thinking about the Playwright: Comments from Four Decades

accept acting actor actually Aeschylus American answer artist audience become begin believe better Brecht Broadway called century certainly character claim classic comedy comes Commitment Communism course criticism culture direct drama effect example existence experience expressed fact feel follows give given hand happened human Ibsen idea implies important individual interest kind later least less literature living look Marxism matter means mind natural never O'Neill offer original performance perhaps person play playwright political possible present produced propaganda question reason role seems sense Shakespeare Shaw side social speak stage Stark suggest surely talk tell theatre things thought translation true turn Wagner whole wish write written wrong York Young