The Disney Version: The Life, Times, Art and Commerce of Walt Disney“The single most illuminating work on America and the movies” (The Kansas City Star): the story of how a shy boy from Chicago crashed Hollywood and created the world’s first multimedia entertainment empire—one that shapes American popular culture to this day. When Walter Elias Disney moved to Hollywood in 1923, the twenty-one-year-old cartoonist seemed an unlikely businessman—and yet within less than two decades, he’d transformed his small animation studio into one of the most successful and beloved brands of the twentieth century. But behind Disney’s boisterous entrepreneurial imagination and iconic characters lay regressive cultural attitudes that, as The Walt Disney Company’s influence grew, began to not simply reflect the values of midcentury America but actually shape the country’s character. Lauded as “one of the best studies ever done on American popular culture” (Stephen J. Whitfield, Professor of American Civilization at Brandeis University), Richard Schickel’s The Disney Version explores Walt Disney’s extraordinary entrepreneurial success, his fascinatingly complex character, and—decades after his death—his lasting legacy on America. |
Contents
Introduction to the Third Edition | 1 |
Foreword | 9 |
A Trial Balance | 15 |
Touching Earth | 47 |
K C to L A | 71 |
Back to the Drawing Board | 95 |
Bringing Forth the Mouse | 125 |
Everyone Grows Up | 147 |
Disneys Folly | 183 |
Other editions - View all
The Disney Version: The Life, Times, Art and Commerce of Walt Disney Richard Schickel Limited preview - 2019 |
The Disney Version: The Life, Times, Art, and Commerce of Walt Disney Richard Schickel No preview available - 1985 |
Common terms and phrases
Alice American amusement park animated features animated films appeared artist attempt audience Audio-Animatronics basic beginning brother camera cartoon character color comedy comic course created creation critical culture decade Disney later Disney Studio Disney’s Disneyland dollars drawing dream Dumbo early effect employees Fantasia figure finally forced gross Hollywood humor idea imagination industry intellectual Iwerks Kansas City least live live-action Magic Kingdom Mary Poppins matter ment Mickey Mouse million move multiplane camera nature never percent perhaps period picture Pinocchio popular problem profits release Roy Disney screen Screen Cartoonists Guild seemed sense sequence Silly Symphonies simply Snow White sort sound Steamboat Willie story style success techniques technological television theater thing thought Three Little Pigs tion told tradition trying turned Ub Iwerks Walt Disney Productions wanted young
