The dyer's instructer |
From inside the book
Results 1-5 of 31
Page 39
... warm Water , to which add one pint of Fish Oil , mix it well together and give it a little of it in a tub of warm water . No. 15 . 20 lbs . OF COTTON . - FAST DRAB . Boil up 6 lbs . of Mahogany Sawdust . Draw the clear Liquor into a tub ...
... warm Water , to which add one pint of Fish Oil , mix it well together and give it a little of it in a tub of warm water . No. 15 . 20 lbs . OF COTTON . - FAST DRAB . Boil up 6 lbs . of Mahogany Sawdust . Draw the clear Liquor into a tub ...
Page 42
... water , add 4 lbs . of Sumac ; steep in this for an hour . Sadden in another tub of cold water , with 2 lbs . of dissolved Copperas , give 8 turns , wring out , enter another tub of warm water , with a pailful of Urine . Then dye in ...
... water , add 4 lbs . of Sumac ; steep in this for an hour . Sadden in another tub of cold water , with 2 lbs . of dissolved Copperas , give 8 turns , wring out , enter another tub of warm water , with a pailful of Urine . Then dye in ...
Page 43
... warm water , add 8 ozs . of Turmeric , 4 ozs . of Logwood , and 8 lbs . of Fustic ; raise in the same Liquor with 2 lbs . of Alum . Give 10 turns before and 10 turns after saddening , and wash off for the stove . No. 26 . 20 lbs . OF ...
... warm water , add 8 ozs . of Turmeric , 4 ozs . of Logwood , and 8 lbs . of Fustic ; raise in the same Liquor with 2 lbs . of Alum . Give 10 turns before and 10 turns after saddening , and wash off for the stove . No. 26 . 20 lbs . OF ...
Page 46
... warm water , enter the Cotton , give 8 turns , wring out , and enter another tub of hot water with 8 ozs . of Chrome , at the boiling point ; give 6 ends , and then wash off for the stove . No. 33 . 20 lbs . OF COTTON . - DARKER CATECHU ...
... warm water , enter the Cotton , give 8 turns , wring out , and enter another tub of hot water with 8 ozs . of Chrome , at the boiling point ; give 6 ends , and then wash off for the stove . No. 33 . 20 lbs . OF COTTON . - DARKER CATECHU ...
Page 48
... water add 5 lbs . of Sumac , give a few turns and steep in it all night . In another tub of cold water add Spirits until it stands at 3 ° Twaddell , give 8 turns , wash in cold water , and warm also . Then in a Copper or Block Tin ...
... water add 5 lbs . of Sumac , give a few turns and steep in it all night . In another tub of cold water add Spirits until it stands at 3 ° Twaddell , give 8 turns , wash in cold water , and warm also . Then in a Copper or Block Tin ...
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Common terms and phrases
15 Pieces according to shade add 1 lb add 1 quart add a little Alum Annotta Archil Blue Spirits Blue Vitriol Boil 1 hour Boil 40 minutes Boil half boiling heat Brown Tartar Camwood Chrome clean vessel clear Liquor Copperas Vat COTTON & WORSTED Cotton Dye CRIMSON dark darker shades Dry Cochineal dyed by adding Finish with 20 gill of Liquid give 10 turns GREEN half an hour Liquid Extract Logwood Madder mode of dyeing Muriate of Tin Nitrate of Iron Nitrate of Tin noggin Oil of Vitriol Old Fustic OLIVE Paste Cochineal Paste Cudbear Peachwood Pearlash pints of Nitrate pints of Spirits Prussiate of Potash PURPLE quart of Oil quarts of Nitrate quarts of Spirits Red Argol sadden Safflower SCARLET shade is required spoonfuls of Liquid Sumac Super Argol tub of cold Turmeric Twaddell vessel with 20 warm water WARP wash White Argol WORSTED DAMASKS Worsted Dye Yellow Young Fustic
Popular passages
Page 285 - Colours, and how they are mixed. It is difficult, however, to convey to any person not acquainted with matching, the nicety of bringing up the particular hue required. It can be obtained only by practice. NB— Though there are many different colours or tints in the works of nature, and also in objects produced by art, yet all the colours that we see, or can imagine, are formed of only three colours, called the primary colours, viz.‎
Page 285 - JBy adding more blue to the mixture, we make violet. Brown, lilac, drab, grey, and other colours or tints, are in the same manner formed by mixing the primary colours. White is perfect lightness, or the absence of all colour, and black is perfect darkness. Properly speaking, white and black are not colours, but they are seen both in nature and art. Snow gives us one of the best examples of whiteness ; and pure linen and cotton cloth and paper are likewise very white. White is sometimes called blank,...‎