The Union of Architecture, Sculpture, and Painting, Exemplified by a Series of Illustrations, with Descriptive Accounts of the House and Galleries of John Soane |
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Page x
... scene . Entering a monastery , it turned Christian , assumed the cowl or the mitre , the pilgrim's scrip and cockle hat , or the crusader's shield and lance , as time and place demanded : -- raised churches , abbeys , and castles with ...
... scene . Entering a monastery , it turned Christian , assumed the cowl or the mitre , the pilgrim's scrip and cockle hat , or the crusader's shield and lance , as time and place demanded : -- raised churches , abbeys , and castles with ...
Page xvi
... scene itself , and displays many objects of antique art , a model of one side of the Bank , & c . PLATE XV . View of the Egyptian Sarcophagus . PLATE XVI . Elevations of the two sides , interior and exterior , and of the two ends , with ...
... scene itself , and displays many objects of antique art , a model of one side of the Bank , & c . PLATE XV . View of the Egyptian Sarcophagus . PLATE XVI . Elevations of the two sides , interior and exterior , and of the two ends , with ...
Page 2
... scenes , within limits apparently inadequate , and under circumstances certainly not the most propitious . We have undoubtedly , in this country , many noble mansions , fitted up with all the costly decorations that opulence can command ...
... scenes , within limits apparently inadequate , and under circumstances certainly not the most propitious . We have undoubtedly , in this country , many noble mansions , fitted up with all the costly decorations that opulence can command ...
Page 3
... scene , might also , with propriety , be introduced at the extremity of a long corridor , especially if seen through a real arch or colonnade , with a railing or ballustrade to prevent so close an approach as to destroy the illusion ...
... scene , might also , with propriety , be introduced at the extremity of a long corridor , especially if seen through a real arch or colonnade , with a railing or ballustrade to prevent so close an approach as to destroy the illusion ...
Page 13
... scene . Which- ever way he turns , he discovers a picture varying at every step . The light and shade is so artfully arranged , to produce the most piquant contrasts , that what has In many large country mansions , we find a succession ...
... scene . Which- ever way he turns , he discovers a picture varying at every step . The light and shade is so artfully arranged , to produce the most piquant contrasts , that what has In many large country mansions , we find a succession ...
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admire adorned antient apartment appearance arches archi architect architectural fragments arrangement artist Bank of England beautiful Britton Burton Street bronze building CATHEDRAL ceiling character classical classical architecture colour columns Court display dome doors drawings eating-room edifices Egyptian elegant elevations embellishment Engravings entablatures essay exhibit fancy feet floor former forms Francis Bourgeois genius Grecian HISTORY AND ANTIQUITIES HOUSE OF JOHN House of Lords illustrated India Paper Inigo Jones interesting JOHN BRITTON JOHN SOANE LINCOLNS KEUX lanthorn latter light LINCOLNS INN FIELDS marble Medium 4to mirrors models Monk's Museum numerous original ornaments palace of Westminster pannels Picture Cabinet picturesque effect Plate pleasing present produce Rake's Progress recess remarks rendered rich Roman architecture Royal Gallery Sarcophagus Sarcophagus-room SCULPTURE & PAINTING side sky-light Soane's specimens stained glass stair-case style talent taste tectural UNION OF ARCHITECTURE variety vases vestibule volume walls whilst
Popular passages
Page 54 - I was pleased with the reply of a gentleman, who being asked which book he esteemed most in his library, answered, — " Shakspeare: " being asked which he esteemed next best, replied, —
Page 51 - Disquisitions upon the painted Greek Vases, and their probable connection with the shows of the Eleusinian and other mysteries, by JC,' London, 1825, 4to, plates. 6. ' An Inquiry into the Early History of Greek Sculpture, by the late JC,
Page 46 - Forsyth) the immemorial antiquity of these ruins, their astonishing preservation, their grandeur, their bold columnar elevation, at once massive and open, their severe simplicity of design — that simplicity in which art generally begins, and to which, after a thousand revolutions of ornaments, it again returns — taking all, I say, into one view, I do not hesitate to call these the most impressive monuments that I ever beheld on earth."* The cases in this Gallery contain books belonging to the...
Page 46 - Taking into view (says Forsyth, ) the immemorial antiquity of these ruins, their astonishing preservation, their grandeur, their bold columnar elevation, at once massive and open, their severe simplicity of design — that simplicity in which art generally begins, and to which, after a thousand revolution* of ornaments, it again returns — taking all, I say, into one view, I do not hesitate to call these the most impressive monuments that I ever beheld on earth.
Page 4 - On painted ceilings you devoutly stare, Where sprawl the saints of Verrio or Laguerre, On gilded clouds in fair expansion lie, And bring all paradise before your eye. To rest, the cushion and soft dean invite, Who never mentions hell to ears polite.
Page 23 - we are indebted, in an eminent degree, for the classical and appropriate style which now generally characterises our furniture and domestic utensils. Like most other innovations, his was described as whimsical and puerile by some' persons — as if it were unbecoming a man of fortune to indulge in the elegant refinements which wealth placed at his command: whilst others caricatured the system, by cramming their apartments with mythological figures and conceits, jumbled together without propriety...
Page 47 - The time, nor distant far, shall come, When England's tasteful youth no more Shall wander to Italia's classic shore ; No more to foreign climes shall roam In search of models—better found at home.