Women, the Recited Qur’an, and Islamic Music in Indonesia

Front Cover
University of California Press, Aug 23, 2010 - Music - 312 pages
"Rasmussen has written a classic study of the world of Islamic soundscapes, performances and forms of musical piety in that most complex of societies, Indonesia. With great sensitivity, an alert musical response to players, reciters and audiences, a keen practitioner's ear and eye for subtlety as well as for the complexities of 'noise', she changes common assumptions about Muslim music and, not least, gender in changing Islamic ritual cultures. Her own political awareness and her professional as well as personal relations with women Qu'ran reciters contribute to an exciting an original volume that I recommend to any one exploring the riches of Islamic performances and debates in the contemporary world."—Michael Gilsenan, author of Lords of the Lebanese Marches: Violence and Narrative in an Arab Society
 

Contents

Setting the Scene
1
Hearing Islam in the Atmosphere
38
The Institutionalization of the Recited Quran
74
The Festivalization of the Quran
125
Performing Piety through Islamic Musical Arts
166
Rethinking Women Music and Islam
211
Notes
245
Glossary
273
Index
297
Copyright

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About the author (2010)

Anne K. Rasmussen is Associate Professor of Music at the College of William and Mary.