Walter Scott and Modernity

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Edinburgh University Press, Apr 19, 2007 - Literary Criticism - 264 pages
Walter Scott and Modernity argues that, far from turning away from modernity to indulge a nostalgic vision of the past, Scott uses the past as means of exploring key problems in the modern world.This study includes critical introductions to some of the most widely read poems published in nineteenth-century Britain (which are also the most scandalously neglected), and insights into the narrative strategies and ideological interests of some of Scott's greatest novels. It explores the impact of the French revolution on attitudes to tradition, national heritage, historical change and modernity in the romantic period, considers how the experience of empire influenced ideas about civilized identity, and how ideas of progress could be used both to rationalise the violence of empire and to counteract demands for political reform. It also shows how current issues of debate - from relations between Western and Islamic cultures, to the political significance of the private conscience in a liberal society - are
 

Contents

Chapter 1 Introduction
1
Chapter 2 Towards the Modern Nation
30
Chapter 3 The Condition of England
67
Chapter 4 Western Identities and the Orient
89
Chapter 5 Commerce Civilisation War and the Highlands
121
Scott and Covenanting Tradition
151
Liberty or Alienation?
188
Chapter 8 Postscript
218
Bibliography
222
Index
244
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About the author (2007)

Andrew Lincoln is a Senior Lecturer in the School of English and Drama at Queen Mary, University of London. He is the author of Spiritual History(OUP, 1996), and editor of Songs of Innocence and Experienceby William Blake (The William Blake Trust/The Tate Gallery, 1991).

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