WHEN JANUAR' WIND. Tune-" The Lass that made the Bed to Me." I. WHEN Januar' wind was blawing cauld, II. By my good luck a maid I met, III. I bow'd fu' low unto this maid, And thank'd her for her courtesie; I bow'd fu' low unto this maid, And bade her mak a bed to me. IV. She made the bed baith large and wide, Wi' twa white hands she spread it down; She put the cup to her rosy lips, And drank, "Young man, now sleep ye soun"." V. She snatch'd the candle in her hand, To lay some mair below my head. VI. A cod she laid below my head, I put my arms about her neck. VII. "Haud aff your hands, young man," she says, "And dinna sae uncivil be: If ye hae onie love for me, O wrang na my virginitie!" VIII. Her hair was like the links o' gowd, Her cheeks like lilies dipt in wine, IX. Her bosom was the driven snaw, X. I kiss'd her owre and owre again, And aye she wist na what to say; XI. Upon the morrow when we rose, XII. I clasp'd her waist, and kiss'd her syne, While the tear stood twinklin' in her e'e; I said, "My lassie, dinna cry, For ye ay shall mak the bed to me." XIII. She took her mither's Holland sheets, Blythe and merry may she be, The lass that made the bed to me. XIV. The bonnie lass made the bed to me, The lass that made the bed to me! When Charles the Second was in Scotland during the days of Cromwell, he gave great offence to the kirk by the looseness of his language, and the open freedom of his gallantries. Before the fatal expedition into England, he had an intrigue with a young lady of the house of Port Letham, and his success was recorded by a cavalier minstrel in words which were once popular both in Scotland and England :— "There was a lass dwelt in the north, A bonnie lass of high degree; A bonnie lass, and her name was Nell, CHORUS. "O the bed to me, the bed to me, Burns took up the old song-which was sadly corrupted—and, exercising a poet's skill upon it, manufactured the present version, and sent it to the Musical Museum. He meditated alterations in it, and made a few, but not with his usual felicity in the amended copy he makes the heroine a humble maiden, and changes the character of the composition. SAE FAR AWA. Tune-" Dalkeith Maiden Bridge." I. O, SAD and heavy should I part, II. How true is love to pure desert, Nane other love, nane other dart, Than her's, the fair sae far awa. |