The Summing UpAutobiographical and confessional, and yet not, this is one of the most highly regarded expressions of a personal credo - both a classic avowal of an author's ideas and his craft. |
From inside the book
Results 1-3 of 25
Page 43
They destroy their persuasiveness ; you would not believe a man was very intent on ploughing a furrow if he carried a hoop with him and jumped through it at every other step . A good style should show no sign of effort .
They destroy their persuasiveness ; you would not believe a man was very intent on ploughing a furrow if he carried a hoop with him and jumped through it at every other step . A good style should show no sign of effort .
Page 58
My observation has led me to believe that , all in all , there is not so much difference between the good and the bad as the moralists would have us believe . I have not on the whole taken people at their face value .
My observation has led me to believe that , all in all , there is not so much difference between the good and the bad as the moralists would have us believe . I have not on the whole taken people at their face value .
Page 141
For the drama is make - believe . It does not deal with truth but with effect . That willing suspension of disbelief of which Coleridge wrote is essential to it . The importance of truth to the dramatist is that it adds to interest ...
For the drama is make - believe . It does not deal with truth but with effect . That willing suspension of disbelief of which Coleridge wrote is essential to it . The importance of truth to the dramatist is that it adds to interest ...
What people are saying - Write a review
Reviews aren't verified, but Google checks for and removes fake content when it's identified
LibraryThing Review
User Review - hellbent - LibraryThingThis is one of the best books I read for providing a philosophical view of life. It is a book I intend to read again. Read full review
Other editions - View all
Common terms and phrases
able accept action actors admire appearance artist asked audience beauty believe better called cause character common course critic deal difficult discover drama dramatist easy effect emotion English existence experience eyes fact feeling fiction follow forced gave give given hard human ideas imagination important instinct interest Italy knew knowledge least less literature live longer look matter Maugham means mind nature never novel once passing pattern perfect perhaps persons philosophers picture play pleasure possible present produced prose reader reason seemed seen sense short sometimes sort speak story success suggested suppose taken tell theatre things thought tion told took true truth turn universe wanted whole write written wrote young