The Summing UpAutobiographical and confessional, and yet not, this is one of the most highly regarded expressions of a personal credo - both a classic avowal of an author's ideas and his craft. |
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Page 135
( By action of course I do not mean merely physical action : from the standpoint of the theatre a character who says , I have a headache , performs an action as much as one who falls off a steeple . ) When the plays these authors write ...
( By action of course I do not mean merely physical action : from the standpoint of the theatre a character who says , I have a headache , performs an action as much as one who falls off a steeple . ) When the plays these authors write ...
Page 230
But the end of the artist and the end of other men are different , for the end of the artist is production while the end of other men is right action . And so the artist's attitude to life is in a certain way peculiar to himself .
But the end of the artist and the end of other men are different , for the end of the artist is production while the end of other men is right action . And so the artist's attitude to life is in a certain way peculiar to himself .
Page 309
But goodness is shown in right action and who can tell in this meaningless world what right action is ? It is not action that aims at happiness ; it is a happy chance if happiness results . Plato , as we know , enjoined upon his wise ...
But goodness is shown in right action and who can tell in this meaningless world what right action is ? It is not action that aims at happiness ; it is a happy chance if happiness results . Plato , as we know , enjoined upon his wise ...
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User Review - hellbent - LibraryThingThis is one of the best books I read for providing a philosophical view of life. It is a book I intend to read again. Read full review
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able accept action actors admire appearance artist asked audience beauty believe better called cause character common course critic deal difficult discover drama dramatist easy effect emotion English existence experience eyes fact feeling fiction follow forced gave give given hard human ideas imagination important instinct interest Italy knew knowledge least less literature live longer look matter Maugham means mind nature never novel once passing pattern perfect perhaps persons philosophers picture play pleasure possible present produced prose reader reason seemed seen sense short sometimes sort speak story success suggested suppose taken tell theatre things thought tion told took true truth turn universe wanted whole write written wrote young