Nicholas Rowe and the Beginnings of Feminism on the London StageNicholas Rowe flourished during the first quarter of the 18thc: he was poet laureate to George I, the author of eight plays(three of which were great successes) and he was the esteemed translator of Lucan's PHARSALIA as well as the first modern editor of Shakespeare's plays. But most of all he was known as a playwright. Rowe's 'She-tragedies" gave great prominence to women characters and further developed the Whig virtues of the ruling political elite: individual freedom and a belief in a strong parliament which would bring the cause of the people before a constitutionally limited, reasonable monarchy. Professor Sennett's new monograph discusses Rowe's vision of women caught up by tragic, unreasonable threat or menace. He also explores the literary and the political stakes in late Stuart and early Hanoverian theatre.. New material on Rowe's life and his attempt to include ideas that can be described as incipient feminism are brought forward. While not a general biography, Sennett's new work is a contribution to the scholarship that has called for a new examination of Rowe and the Whig London of the early 18th century. |
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Page 49
... performances by the Queen Henrietta Maria . And in 1656 , Davenant had cast a woman ( a Mrs. Coleman ) to perform the lead role of Ianthe in the first performance of the Seige of Rhodes , performed before a private audience at Rutland ...
... performances by the Queen Henrietta Maria . And in 1656 , Davenant had cast a woman ( a Mrs. Coleman ) to perform the lead role of Ianthe in the first performance of the Seige of Rhodes , performed before a private audience at Rutland ...
Page 127
... performances . The index to The London Stage : 1660-1800 lists over 500 separate performances of Jane Shore between its opening night in 1714 and April 17 , 1800. This last recorded performance in the eighteenth century took place at ...
... performances . The index to The London Stage : 1660-1800 lists over 500 separate performances of Jane Shore between its opening night in 1714 and April 17 , 1800. This last recorded performance in the eighteenth century took place at ...
Page 181
... performance of Jane Shore by Mrs. Siddons . The author was struck by Siddon's acting style which created a realism resulting in the impression that " when she appeared tottering under the weight of an apparently emaciated frame , I ...
... performance of Jane Shore by Mrs. Siddons . The author was struck by Siddon's acting style which created a realism resulting in the impression that " when she appeared tottering under the weight of an apparently emaciated frame , I ...
Contents
CHAPTER ONE BACKGROUND ON THE STUDY OF NICHOLAS | 11 |
CHAPTER TWO THE BEGINNINGS OF ROWES CAREER | 25 |
CHAPTER THREE CHALLENGES FOR ACTRESSES | 47 |
Copyright | |
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