Nicholas Rowe and the Beginnings of Feminism on the London StageNicholas Rowe flourished during the first quarter of the 18thc: he was poet laureate to George I, the author of eight plays(three of which were great successes) and he was the esteemed translator of Lucan's PHARSALIA as well as the first modern editor of Shakespeare's plays. But most of all he was known as a playwright. Rowe's 'She-tragedies" gave great prominence to women characters and further developed the Whig virtues of the ruling political elite: individual freedom and a belief in a strong parliament which would bring the cause of the people before a constitutionally limited, reasonable monarchy. Professor Sennett's new monograph discusses Rowe's vision of women caught up by tragic, unreasonable threat or menace. He also explores the literary and the political stakes in late Stuart and early Hanoverian theatre.. New material on Rowe's life and his attempt to include ideas that can be described as incipient feminism are brought forward. While not a general biography, Sennett's new work is a contribution to the scholarship that has called for a new examination of Rowe and the Whig London of the early 18th century. |
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Page 20
... death . Here I believe Aikins missed the idea of Calista as a protagonist , an issue I shall discuss later in Chapter Five . In Jane Shore , Aikins holds that Rowe also entrapped his audience into believe from the beginning of the play ...
... death . Here I believe Aikins missed the idea of Calista as a protagonist , an issue I shall discuss later in Chapter Five . In Jane Shore , Aikins holds that Rowe also entrapped his audience into believe from the beginning of the play ...
Page 71
... death . Rowe has set up a classic confrontation ; however , he does not take this situation in the direction of the heroic tragedies of the late seventeenth century . Nor did he follow the advice given to him by his friends who read the ...
... death . Rowe has set up a classic confrontation ; however , he does not take this situation in the direction of the heroic tragedies of the late seventeenth century . Nor did he follow the advice given to him by his friends who read the ...
Page 81
... death , Bajazet's world begins to crumble around him . Axala has escaped his grasp and alerted Tamerlane of the plot . And as Bajazet tried to kill his own daughter , Tamerlane and Axala enter , save her from certain death , and then ...
... death , Bajazet's world begins to crumble around him . Axala has escaped his grasp and alerted Tamerlane of the plot . And as Bajazet tried to kill his own daughter , Tamerlane and Axala enter , save her from certain death , and then ...
Contents
CHAPTER ONE BACKGROUND ON THE STUDY OF NICHOLAS | 11 |
CHAPTER TWO THE BEGINNINGS OF ROWES CAREER | 25 |
CHAPTER THREE CHALLENGES FOR ACTRESSES | 47 |
Copyright | |
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accepted According action actresses actually Anne appeared argued attempt audience Barry became become beginning believed Calista called Centlivre characters Church continued critics death developed discussion dramatic early edition eighteenth century England English explain face fact Fair Penitent female female characters feminist Gildon give hand held hero historical husband ideas important included influence interesting issue Jane Grey Jane Shore John king Lady later letter literary live London major male marriage Mary nature never Nicholas Rowe offered performance Perhaps playwrights poem poet poetry political Pope popular presented Printed problems production published Queen records reference Restoration Richard roles Rowe's plays seemed society stage stand statement story strength strong success Tamerlane theatre thinking throne tragedy tragic turn understanding Whigs wife woman women writing written wrote young