Nicholas Rowe and the Beginnings of Feminism on the London StageNicholas Rowe flourished during the first quarter of the 18thc: he was poet laureate to George I, the author of eight plays(three of which were great successes) and he was the esteemed translator of Lucan's PHARSALIA as well as the first modern editor of Shakespeare's plays. But most of all he was known as a playwright. Rowe's 'She-tragedies" gave great prominence to women characters and further developed the Whig virtues of the ruling political elite: individual freedom and a belief in a strong parliament which would bring the cause of the people before a constitutionally limited, reasonable monarchy. Professor Sennett's new monograph discusses Rowe's vision of women caught up by tragic, unreasonable threat or menace. He also explores the literary and the political stakes in late Stuart and early Hanoverian theatre.. New material on Rowe's life and his attempt to include ideas that can be described as incipient feminism are brought forward. While not a general biography, Sennett's new work is a contribution to the scholarship that has called for a new examination of Rowe and the Whig London of the early 18th century. |
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Page 122
... perhaps the strong , tragic female characters he developed began with a comment from a colleague . Remembering that ... Perhaps it is no wonder that Pope helped Rowe get his play published " ( 283 ) . Perhaps Pope recognized some value ...
... perhaps the strong , tragic female characters he developed began with a comment from a colleague . Remembering that ... Perhaps it is no wonder that Pope helped Rowe get his play published " ( 283 ) . Perhaps Pope recognized some value ...
Page 146
... Perhaps Rowe's popularity was far greater in his lifetime than in all the years since his death . Rowe must have made a major impression on the London theatre world , and his style 146 Nicholas Rowe and the Beginnings of Feminism on the ...
... Perhaps Rowe's popularity was far greater in his lifetime than in all the years since his death . Rowe must have made a major impression on the London theatre world , and his style 146 Nicholas Rowe and the Beginnings of Feminism on the ...
Page 169
... Perhaps Rowe was comparing Jane's strength to the Christ of the Christian Church just as he had done in Jane Shore . This scene alone would easily have inspired the writer referenced above to call this character Rowe's " more saintly ...
... Perhaps Rowe was comparing Jane's strength to the Christ of the Christian Church just as he had done in Jane Shore . This scene alone would easily have inspired the writer referenced above to call this character Rowe's " more saintly ...
Contents
CHAPTER ONE BACKGROUND ON THE STUDY OF NICHOLAS | 11 |
CHAPTER TWO THE BEGINNINGS OF ROWES CAREER | 25 |
CHAPTER THREE CHALLENGES FOR ACTRESSES | 47 |
Copyright | |
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accepted According action actresses actually Anne appeared argued attempt audience Barry became become beginning believed Calista called Centlivre characters Church continued critics death developed discussion dramatic early edition eighteenth century England English explain face fact Fair Penitent female female characters feminist Gildon give hand held hero historical husband ideas important included influence interesting issue Jane Grey Jane Shore John king Lady later letter literary live London major male marriage Mary nature never Nicholas Rowe offered performance Perhaps playwrights poem poet poetry political Pope popular presented Printed problems production published Queen records reference Restoration Richard roles Rowe's plays seemed society stage stand statement story strength strong success Tamerlane theatre thinking throne tragedy tragic turn understanding Whigs wife woman women writing written wrote young