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In 1795, a statue in honour of Dr. JOHNSON was erected in St. Paul's Cathedral, by a public subscription. It represents the philosopher in the attitude of profound thought, conveying at the same time as much of the peculiar character of this great writer, as can be exhibited in a single statue. The inscription on the pedestal is by Dr. Parr.

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MAGISTRO. VIRTUTIS. GRAVISSIMO

HOMINI. OPTIMO. ET. SINGULARIS. EXEMPLI
QUI. VIXIT. ANN. LXXV. MENS. II.

DIEB. XIIII

DECESSIT. IDIB . DECEMBR. ANN. CHRIST. clɔ. ɔcc.LXXXIIII

SEPULT.IN. AED. SANCT. PETR. WESTMONASTERIENS.

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FACIEBAT JOHANNES BACON SCULPTOR ANN. CHRIST.
MDCCLXXXXV.

THE

RAMBLER.

N° 1. TUESDAY, March 20, 1749-50.

Cur tamen hoc libeat potius decurrere campo,
Per quem magnus equos Auruncæ flexit alumnus,
Si vacat, et placidi rationem admittitis, edam.—Jov.

Why to expatiate in this beaten field,

Why arms, oft us'd in vain, I mean to wield;

If time permit, and candour will attend,

Some satisfaction this essay may lend.--ELPHINSTON.

THE difficulty of the first address on any new occasion, is felt by every man in his transactions with the world, and confessed by the settled and regular forms of salutation which necessity has introduced into all languages. Judgment was wearied with the perplexity of being forced upon choice, where there was no motive to preference; and it was found convenient that some easy method of introduction should be established, which, if it wanted the allurement of novelty, might enjoy the security of prescription.

Perhaps few authors have presented themselves before the publick, without wishing that such ceremonial modes of entrance had been anciently established, as might have freed them from those dangers which the desire of pleasing is certain to produce, and precluded the vain expedients of softening censure by apologies, or rousing attention by abruptness.

The epick writers have found the proemial part of the poem such an addition to their undertaking, that they have almost unanimously adopted the first lines of Homer, and the reader needs only be informed of the subject, to know in what manner the poem will begin.

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But this solemn repetition is hitherto the peculiar distinction of heroick poetry; it has never been legally extended to the lower orders of literature, but seems to be considered as an hereditary privilege, to be enjoyed only by those who claim it from their alliance to the genius of Homer.

The rules which the injudicious use of this prerogative suggested to Horace, may indeed be applied to the direction of candidates for inferior fame; it may be proper for all to remember, that they ought not to raise expectation which it is not in their power to satisfy, and that it is more pleasing to see smoke brightening into flame, than flame sinking into smoke.

This precept has been long received, both from regard to the authority of Horace, and its conformity to the general opinion of the world; yet there have been always some, that thought it no deviation from modesty to recommend their own labours, and imagined themselves entitled by indisputable merit to an exemption from general restraints, and 'to elevations not allowed in common life. They, perhaps, believed, that when, like Thucydides, they bequeathed to mankind κrnua iç deì, an estate for ever, it was an additional favour to inform them of its value.

It may, indeed, be no less dangerous to claim, on certain occasions, too little than too much. There is something captivating in spirit and intrepidity, to which we often yield, as to a resistless power; nor can he reasonably expect the confidence of others, who too apparently distrusts himself.

Plutarch, in his enumeration of the various occasions on which a man may without just offence proclaim his own excellencies, has omitted the case of an author entering the world; unless it may be comprehended under his general position, that a man may lawfully praise himself for those qualities which cannot be known but from his own. mouth; as when he is among strangers, and can have no opportunity of an actual exertion of his powers. That the case of an author is parallel will scarcely be granted, be

cause he necessarily discovers the degree of his merit to his judges, when he appears at his trial. But it should be remembered, that unless his judges are inclined to favour him, they will hardly be persuaded to hear the

cause.

In love, the state which fills the heart with a degree of solicitude next that of an author, it has been held a maxim, that success is most easily obtained by indirect and unperceived approaches; he who too soon professes himself a lover, raises obstacles to his own wishes, and those whom disappointments have taught experience, endeavour to conceal their passion till they believe their mistress wishes for the discovery. The same method, if it were practicable to writers, would save many complaints of the severity of the age, and the caprices of criticism. If a man could glide imperceptibly into the favour of the publick, and only proclaim his pretensions to literary honours when he is sure of not being rejected, he might commence author with better hopes, as his failings might escape contempt, though he shall never attain much regard.

But since the world supposes every man that writes, ambitious of applause, as some ladies have taught themselves to believe that every man intends love, who expresses civility, the miscarriage of any endeavour in learning raises an unbounded contempt, indulged by most minds without scruple, as an honest triumph over unjust claims, and exorbitant expectations. The artifices of those who put themselves in this hazardous state, have therefore been multiplied in proportion to their fear as well as their ambition; and are to be looked upon with more indulgence, as they are incited at once by the two great movers of the human mind, the desire of good, and the fear of evil. For who can wonder that, allured on one side, and frightened on the other, some should endeavour to gain favour by bribing the judge with an appearance of respect which they do not feel, to excite compassion by confessing weakness of which they are not convinced; and others to attract regard by a shew of openness and mag

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