 | William Shakespeare - 1785
...formal cut, Full of wise saws and modern instances, ^ia And so he plays his part : The sixth age shifts Into the lean and slipper'd pantaloon ; With spectacles...whistles in his sound : Last scene of all, That ends this strange eventful history, Is second childishness, and mere oblivion ; ,519 Sans teeth, sans eyes, sans... | |
 | William Shakespeare - 1803
...formal cut, Full of wise saws and modern 1 instances, And so he plays his part : The sixth age shifts Into the lean and slipper'd pantaloon ; With spectacles...Sans teeth, sans eyes, sans taste, sans every thing. Re-enter ORLANDO, with ADAM. Duke S. Welcome: Set down your venerable burden, And let him feed. Or/.... | |
 | William Shakespeare - 1803
...pantaloon ; With spectacles on nose, and pouch on side; His youthful hose well sav'd, a world too M'ide For his shrunk shank; and his big manly voice, Turning...Sans teeth, sans eyes, sans taste, sans every thing. Re-enter Orlando, with Adam. Duke S. Welcome: Set down your venerable burden, And let him feed. Or... | |
 | William Enfield - 1804 - 376 pages
...formal cut , Full of wise saws and modern instances. And And so he plays his part. The sixth age shifts Into the lean and slipper'd pantaloon, "With spectacles...teeth , sans eyes , sans taste , sans every thing. SHAKESPEARE. CHA P. XI X. the Entry of Bolingbroke and Richard into London. Duke and Duchess of York.... | |
 | Noah Webster - Readers - 1804 - 236 pages
...• v : Full of wise laws and modern instances : And so he plays his part. — The sixth age shifts Into the lean and slipper'd pantaloon ; With spectacles...shrunk shank ; and his big manly voice, Turning again towards childish treble, pipes And whistles in his sound.— Last scene of all, That ends this strange... | |
 | William Shakespeare - 1805
...and causeless." Malone. 1 — The sixth age shifis With spectacles on nose,5 and pouch on side,His youthful hose well sav'd, a world too wide For his...Sans teeth, sans eyes, sans taste, sans every thing. Re-enter ORLANDO, with ADAM. Duke S. Welcome: Set down your venerable burden,7 And let him feed. Orl.... | |
 | William Shakespeare - 1805
...formal cut, Full of wise saws and modern instances,8 And so he plays his part: The sixth age shifts Into the lean and slipper'd pantaloon; With spectacles...voice, Turning again toward childish treble, pipes 5 His acts being seven ages ] I have seen, more than once, an old print, entitled, The Stage of Man's... | |
 | William Shakespeare - 1805
...formal cut, Full of wise saws and modern instances, 8 And so he plays his part: The sixth age shifts Into the lean and slipper'd pantaloon; With spectacles...voice, Turning again toward childish treble, pipes * His acts being seven ages.] I have seen, more than once, an old print, entitled, The Stage of' Man's... | |
 | William Shakespeare - 1806
...to make modern and familiar things supernatural and causeless." Malone. With spectacles on nose, 6 and pouch on side; His youthful hose well sav'd, a...Sans teeth, sans eyes, sans taste, sans every thing. Re-entrr ORLANDO, tvith ADAM. Duke S. Welcome: Set down your venerable burden, 7 And let him feed.... | |
 | William Shakespeare - 1806
...formal cut, Full of wise saws and modern-9 instances, And so he plays his part : The sixth age shifts Into the lean and slipper'd pantaloon *° ; With spectacles...whistles in his sound : Last scene of all, That ends this strange eventful history, TOL. 1v. o Is second childishness, and mere oblivion j Sans teeth, sans eyes,... | |
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With eyes severe, and beard of formal cut, Full of wise saws and modern instances * ; And so he plays his part. The sixth age shifts Into the lean and slipper'd pantaloon, With spectacles on nose, and pouch on side ; His youthful hose, well sav'd, a world... 
