the hangings, and the iron rails; after which we fall in as before, and listen while the vespers are intoned by monks and boys. This service concludes at half-past four. Adjourning to the long gallery, we have another look at the fires of purgatory and the abodes of bliss. Five minutes before six we file into the cathedral for second vespers, and remain there standing and uncovered-some of us unshod--until half-past seven.

At eight the supper-bell rings. Our company gathers at the welcome sound; the monks form a procession; the pilgrims trail on; all moving with a hungry solemnity to the crypt, where we find the long tables groaning, as at dinner, with the pound of black bread, the salt sprat, the onion parted into four small pieces with a knife, and the copper tureen of quass. Our supper is the dinner served up afresh, with the same prayers, the same bowing and crossing, the same bellringing, and the same life of saint. The only difference is, that in the evening we have no barley-paste and no stale milk.

When every one is filled and the fragments are picked up, we rise to our feet, recite a thanksgiving, and join the fathers in their evening song. A pope pronounces a blessing, and then we are free to go into our cells.

A pilgrim who can read, and may happen to have good books about him, is expected, on retiring to his cell, to read through a Psalm of David, and to ponder a little on the Lives of Saints. The convent gates are closed at nine o'clock; when it is thought well for the pilgrim to be in bed.

At two in the morning a monk will come into his lobby, tinkle the bell, and call him to the duties of another day.

CHAPTER XIV.

PRAYER AND LABOR.

BUT if the hours given up to prayer at Solovetsk are many, the hours given up to toil are more. This convent is a hive of industry, not less remarkable for what it does in the way of work than for what it is in the way of art and prayer.

Pray and work" was the maxim of monastic houses, when monastic houses had a mission in the West. "Pray and work," said Peter the Great to his council. But such a maxim is not in harmony with the existing system; not in harmony with the Byzantine Church; and what you find at Solovetsk is traceable to an older and a better source. No monk in this sanctuary leads an idle life. Not only the fathers who are not yet popes, but many of those who hold the staff and give the benediction, devote their talents to the production of things which may be useful in the church, in the refectory, and in the cell. A few make articles for sale in the outer world; such articles as bread, clothes, rosaries and spoons. All round these ramparts, within the walls, you find a row of workshops, in which there is a hum of labor from early dawn until long after dark; forges, dairies, salting-rooms, studies, ship-yards, bake-houses, weaving-sheds, rope-walks, sewingrooms, fruit-stores, breweries, boot-stalls, and the like, through all the forms which industry takes in a civilized age. These monks appear to be masters of every craft. They make nearly every thing you can name, from beads to frigates; and they turn out every thing they touch in admirable style. No whiter bread is baked, no sweeter quass is brewed, than you can buy in Solovetsk. To go with Father Hilarion on his round of inspection is to meet a dozen surprises face to face. At first the whole exhibition is like a dream; and you can hardly fancy that such things are being done by a body of monks, in a lonely islet, locked up from the world for eight months in the twelve by storms of sleet and deserts of ice.

These monks make seal-skin caps and belts; they paint in oil and carve in wood; they cure and tan leather; they knit woollen hose; they cast shafts of iron; they wind and spin thread; they polish stones; they cut out shoes and felts; they mould pewter plates; they dry fruit; they fell and trim forest trees; they clip paper flowers; they build carts and sledges; they embroider capes and bands; they bake bricks; they weave baskets and panniers of silver bark; they quarry and hew blocks of stone; they paint soup-ladles; they design altar-pieces, chapels, and convents; they refine bees'-wax; they twist cord and rope; they forge anchors and marlingspikes; they knit and sew, and ply their needles in every

branch of useful and decorative art. In all these departments of industry, the thing which they turn out is an example of honest work.

Many of the fathers find a field for their talents on the farm: in breeding cattle, in growing potatoes, in cutting grass, in shearing sheep, in rearing poultry, in churning butter, and making cheese. A few prefer the more poetic labor of the garden: pruning grapes, bedding strawberries, hiving bees, and preserving fruit. The honey made at Mount Alexander is pure and good, the wax is also white and fine.

The convent bakehouse is a thing to see. Boats run over from every village on the coast to buy convent bread; often to beg it; and every pilgrim who comes to pray takes with him one loaf as a parting gift. This convent bread is of two sorts-black and white-leavened and unleavened-domestic and consecrated. The first is cheap, and eaten at every meal; the second is dear, and eaten as an act of grace. Both kinds are good. A consecrated loaf is small, weighing six or eight ounces, and is stamped with a sacred sign and blessed by a pope. The stamp is a cross, with a legend running round the border in old Slavonic type. These small white loaves of unleavened bread are highly prized by pious people; and a man who visits such a monastery as either Solovetsk, St. George, or Troitsa, can not bring back to his servants a gift more precious in their eyes than a small white loaf.

The brewery is no less perfect in its line than the bakehouse. Quass is the Russian ale and beer in one; the national drink; consumed by all classes, mixed with nearly every dish. Solovetsk has a name and fame for this Russian brew.

Connected with these good things of the table are the workshops for carving platters and painting spoons. The arts of life are simple in these northern wilds; forks are seldom seen; and knives are not much used. The instrument by which a man mostly helps himself to his dinner is a spoon. Nearly all his food is boiled; his cabbage-soup, his barley mess, his hash of salt-cod, his dish of sour milk. A deep platter lies in the centre of his table, and his homely guests sit round it, armed with their capacious spoons. Platter and spoon are carved of wood, and sometimes they are painted with skill

and taste; though the better sorts are kept by pilgrims rather as keepsakes than for actual use.

A branch of industry allied to carving spoons and platters is that of twisting baskets and panniers into shape. Crockery in the forest is rude and dear, and in a long land-journey the weight of three or four pots and cups would be a serious strain. From bark of trees they weave a set of baskets for personal and domestic use, which are lighter than cork and handier than tin. You close them by a lid, and carry them by a loop. They are perfectly dry and sweet; with just a flavor, but no more, of the delicious resin of the tree. They hold milk. You buy them of all sizes, from that of a pepperbox to that of a water-jar; obtaining a dozen for a few kopecks.

The panniers are bigger and less delicate, made for rough passage over stony roads and through bogs of mire. These panniers are fitted with compartments, like a vintner's crate, in which you can stow away bottles of wine and insinuate knives and forks. In the open part of your pannier it is well (if you are packing for a long drive) to have an assortment of bark baskets, in which to carry such trifles as mustard, cream, and salt.

Among the odds and ends of workshops into which you drop, is that of the weaving-shed, in one of the turrets on the convent wall; a turret which is noticeable not only for the good work done in the looms, but for the part which it had to play in the defense of Solovetsk against the English fleet. The shot which is said to have driven off the "Brisk" was fired from this Weaver's Tower.

1

Peering above a sunny corner of the rampart stands the photographic chamber, and near to this chamber, in a new range of buildings, are the cells in which the painters and enamellers toil. The sun makes pictures of any thing in his range; boats, islets, pilgrims, monks; but the artists toiling in these cells are all employed in devotional art. Some are only copiers; and the most expert are artists only in a conventional sense. This country is not yet rich in art, except in that hard Byzantine style which Nikon the Patriarch allowed in private houses, and enforced in convent, shrine, and church. But these fathers pride themselves, not without cause, on

being greater in their works by sea than even in their works by land. Many of them live on board, and take to the water as to their mother's milk. They are rich in boats, in rigging, and in nets. They wind excellent rope and cord. They know how to light and buoy dangerous points and armlets. They keep their own lighthouses. They build lorchas and sloops; and they have found by trial that a steamship can be turned off the stocks at Solovetsk, of which every part, from the smallest brass nail to the mainmast (with the sole exception. of her engines), is the produce of their toil. That vessel is called the "Hope." Her crew is mainly a crew of monks; and her captain is not only a monk-like Father John--but an actual pope. My first sight of this priestly skipper is in front of the royal gates where he is celebrating mass.

This reverend father takes me after service to see his vessel and the dock in which she lies. Home-built and rigged, the "Hope" has charms in my eyes possessed by very few ships. A steamer made by monks in the Frozen Sea, is, in her way, as high a feat of mind as the spire of Notre Dame in Antwerp, as the cathedral front at Wells. The thought of building that steamer was conceived in a monkish brain; the lines were fashioned by a monkish pen; monks felled the trees, and forged the bolts, and wove the canvas, and curled the ropes. Monks put her together; monks painted her cabin; monks stuffed her seats and pillows. Monks launched her on the sea, and, since they have launched her, they have sailed in her from port to port.

"How did you learn your trade of skipper ?"

The father smiles. He is a young fellow-younger than Father John; a fellow of thirty or thirty-two, with swarthy cheek, black eye, and tawny mane; a man to play the pirate in some drama of virtuous love. "I was a seaman in my youth,” he says, "and when we wanted a skipper in the convent, I went over to Kem, where we have a school of navigation, and got the certificate of a master; that entitled me to command my ship."

"The council of that school are not very strict ?"

"No; not with monks. We have our own ways; we labor in the Lord; and He protects us in what we do for Him.”