Encounters & Reflections: Art in the Historical PresentSince 1984, when he became art critic for The Nation, Arthur C. Danto, one of America's most inventive and influential philosophers, has also emerged as one of our most important critics of art. As an essayist, Danto's style is at once rigorous, incisive, and playful. Encounters and Reflections brings together many of his recent critical writings--on artists such as Andy Warhol, David Hockney, and Robert Mapplethorpe; and on the significance of issues like the masterpiece and the museum. The result is a spirited brief from the front lines of current aesthetic and philosophical debate. Since 1984, when he became art critic for The Nation, Arthur C. Danto, one of America's most inventive and influential philosophers, has also emerged as one of our most important critics of art. As an essayist, Danto's style is at once rigorous, incisive, and playful. Encounters and Reflections brings together many of his recent critical writings--on artists such as Andy Warhol, David Hockney, and Robert Mapplethorpe; and on the significance of issues like the masterpiece and the museum. The result is a spirited brief from the front lines of current aesthetic and philosophical debate. |
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Encounters & Reflections: Art in the Historical Present Arthur Coleman Danto No preview available - 1990 |
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abstract Abstract Expressionism achieved Alex Katz appropriate art historian art world artist artworks bad aesthetic Baroque beauty belongs Brillo boxes canvas Caravaggio catalogue century Cézanne Cindy Sherman Clement Greenberg colors concept connection consciousness Correggio Courbet critical Cubism culture David Salle defined Degas depicted displayed drawing embodied Enlightenment example exhibition expression fact feeling feminist figures Fragonard Frank Stella gallery Gauguin genius gesture Gogh history of art Hockney Hudson River School human illusion images Impressionists Kimura kind Klimt landscape look marvelous master masterpiece meaning metaphor Michelangelo Miró Modern Art moral Morandis museum narrative nude objects once painter painting perhaps philosophical photographs Picasso pictorial picture piece portrait question Raphael reality Robert Colescott Sargent seems self-portrait sense shadows shown Sienese sort space style surface theory things transformed Vasari Veronese viewer vision visual Warhol Whitney Whitney Biennial woman women York