An Essay on the Genius and Writings of Pope, Volume 2J. Dodsley, 1782 |
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Page 13
... image of anguish . He rav'd with all the madness of despair , He roar'd , he beat his breaft , he tore his hair . Dry forrow in his ftupid eyes appears , For wanting nourishment , he wanted tears : His eye - balls in their hollow ...
... image of anguish . He rav'd with all the madness of despair , He roar'd , he beat his breaft , he tore his hair . Dry forrow in his ftupid eyes appears , For wanting nourishment , he wanted tears : His eye - balls in their hollow ...
Page 14
... image in Spenfer , who ever excels in the pathetic , And him befides there lay upon the grass A dreary corfe , whofe life away did pass , All wallow'd in his own , yet lukewarm , blood , That from his wound yet welled fresh , alas ; In ...
... image in Spenfer , who ever excels in the pathetic , And him befides there lay upon the grass A dreary corfe , whofe life away did pass , All wallow'd in his own , yet lukewarm , blood , That from his wound yet welled fresh , alas ; In ...
Page 16
... firft delineation of all thefe images is in Chaucer , or Boccace , and it might be worth examining how much Dryden has added purely from his own ftock . combat , combat , which is told at length , in the 16 ESSAY ON THE GENIUS.
... firft delineation of all thefe images is in Chaucer , or Boccace , and it might be worth examining how much Dryden has added purely from his own ftock . combat , combat , which is told at length , in the 16 ESSAY ON THE GENIUS.
Page 21
... images , those certain marks of the first sketch of a master , confpire to corroborate the truth of the fact . THE TRANSLATION of the first book of Statius , is the next piece that belongs to this Section . It was in his childhood only ...
... images , those certain marks of the first sketch of a master , confpire to corroborate the truth of the fact . THE TRANSLATION of the first book of Statius , is the next piece that belongs to this Section . It was in his childhood only ...
Page 22
... images are gigantic and outrageous , and his fentiments tortured and hyperbolical . It can hardly , I think , be doubted , but that Juvenal intended a fevere fatire on him , in these well known lines which have been commonly interpreted ...
... images are gigantic and outrageous , and his fentiments tortured and hyperbolical . It can hardly , I think , be doubted , but that Juvenal intended a fevere fatire on him , in these well known lines which have been commonly interpreted ...
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admirable affected alfo ancient appears beauty becauſe Boileau called character Corneille critic death defign Dryden Effay elegant epiftle equal excellent faid fame fatire fays fecond feems fhall firft firſt fome force French fubject fuch genius give given hand himſelf Horace images imitation Italy king laft language late learned letter lines lively Lord manner mean mentioned Milton mind moft moral moſt muſt nature never obferved occafion opinion original paffage paffion particularly perfon perhaps piece poem poet poetry POPE reader reaſon remarkable ridicule SCENA ſhould ſpirit Swift thefe theſe thing thofe thoſe thought tranflation true turn uſed verfe verſe whole writer written wrote Young