| Samuel Johnson - English poetry - 1800 - 714 pages
...dead. Then cold and hot, and moist and dry, In order to their stations leap. And musick's power obey. From harmony, from heavenly harmony, This universal frame began : From harmony to harmony Through all the compass of the notes it ran, The diapason closing full in man. The- conclusion is likewise... | |
| Great Britain - 1804 - 716 pages
...dead. Then cold and hot, and moist and dry, In order to their stations leap, . And musick's power obey. From harmony, from heavenly harmony, This universal frame began : From harmony to harmony Through all the compass of the notes it ran, The diapason closing-full in man. The conclusion is likewise... | |
| Lindley Murray - English language - 1805 - 350 pages
...nature, in which there is scarcely a glimpse of meaning, though it \vas composed by an eminent poet. From harmony, from heavenly harmony, This universal frame began : From harmony to harmony Thro'all the compass of the notes it ran, The diapason closing full in man. In general, it may be said,... | |
| John Dryden - English literature - 1808 - 500 pages
...dead." Then cold, and hot, and moist, and dry, In order to their stations leap, And Music's power obey. From harmony, from heavenly harmony, This universal frame began ; From harmony to harmony 10 Through all the compass of the notes it ran, The diapason * closing full in man. i II. What passion... | |
| John Dryden, Walter Scott - English literature - 1808 - 506 pages
...dead." Then cold, and hot, and moist, and dry, In order to their stations leap, And Music's power obey. From harmony, from heavenly harmony, This universal frame began ; From harmony to harmony Through all the compass of the rotes it ran, The diapason * closing full in man. II. What passion cannot... | |
| British poets - English poetry - 1809 - 512 pages
...dead ! Then cold and hot, and moist and dry, In order to their stations leap, And Music's power obey. From harmony, from heavenly harmony, This universal frame began : From harmony to harmony, Through all the compass of the notes it ran, The diapason closing full in Man. What passion cannot... | |
| Lindley Murray - English language - 1809 - 352 pages
...nature, in which there is scarcely a glimpse of meaning, though it was composed by an eminent poet. From harmony, from heavenly harmony, This universal frame began : From harmony to haflnouy Thro'all the compass of the notes it ran, The diapason dosing full in man. In general, it... | |
| Abraham Cowley - 1810 - 314 pages
...dead. Then cold, and hot, and moist, and dry, in order to their stations leap, and Music's power obey. From harmony, from heavenly harmony, this universal frame began: from harmony to harmony through all the compass of the notes it ran, the dispason closing full in Man. What passion cannot... | |
| Joseph Addison - 1810 - 312 pages
...dead. Then cold, and hot, and moist, and dry, in order to their stations leap, and Music's power obey. From harmony, from heavenly harmony, this universal frame began: from harmony to harmony through all the compass of the notes it ran, the dispason closing full in Man. What passion cannot... | |
| Samuel Johnson - 1810 - 476 pages
...dead. Then cold and hot, and moist and dry, In order to their stations leap. And musick's power obey. From harmony, from heavenly harmony, This universal frame began. From harmony to harmony Through all the compass of the notes it ran, The diapason closing full in man. The conclusion is likewise... | |
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