DAYS 8-12-32.

These days are occupied by Odysseus in making and launching a raft; on the twelfth day from the beginning of the action he leaves Calypso's isle. He sails for eighteen days, and on the eighteenth day of his voyage (the twentyninth from the beginning of the action), he sees Scheria. Poseidon raises a storm against him, and it is not till the thirty-second day from that in which Athene visited Telemachus, that he lands in Scheria, the country of the Phaeacians. Here he is again in fairy land. A rough, but perfectly recognisable form of the Phaeacian myth, is found in an Indian collection of märchen (already referred to) of the twelfth century a.d. Here the Phaeacians are the Vidyâdhâris, and their old enemies the Cyclôpes, are the Rakshashas, a sort of giants. The Indian Odysseus, who seeks the city of gold, passes by the home of an Indian Aeolus, Satyavrata. His later adventures are confused, and the Greek version retains only the more graceful fancies of the märchen.

DAY 33.

Odysseus meets Nausicaa, daughter of Alcinous, the Phaeacian King, and by her aid, and that of Athene, is favourably received at the palace, and tells how he came from Calypso's island. His name is still unknown to his hosts.

DAY 34.

The Phaeacians and Odysseus display their skill in sports. Nausicaa bids Odysseus farewell. Odysseus recounts to Alcinous, and Arete, the Queen, those adventures in the two years between the fall of Troy and his captivity in the island of Calypso, which we have already described (pp. xiii-xvii).

DAY 35.

Odysseus is conveyed to Ithaca, in the evening, on one of the magical barques of the Phaeacians.

DAY 36.

He wakens in Ithaca, which he does not at first recognise. He learns from Athene, for the first time, that the wooers beset his house. She disguises him as an old man, and bids him go to the hut of the swineherd Eumaeus, who is loyal to his absent lord. Athene then goes to Lacedaemon, to bring back Telemachus, who has now resided there for a month. Odysseus won the heart of Eumaeus, who of course did not recognise him, and slept in the swineherd's hut, while Athene was waking Telemachus, in Lacedaemon, and bidding him 'be mindful of his return.'

DAY 37.

Is spent by Odysseus in the swineherd's hut. Telemachus reaches Pherae, half-way to Pylos.

DAY 38.

Telemachus reaches Pylos, but does not visit Nestor. To save time he goes at once on board ship, taking with him an unfortunate outlaw, Theoclymenus, a second-sighted man, of the family of Melampus, in which the gift of prophecy was hereditary. The ship passed the Elian coast at night, and evaded the ambush of the wooers. Meanwhile Odysseus was sitting up almost till dawn, listening to the history of Eumaeus, the swineherd.

DAY 39.

Telemachus reaches the Isle of Ithaca, sends his ship to the city, but himself, by advice of Athene, makes for the hut

of Eumaeus, where he meets, but naturally does not recognise, his disguised father. He sends Eumaeus to Penelope with news of his arrival, and then Athene reveals Odysseus to Telemachus. The two plot the death of the wooers. Odysseus bids Telemachus remove, on a favourable opportunity, the arms which were disposed as trophies on the walls of the hall at home. (There is a slight discrepancy between the words of this advice and the manner in which it is afterwards executed.) During this interview, the ship of Telemachus, the wooers who had been in ambush, and Eumaeus, all reached the town of Ithaca. In the evening Eumaeus returned to his hut, where Athene had again disguised Odysseus.

DAY 40.

The story is now hastening to its close, and many events are crowded into the fortieth day. Telemachus goes from the swineherd's hut to the city, and calls his guest, Theoclymenus, to the palace. The second-sighted man prophesies of the near revenge of Odysseus. In the afternoon, Odysseus (still disguised) and Eumaeus reach the city, the dog Argos recognises the hero, and dies. Odysseus goes begging through his own hall, and is struck by Antinous, the proudest of the wooers. Late in the day Eumaeus goes home, and Odysseus fights with the braggart beggar Irus. Still later, Penelope appears among the wooers, and receives presents from them. When the wooers have withdrawn, Odysseus and Telemachus remove the weapons from the hall to the armoury. Afterwards Odysseus has an interview with Penelope (who does not recognise him), but he is recognised by his old nurse Eurycleia. Penelope mentions her purpose to wed the man who on the following day, the feast of the Archer-god Apollo, shall draw the bow of Odysseus, and send an arrow through the holes in twelve axe-blades, set up in a row. Thus the poet shows that Odysseus has arrived

in Ithaca not a day too soon. Odysseus is comforted by a vision of Athene, and

DAY 41.

by the ominous prayer uttered by a weary woman grinding at the mill. The swineherd and the disloyal Melanthius arrive at the palace. The wooers defer the plot to kill Telemachus, as the day is holy to Apollo. Odysseus is led up from his seat near the door to a place beside Telemachus at the high table. The wooers mock Telemachus, and the secondsighted Theoclymenus sees the ominous shroud of death covering their bodies, and the walls dripping with blood. He leaves the doomed company. In the trial of the bow, none of the wooers can draw it; meanwhile Odysseus has declared himself to the neatherd and the swineherd. The former bars and fastens the outer gates of the court, the latter bids Eurycleia bar the doors of the womens' chambers which lead out of the hall. Odysseus now gets the bow into his hands, strings it, sends the arrow through the axe-heads, and then leaping on the threshold of stone, deals his shafts among the wooers. Telemachus, the neatherd, and Eumaeus, aiding him, he slaughters all the crew, despite the treachery of Melanthius. The paramours of the wooers are hanged, and Odysseus, after some delay, is recognised by Penelope.

DAY 42.

This day is occupied with the recognition of Odysseus by his aged father Laertes, and with the futile attempt of the kinsfolk of the wooers to avenge them on Odysseus. Athene reconciles the feud, and the toils of Odysseus are accomplished.

The reader has now before him a chronologically arranged sketch of the action of the Odyssey. It is, perhaps, apparent, even from this bare outline, that the composition is elaborate

and artistic, that the threads of the plot are skilfully separated and combined. The germ of the whole epic is probably the popular tale, known all over the world, of the warrior who, on his return from a long expedition, has great difficulty in making his prudent wife recognise him. The incident occurs as a detached story in China, and in most European countries it is told of a crusader. We may suppose it to be older than the legend of Troy, and to have gravitated into the cycle of that legend. The years of the hero's absence are then filled up with adventures (the Cyclops, Circé, the Phaeacians, the Sirens, the descent into hell) which exist as scattered tales, or are woven into the more elaborate epics of Gaels, Aztecs, Hindoos, Tartars, South-Sea Islanders, Finns, Russians, Scandinavians, and Eskimo. The whole is surrounded with the atmosphere of the kingly age of Greece, and the result is the Odyssey, with that unity of plot and variety of character which must have been given by one masterly constructive genius. The date at which the poet of the Odyssey lived may be approximately determined by his consistent descriptions of a peculiar and definite condition of society, which had ceased to exist in the ninth century B.C., and of a stage of art in which Phoenician and Assyrian influences predominated. (Die Kunst bei Homer. Brunn.) As to the mode of composition, it would not be difficult to show that at least the a priori Wolfian arguments against the early use of writing for literary purposes have no longer the cogency which they were once thought to possess. But this is matter for a separate investigation.