He Said, She Says: An RSVP to the Male Text

Front Cover
Mica Howe, Sarah Appleton Aguiar
Fairleigh Dickinson Univ Press, 2001 - Language Arts & Disciplines - 292 pages
The essays in this volume demonstrate the range of revisioning of women's reinterpretations of patriarchal texts. Women's responses are reaching beyond the story and into the primal bases for narrative: the philosophies, theologies, psychology, politics, and archetypal geneses that comprise the origins of narrative itself. 'He Said, She Says' brings together myriad perspectives that cover such primal narratives as the Bible, the Torah, mythology, traditional literary texts, male depictions of female sexuality, patriarchal Marxism, American democracy, and multiculturalism.
 

Contents

Acknowledgments
7
Introduction
9
Female Retellings of Jewish Tales
23
Walking in My Body Like a Queen in Lee Smiths Fair and Tender Ladies
42
The Metramorphosis of Hallowing the Hollow and Hollowing the Hallow
57
Gloria Naylors Baileys Cafe and Western Religious Tradition
91
Contemporary Women Engage the American
106
Giving Voice to the Object
128
Rewritten and Rewriting
176
DisInheriting the Kingdom of Lear
194
Bending Genre and Gender in AnnMarie MacDonalds Goodnight Desdemona Good Morning Juliet
211
Henry Jamess and Jane Campions Portraits of a Lady
221
Apocalyptic Discourse and Awakening from the Cuban Fantasy in Chely Limas Confesiones Noctumas
241
Bharati Mukherjee and the Apocryphal Imagination
253
Kathy Acker and the AvantGarde
267
List of Contributors
287

CrossDressing in the Works of Dorothy Allison
143
Instructions for Survival or Plans for Disaster? Young Adult Novels with Mythological Themes
161

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Page 9 - Re-vision— the act of looking back, of seeing with fresh eyes, of entering an old text from a new critical direction— is for women more than a chapter in cultural history: it is an act of survival.