Characters of FitzroviaBetween Oxford Street and Euston Road, bordered by Portland Place, Gower Street and Tottenham Court Road, lies a mysteriously evocative area, close to London's heart, known as Fitzrovia. For over 400 years this is where the bohemian life of London has flourished. Fitzrovia is a strange mix with an extraordinary history, one that also holds up a mirror to the rest of the city. For the avant garde, for artists and artisan, Fitzrovia has been a home, the creative hub, full of studios, craftshops and trysting places. Of sex, murder and mayhem, Fitzrovia has had more than its fair share. Alongside grandeur and elegance, exiles and emigres occupied shabby tenements and introduced new styles of cafe and restaurant. Revolutionaries and radicals gathered here. Spivs and spies, princes and prostitutes all jostled in its streets. Medical professionals mingled in institutions set up by free-thinkers, with intellectuals and inventors. Radio and television programmes from Fitzrovia, broadcast to the world, shaped the culture of an empire and a nation. Independent publishing clusters in Fitzrovia, near the legendary pubs where writers and poets met and drank in the 1940s and 50s. From bawdy house |
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Page 145
... painting drew such crowds when it was exhibited that it had to be protected by a rail and a watchful policeman , but Oscar Wilde was unimpressed , saying Frith ' has done so much to elevate painting to the dignity of photography . ' In ...
... painting drew such crowds when it was exhibited that it had to be protected by a rail and a watchful policeman , but Oscar Wilde was unimpressed , saying Frith ' has done so much to elevate painting to the dignity of photography . ' In ...
Page 148
... painting The Falling Rocket at 200 guineas , which he claimed was ' flinging a pot of paint in the public's face ' . A libel case followed , in which Whistler was asked how long it took him to paint the picture . ' Two days ' , Whistler ...
... painting The Falling Rocket at 200 guineas , which he claimed was ' flinging a pot of paint in the public's face ' . A libel case followed , in which Whistler was asked how long it took him to paint the picture . ' Two days ' , Whistler ...
Page 156
... painting and the tonal values of the palette . Later she added white to her work , which gave it an ashen look , to ... painting he represented the delegates as faceless and insignificant , and dwarfed by the ornate hall , and for the ...
... painting and the tonal values of the palette . Later she added white to her work , which gave it an ashen look , to ... painting he represented the delegates as faceless and insignificant , and dwarfed by the ornate hall , and for the ...
Contents
Introduction | 1 |
Rabblerousers Radicals and Revolutionaries 2 Royalty and Gentry | 2 |
Murderers and Manslaughterers | 3 |
Copyright | |
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