Memoirs of Mrs. Siddons: Interspersed with Anecdotes of Authors and Actors |
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Page v
... Garrick's Retirement - English Stage in 1775-6 IV . Mrs. Siddons at Birmingham— ' School for Scandal ' V. Season of 1777-8 - Death of Foote PAGE vii 16 • 39 58 76 VI . Death of Garrick - The Drama in 1778-80 100 VII . Mrs. Siddons at ...
... Garrick's Retirement - English Stage in 1775-6 IV . Mrs. Siddons at Birmingham— ' School for Scandal ' V. Season of 1777-8 - Death of Foote PAGE vii 16 • 39 58 76 VI . Death of Garrick - The Drama in 1778-80 100 VII . Mrs. Siddons at ...
Page 2
... Garrick himself . But this field of competition in mimetic excellence was opened to the ladies by growing laxity of manners . The greatest period of the English drama witnessed no female performer on a public stage . We were indebted to ...
... Garrick himself . But this field of competition in mimetic excellence was opened to the ladies by growing laxity of manners . The greatest period of the English drama witnessed no female performer on a public stage . We were indebted to ...
Page 4
... Garrick . Himself the greatest of all actors , he would naturally turn in the first instance to the compositions best suited to his own powers . To be her universal representative was conferred upon him by nature ; and he discovered in ...
... Garrick . Himself the greatest of all actors , he would naturally turn in the first instance to the compositions best suited to his own powers . To be her universal representative was conferred upon him by nature ; and he discovered in ...
Page 5
... Garrick must have borne but little reverence , and he could have been expected but occasionally to attend to them at all . His rejection or indifference , his doubt or his delay , were at such times assailed by every description of ...
... Garrick must have borne but little reverence , and he could have been expected but occasionally to attend to them at all . His rejection or indifference , his doubt or his delay , were at such times assailed by every description of ...
Page 13
... Garrick . She privately informed . him who she was , and solicited first his judgment , and secondly , his protection . The reader is to be informed that in all the charms of her youth Miss Kemble repeated some of the speeches of Jane ...
... Garrick . She privately informed . him who she was , and solicited first his judgment , and secondly , his protection . The reader is to be informed that in all the charms of her youth Miss Kemble repeated some of the speeches of Jane ...
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actor actress admirable appearance attention audience Barry beauty Belvidera Brereton brother called character charm Cibber Colman comedy comic Coriolanus Covent Garden Theatre critic delight display dramatic Drury Lane Theatre effect excellence excited exhibited expression fame fancy Farren father favour favourite feeling female Garrick genius grace Hamlet happy heart Henderson heroine honour humour husband Iago imagination interest Isabella Jaffier Jane Shore Kemble Kemble family King King Lear Lady Macbeth language Lear look Lord manager manner mind Miss Younge modern Murphy Muse nature never night noble occasion opera Othello passion perfect performance perhaps person play poet present Queen reader retirement rival scene School for Scandal season seemed Shakespeare Sheridan Siddons sister spectators Spranger Barry stage style talents taste theatrical thee thou thought tion tragedy tragic truth uttered virtue Voltaire wife woman writer Yates
Popular passages
Page 298 - I have given suck, and know How tender 'tis to love the babe that milks me : I would, while it was smiling in my face, Have pluck'd my nipple from his boneless gums, And dash'd the brains out, had I so sworn as you Have done to this.
Page 233 - Nay, take my life and all; pardon not that: You take my house, when you do take the prop That doth sustain my house; you take my life, When you do take the means whereby I live.
Page 307 - Come, you spirits That tend on mortal thoughts, unsex me here, And fill me, from the crown to the toe, top-full Of direst cruelty ! make thick my blood ; Stop up the access and passage to remorse, That no compunctious visitings of nature Shake my fell purpose...
Page 444 - It was on the day, or rather night, of the 27th of June 1787, between the hours of eleven and twelve, that I wrote the last lines of the last page, in a summer-house in my garden. After laying down my pen, I took several turns in a berceau, or covered walk of acacias, which commands a prospect of the country, the lake, and the mountains. The air was temperate, the sky was serene, the silver orb of the moon was reflected from the waters, and all nature was silent.
Page 322 - I have almost forgot the taste of fears : The time has been, my senses would have cool'd To hear a night-shriek ; and my fell of hair Would at a dismal treatise rouse, and stir, As life were in't : I have supp'd full with horrors ; Direness, familiar to my slaughterous thoughts, Cannot once start me.
Page 314 - Exposing what is mortal and unsure To all that fortune, death and danger dare, Even for an egg-shell. Rightly to be great Is not to stir without great argument, But greatly to find quarrel in a straw When honour 's at the stake.
Page 297 - ... Come, you spirits That tend on mortal thoughts, unsex me here ; And fill me, from the crown to the toe...
Page 42 - Alas ! poor Yorick. I knew him, Horatio ; a fellow of infinite jest, of most excellent fancy ; he hath borne me on his back a thousand times ; and now, how abhorred in my imagination it is ! my gorge rises at it. Here hung those lips that I have kissed I know not how oft.
Page 252 - For grief is proud and makes his owner stoop. To me and to the state of my great grief Let kings assemble; for my grief's so great That no supporter but the huge firm earth Can hold it up : here I and sorrows sit ; Here is my throne, bid kings come bow to it.
Page 211 - Looking tranquillity ! it strikes an awe And terror on my aching sight ; the tombs And monumental caves of death look cold, And shoot a chillness to my trembling heart.