Prefaces, Biographical and Critical, to the Works of the English Poets: DrydenJ. Nichols, 1779 - English poetry |
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Page 4
... that he who purposed to be an author , ought first to be a student . He obtained , whatever was the reafon , no fellowship in the College . Why he was excluded , cannot 7 in 4 DRY D E N. ftanding the reformation begun by ...
... that he who purposed to be an author , ought first to be a student . He obtained , whatever was the reafon , no fellowship in the College . Why he was excluded , cannot 7 in 4 DRY D E N. ftanding the reformation begun by ...
Page 7
... first invades the car , And in that filence we a tempeft fear : for which he was perfecuted with per- petual ridicule , perhaps with more than was deserved . Silence is indeed mere privation ; and , fo confidered , cannot in- vade ; but ...
... first invades the car , And in that filence we a tempeft fear : for which he was perfecuted with per- petual ridicule , perhaps with more than was deserved . Silence is indeed mere privation ; and , fo confidered , cannot in- vade ; but ...
Page 8
... first editions be eafily found , if even from them could be obtained the neceffary information . The time at which his firft play was exhibited is not certainly known , be- cause it was not printed till it was fome years afterwards ...
... first editions be eafily found , if even from them could be obtained the neceffary information . The time at which his firft play was exhibited is not certainly known , be- cause it was not printed till it was fome years afterwards ...
Page 10
Samuel Johnson. might be the unal determination of the publick . His first piece was a comedy called the Wild Gallant . He began with no happy auguries ; for his performance was fo much difapproved , that he was compelled to recall it ...
Samuel Johnson. might be the unal determination of the publick . His first piece was a comedy called the Wild Gallant . He began with no happy auguries ; for his performance was fo much difapproved , that he was compelled to recall it ...
Page 17
... first edition of the play , but was added when it was afterwards reprinted ; and as the Duke of Lerma did not appear till 1668 , the fame year in which the Dia- logue was published , there was time . enough for enmity to grow up between ...
... first edition of the play , but was added when it was afterwards reprinted ; and as the Duke of Lerma did not appear till 1668 , the fame year in which the Dia- logue was published , there was time . enough for enmity to grow up between ...
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Common terms and phrases
Abfalom againſt Almanzor anſwer becauſe cauſe cenfure character Charles Dryden compariſon compofition confidered Cowley criticiſm criticks defign defire dramatick Dryden Duke of Lerma eafily elegant Elkanah Settle Engliſh excellence Fables fafe faid fame fatire fays fecond feems feldom felf fenfe fentence fentiments fhall fhew fhip fhould fince firft firſt fome fomething fometimes fouls ftudied fubject fuccefs fuch fuffered fufficient fuppofed fure genius heroick himſelf inftruction itſelf John Dryden juft Juvenal labour laft laſt leaſt lefs lines lord mind moft moſt muft muſt neceffary never numbers obferved occafion paffages paffions pafs perfon perhaps play pleafing pleaſe pleaſure poem poet poetical poetry praife praiſe preface profe publick publiſhed purpoſe racter raiſed reaſon refentment reft reprefented rhyme ſeems Shakeſpeare Sir Robert Howard Sophocles ſtage thefe theſe thofe thoſe thought tion Tonfon tragedy tranflated Tyrannick Love uſe verfes verfification verfion verſe Virgil whofe whoſe writing written
Popular passages
Page 214 - To see this fleet upon the ocean move, Angels drew wide the curtains of the skies; And heaven, as if there wanted lights above, For tapers made two glaring comets rise.
Page 253 - As only buz to Heaven with evening wings ; Strike in the dark, offending but by chance ; Such are the blindfold blows of Ignorance : They know not beings,, and but hate a name ; To them the Hind and Panther are the same.
Page 239 - From harmony, from heavenly harmony, This universal frame began: When nature underneath a heap of jarring atoms lay, And could not heave her head, The tuneful voice was heard from high, Arise ye more than dead. Then cold and hot, and moist and dry, In order to their stations leap, And music's power obey. From harmony, from heavenly harmony, This universal frame began: From harmony to harmony Through all the compass of the notes it ran, The diapason closing full in man.
Page 178 - Of him that knows much, it is natural to suppose that he has read with diligence ; yet I rather believe that the knowledge of Dryden was gleaned from accidental intelligence and various conversation, by a quick apprehension, a judicious selection, and a happy memory, a keen appetite of knowledge, and a powerful digestion...
Page 190 - He is to exhibit his author's thoughts in such a dress of diction as the author would have given them, had his language been English...
Page 274 - Works of imagination excel by their allurement and delight ; by their power of attracting and detaining the attention. That book is good in vain, which the reader throws away. He only is the master, who keeps the mind in pleasing captivity...
Page 164 - To judge rightly of an author, we must transport ourselves to his time, and examine what were the wants of his contemporaries, and what were his means of supplying them.
Page 254 - Proffering the Hind to wait her half the way: That, since the sky was clear, an hour of talk Might help her to beguile the tedious walk. With much good-will the motion was embrac'd...
Page 248 - A milk-white Hind, immortal and unchang'd, Fed on the lawns, and, in the forest rang'd : Without unspotted, innocent within, She fear'd no danger, for she knew no sin. Yet had she oft been chas'd with horns and hounds, And Scythian shafts, and many winged wounds Aim'd at her heart ; was often forc'd to fly, And doom'd to death, though fated not to die.
Page 185 - There was therefore before the time of Dryden no poetical diction, no system of words at once refined from the grossness of domestic use, and free from the harshness of terms appropriated to particular arts. Words too familiar, or too remote, defeat the purpose of a poet.