Shylock on the StageIssued in 1951 in microfilm forn as thesis, Columbia University. |
Contents
IN THE BEGINNING | 3 |
CHAPTER II | 21 |
EDMUND KEAN AND HIS | 39 |
Copyright | |
5 other sections not shown
Common terms and phrases
acting actor America Antonio appeared attempt audience beard became become believed bond Booth brought called changes character characterization Charles Christian Collection comedy comic Company considered continued costume critics daughter described dignity dramatic early edition Edwin effect Elizabethan England English evidence expression eyes feeling finally George give hand Henry History impressed included indicates interest interpretation Irving Irving's Jessica Jewish John Kean Kean's later least less Library lines London look Macklin manner marked Merchant of Venice musical natural never November once original passion performance period personality play played Shylock pointed popular Portia portrayal practice praise presented Press production reading reason revenge role seems seen sets Shakespeare Shylock speech spirit stage style success theatre theatrical thought tion tone tradition treatment trial scene turned University voice Winter York