Verbal, Visual Crossings, 1880-1980Theo d'. Haen |
Contents
Section 1 | 9 |
Section 2 | 15 |
Section 3 | 17 |
Section 4 | 44 |
Section 5 | 45 |
Section 6 | 73 |
Section 7 | 87 |
Section 8 | 115 |
Section 11 | 194 |
Section 12 | 199 |
Section 13 | 221 |
Section 14 | 241 |
Section 15 | 281 |
Section 16 | 335 |
Section 17 | 341 |
Section 18 | 380 |
Common terms and phrases
Achterberg aesthetic Alpers analysis Apollinaire appears Art Nouveau artist aspects automatic Bonset Breton caption century Charles Jencks Christ collage collage novels concept concrete poem concrete poetry connotations context critics denotation Doesburg Dutch art enigma Ensor ergatic essay example exemplification expression façade fact Figure fistule lacrymale Freud function Gezelle Gilberto Freyre graphemic graphic hanged Huizinga's iconic iconography imagery inscription instance interpretation IPIP ironic James Ensor Jencks L'Horloge labels language Les XX literary text matter Max Ernst meaning metaphor modern Mouw narrative novels object observation oeuvre Ostaijen painting petite fistule philosophy photographs poet post-modern architecture predicates present prose question reality reference referential rhetoric schema semantic semiotic sense signified Skeletons Fighting specific Spies statement Stijl structure surrealist symbol syntactic taxonomy theme Theo van Doesburg theory tion traditional University Press verbal verse viewer visual poetry Werner Spies words writing York