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TO A FRIEND ON HIS MARRIAGE.

WHAT makes a happy wedlock? What has fate
Not given to thee in thy well-chosen mate?

Good sense-good humor;-these are trivial things,
Dear M- that each trite encomiast sings.
A mind exempt

But she hath these, and more.

From every low-bred passion, where contempt,
Nor envy, nor detraction, ever found

A harbor yet; an understanding sound;
Just views of right and wrong; perception full
Of the deformed, and of the beautiful,
In life and manners; wit above her sex,
Which, as a gem, her sprightly converse decks;
Exuberant fancies, prodigal of mirth,

To gladden woodland walk, or winter hearth;
A noble nature, conqueror in the strife
Of conflict with a hard discouraging life,
Strengthening the veins of virtue, past the power
Of those whose days have been one silken hour,
Spoiled fortune's pampered offspring; a keen sense
Alike of benefit, and of offence,

With reconcilement quick, that instant springs
From the charged heart with nimble angel wings;
While grateful feelings, like a signet signed
By a strong hand, seem burned into her mind.
If these, dear friend, a dowry can confer
Richer than land, thou hast them all in her;
And beauty, which some hold the chiefest boon,
Is in thy bargain for a make-weight thrown.

[In a leaf of a quarto edition of the "Lives of the Saints, written in Spanish by the learned and reverend father, Alfonso Villegas, Divine, of the Order of St. Dominick, set forth in English by John Heigham, Anno 1630," bought at a Catholic book-shop in Duke-street, Lincoln's Inn Fields, I found, carefully inserted, a painted flower, seemingly coeval with the book itself; and did not, for some time, discover that it opened in the middle, and was the cover to a very humble draught of a St. Anne, with the Virgin and Child; doubtless the performance of some poor but pious Catholic, whose meditations it assisted.]

O LIFT with reverent hand that tarnished flower,
That shrines beneath her modest canopy
Memorials dear to Romish piety;

Dim specks, rude shapes, of Saints! in fervent hour
The work perchance of some meek devotee,
Who, poor in worldly treasures to set forth
The sanctities she worshipped to their worth,
In this imperfect tracery might see

Hints, that all Heaven did to her sense reveal.
Cheap gifts best fit poor givers. We are told
Of the lone mite, the cup of water cold,
That in their way approved the offerer's zeal.
True love shows costliest, where the means are scant;
And, in their reckoning, they abound, who want.

THE SELF-ENCHANTED.

I HAD a sense in dreams of a beauty rare,
Whom Fate had spell-bound, and rooted there,
Stooping, like some enchanted theme,
Over the marge of that crystal stream,
Where the blooming Greek, to Echo blind,
With Self-love fond, had to waters pined,
Ages had waked, and ages slept,

And that bending posture still she kept:

For her eyes she may not turn away,

'Till a fairer object shall pass that way

'Till an image more beauteous this world can show, Than her own which she sees in the mirror below.

Pore on, fair Creature! for ever pore,
Nor dream to be disenchanted more:
For vain is expectance, and wish in vain,
"Till a new Narcissus can come again.

TO LOUISA M

WHOM I USED TO CALL "MONKEY."

LOUISA, serious grown and mild,
I knew you once a romping child,
Obstreperous much and very wild.
Then you would clamber up my knees,
And strive with every art to tease,
When every art of yours could please.
Those things would scarce be proper now,
But they are gone, I know not how,
And woman's written on your brow.
Time draws his finger o'er the scene;
But I cannot forget between
The Thing to me you once have been;
Each sportive sally, wild escape-
The scoff, the banter, and the jape-
And antics of my gamesome Ape.

TRANSLATIONS.

FROM THE LATIN OF VINCENT BOURNE.

I.

THE BALLAD SINGERS.

WHERE seven fair Streets to one tall column* draw,
Two Nymphs have ta'en their stand, in hats of straw;
Their yellower necks huge beads of amber grace,
And by their trade they're of the Sirens' race;
With cloak loose-pinned on each, that has been red,
But long with dust and dirt discolored
Belies its hue; in mud behind, before,

From heel to middle leg becrusted o'er.

One a small infant at the breast does bear;

And one in her right hand her tuneful ware,

Which she would vend. Their station scarce is taken,

When youths and maids flock round. His stall forsaken, Forth comes a Son of Crispin, leathern-capt,

Prepared to buy a ballad, if one apt

To move his fancy offers. Crispin's sons

Have, from uncounted time, with ale and buns,
Cherished the gift of Song, which sorrow quells;
And, working single in their low-rooft cells,
Oft cheat the tedium of a winter's night
With anthems warbled in the Muses' spright.
Who now hath caught the alarm? the Servant Maid
Hath heard a buzz at distance; and afraid

To miss a note, with elbows red comes out.
Leaving his forge to cool, Pyracmon stout

*Seven Dials.

Thrusts in his unwashed visage. He stands by,
Who the hard trade of Porterage does ply

With stooping shoulders. What cares he? he sees
The assembled ring, nor heeds his tottering knees,
But pricks his ears up with the hopes of song.
So while the Bard of Rhodope his wrong
Bewailed to Proserpine on Thracian strings,
The tasks of gloomy Orcus lost their stings,
And stone-vexed Sysiphus forgets his load.
Hither and thither from the sevenfold road
Some cart or wagon crosses, which divides
The close-wedged audience; but, as when the tides
To ploughing ships give way, the ship being past,
They re-unite, so these unite as fast.

The older Songstress hitherto hath spent

Her elocution in the argument

Of their great song in prose; to wit, the woes
Which Maiden true to faithless Sailor owes-

Ah! "Wandering He !"—which now in loftier verse
Pathetic they alternately rehearse.

All gaping wait the event.

His right ear to the strain.

This Critic opes

The other hopes

To catch it better with his left.

Long trade

It were to tell, how the deluded Maid

A victim fell. And now right greedily
All hands are stretching forth the songs to buy,
That are so tragical; which She, and She,
Deals out, and sings the while; nor can there be
A breast so obdurate here, that will hold back
His contribution from the gentle rack

Of Music's pleasing torture. Irus' self,

The staff-propped Beggar, his thin gotten pelf
Brings out from pouch, where squalid farthings rest,
And boldly claims his ballad with the best.
An old Dame only lingers. To her purse

The penny sticks. At length, with harmless curse,
Give me," she cries. "I'll paste it on my wall,
While the wall lasts, to show what ills befall
Fond hearts, seduced from Innocency's way;
How Maidens fall, and Mariners betray."

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