Tradition and Experiment in English Poetry |
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... verse forms into English and so left the door open for the Italianising tendencies of Spenser and the Elizabethan sonneteers generally . And they , in their turn , begin a by - line in English verse that includes Milton , Tennyson ...
... verse forms into English and so left the door open for the Italianising tendencies of Spenser and the Elizabethan sonneteers generally . And they , in their turn , begin a by - line in English verse that includes Milton , Tennyson ...
Page 70
... verse . Behind the major poetry of the period is the earthy force of the great alliterative poems of the Middle Ages - Piers Plowman and Sir Gawain and the Green Knight . This may seem a surprising point to make , in view of the usual ...
... verse . Behind the major poetry of the period is the earthy force of the great alliterative poems of the Middle Ages - Piers Plowman and Sir Gawain and the Green Knight . This may seem a surprising point to make , in view of the usual ...
Page 302
... verse . Rosenberg's technical innovations cannot be so readily discussed in terms of a past norm as those of his fellows . One can hear in the lines of Owen's ' Strange Meeting ' the rhythms of the Induction to ' The Fall of Hyperion ...
... verse . Rosenberg's technical innovations cannot be so readily discussed in terms of a past norm as those of his fellows . One can hear in the lines of Owen's ' Strange Meeting ' the rhythms of the Induction to ' The Fall of Hyperion ...
Contents
Piers Plowman through Modern Eyes I | 1 |
Experimentalist Extraordinary | 30 |
Elizabethan Poetry | 69 |
Copyright | |
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Common terms and phrases
American appears Auden Ben Jonson Blake Browning Burnt Norton called Canterbury Tales century certainly character characteristic Chaucer Cleopatra Coleridge comedy context cottage critics death dramatic monologue Dryden Eliot Elizabethan English poetry epistle example F. R. Leavis fact fiction figure Georgians husband imagery images imitation Jonson Keats King King Lear Lady Langland language Lear Leavis literature live look lyric Macbeth matter medieval Milton mode modern narrative never night original Othello passage Patrick Kavanagh person Peter Redgrove Piers Plowman pilgrim play plot Plutarch poem poet poetic Pound Prelude Prologue prose reader rhythm Romantic satire scene seems seen sense sermon Shakespeare Shelley sleep song speech Spenser story suggest tale technique tell thee theme thing Thomas thou tone tradition translation turn verse Visio voice W. H. Auden Whitman wife words Wordsworth writing young