Tradition and Experiment in English Poetry |
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Page 118
... called , a ' dragon ' ( Iv i , v iv ) and an ' eagle ' ( v vi ) . The poetry he speaks is a tissue of references to war , couched in terms at once violent and abstract . Predominantly , the obsession is with blood , but it is not ...
... called , a ' dragon ' ( Iv i , v iv ) and an ' eagle ' ( v vi ) . The poetry he speaks is a tissue of references to war , couched in terms at once violent and abstract . Predominantly , the obsession is with blood , but it is not ...
Page 144
... called The Floating Island ( 1636 ) in which the throne of Prudentius is usurped by Fancy . Her speech at the zenith of her fortunes picks up the romantic aspect of Jonson's dramatic poetry : Why have not I my Beds stuffed all with wind ...
... called The Floating Island ( 1636 ) in which the throne of Prudentius is usurped by Fancy . Her speech at the zenith of her fortunes picks up the romantic aspect of Jonson's dramatic poetry : Why have not I my Beds stuffed all with wind ...
Page 248
... called the latter poet's monologues ' masterpieces in verse ' and particularly admired — what is the key to the writing of monologues — Brown- ing's ' tact of omission ' . And Arthur Symons not only wrote some distinguished dramatic ...
... called the latter poet's monologues ' masterpieces in verse ' and particularly admired — what is the key to the writing of monologues — Brown- ing's ' tact of omission ' . And Arthur Symons not only wrote some distinguished dramatic ...
Contents
Piers Plowman through Modern Eyes I | 1 |
Experimentalist Extraordinary | 30 |
Elizabethan Poetry | 69 |
Copyright | |
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acts American appears attempt becomes begins bring called century certainly character characteristic Chaucer comes critics deal death detail direction doubt dramatic early effect Eliot Elizabethan English example experience eyes fact feel figure follow further give given hand images influence Jonson kind King language later leave less literature live look lyric matter means mind mode monologue narrative nature never night once original particular passage perhaps person play plot poem poet poetry present prose reader relation remarkable Romantic scene seems seen sense Shakespeare speak speech stand story suggest taken tale tell thee thing Thomas thou thought tone tradition translation true turn verse Visio voice Whitman whole wife Wordsworth writing young