Rethinking the Novel/Film DebateThe relationship between books and film has been one of the key topics of cinema studies. Much of this criticism, however, has been inherited from eighteenth-century debates on poetry and painting and thus has fostered false and limiting paradigms in which words and pictures are opposed. Rethinking the Novel/ Film Debate historicizes and critiques the central paradigms of this debate. Testing theory against practice, and uncovering the hidden agendas, Kamilla Elliot creates new critical models that can be applied to the novel/ film issue in an effort to transform the field for future inquiry. |
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Page vii
... Victorian Pictorial Initial Penciling the Pen : The Pictorial Initials of Vanity Fair Pictured Prose versus Prose Pictures Dramatic Analogies : Character Character Picture Symbols / Symbol Pictures 66 The Ends of the Spectrum 71 པཐག ཡག ...
... Victorian Pictorial Initial Penciling the Pen : The Pictorial Initials of Vanity Fair Pictured Prose versus Prose Pictures Dramatic Analogies : Character Character Picture Symbols / Symbol Pictures 66 The Ends of the Spectrum 71 པཐག ཡག ...
Page viii
Kamilla Elliott. 4 Cinematic Novels / Literary Cinema 113 Exposing the Cinematic Victorian Novel Cinematizing the Cinematic Novel and / or Literary Cinema 118 125 5 Literary Cinema and the Form / Content Debate The Psychic Concept of ...
Kamilla Elliott. 4 Cinematic Novels / Literary Cinema 113 Exposing the Cinematic Victorian Novel Cinematizing the Cinematic Novel and / or Literary Cinema 118 125 5 Literary Cinema and the Form / Content Debate The Psychic Concept of ...
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Page 3
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Contents
2 | 31 |
The Victorian Pictorial Initial | 56 |
3 | 77 |
Cinematic NovelsLiterary Cinema | 113 |
Literary Cinema and the FormContent Debate | 133 |
Adaptation and Analogy | 184 |
Adaptation and Looking Glass Analogies | 209 |
Prefatory ConclusionsConcluding Prefaces | 241 |
277 | |
295 | |
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Common terms and phrases
Alice in Wonderland Amelia Becky Bluestone book illustration Brontë camera Carroll's categorical Cathy Cathy's century Chapter characters cinematic novel cited claim cognitive concept of adaptation critics cultural D. W. Griffith Dickens discourse dramatic dream early film editing Emily Brontë essay Fiction figurative film adaptation film language film words film's filmic filmmakers form and content George George Bluestone graphemes graphic Heathcliff incarnation interart analogies intertitles James Jan Švankmajer Kenneth Branagh letter linguistic literal literary cinema literary film adaptation literature London looking glass looking glass analogies metaphor Mock Turtle model of adaptation montage Movies narrative narrator nineteenth-century novel and film novelists objects Onimaru Osborne reading represent representation Review rhetoric scholars semiotic shot signified silent films spirit Švankmajer Švankmajer's symbolic Tess textual Thackeray Thackeray's pictorial initial theater theatrical theory tion University Press Vanity Fair verbal Victorian novel viewer vignette visual arts William Makepeace Thackeray's word and image writing Wuthering Heights