A Study of Shakespeare |
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Page 38
... character of King Richard . Among the scenes devoted to this exposition I of course include the whole of the death - scene of Gaunt , as well the part which precedes as the part which follows the actual appearance of his nephew on the ...
... character of King Richard . Among the scenes devoted to this exposition I of course include the whole of the death - scene of Gaunt , as well the part which precedes as the part which follows the actual appearance of his nephew on the ...
Page 39
... character , always excepting the one central figure of the piece , we find his hand as yet the unsteadier of the two ... characters as York , Norfolk , and Aumerle . The Gaveston and the Mortimer of Marlowe are far more solid and ...
... character , always excepting the one central figure of the piece , we find his hand as yet the unsteadier of the two ... characters as York , Norfolk , and Aumerle . The Gaveston and the Mortimer of Marlowe are far more solid and ...
Page 41
... characters an equal or proportionate regard ; to divide and disperse his interest among the various crowd of figures which claim each in its place , and each after its kind , a fair and adequate share of their creator's attention and ...
... characters an equal or proportionate regard ; to divide and disperse his interest among the various crowd of figures which claim each in its place , and each after its kind , a fair and adequate share of their creator's attention and ...
Page 44
... character , the motion and action of combining and contend- ing powers , which here for the first time we find sustained with equal and unfaltering vigour throughout the length of a whole play , we perceive , though imperfectly , in the ...
... character , the motion and action of combining and contend- ing powers , which here for the first time we find sustained with equal and unfaltering vigour throughout the length of a whole play , we perceive , though imperfectly , in the ...
Page 49
... character and emotion , every shade of drawing and every note of sound is at one with the whole scheme of form and music . Here too is the first dawn of that higher and more tender humour which was never given in such perfection to any ...
... character and emotion , every shade of drawing and every note of sound is at one with the whole scheme of form and music . Here too is the first dawn of that higher and more tender humour which was never given in such perfection to any ...
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Common terms and phrases
admirable Ęschylus assuredly authorship beauty blank verse BRET HARTE Cęsar character Christopher Marlowe cloth extra Coloured comedy comic Countess criticism Crown 8vo Demy 8vo divine dramatic Edited English Essay evidence eyes Facsimile Falstaff fancy figure Fletcher genius genuine gilt Hamlet hand heart History honour humour Iago JAMES PAYN JOHN Juliet Julius Cęsar JUSTIN MCCARTHY King Henry labour least less Love's Labour's Lost lyric Marlowe Marlowe's master metre natural never noble Noble Kinsmen Notes numerous Illustrations once original Othello OUIDA passage passion perfect period pity play poem poet poetic poetry Portrait proof prose Queen Rabelais reader rhyme Romeo Romeo and Juliet scene sense Shake Shakespeare single sketch sonnets speare speare's speech spirit stage style surely sweet thou thought tion touch tragedy tragic Vols Warning for Fair whole WILKIE COLLINS words worth writer written
Popular passages
Page 10 - The illustrations of this volume . . . are of quite sterling and admirable art, of a class precisely parallel in elevation to the character of the tales which they illustrate; and the original etchings, as I have before said in the Appendix to my
Page 32 - Walton and Cotton's Complete Angler; or, The Contemplative Man's Recreation : being a Discourse of Rivers, Fishponds. Fish and Fishing, written by IZAAK WALTON ; and Instructions how to Angle for a Trout or Grayling in a clear Stream, by CHARLES COTTON.
Page 7 - Comic Almanack. Complete in Two SERIES : The FIRST from 1835 to 1843 ; the SECOND from 1844 to 1853. A Gathering of the BEST HUMOUR of THACKERAY, HOOD, MAYHEW, ALBERT SMITH, A'BECKETT, ROBERT BROUGH, &c. With 2,000 Woodcuts and Steel Engravings by CRUIKSHANK, HINE, LANDELLS, &c. Crown 8vo, cloth gilt, two very thick volumes, 7s. 6d. each. The Life of George Cruikshank. By BLANCHARD JERROLD, Author of "The Life of Napoleon III.,
Page 5 - More Worlds than One. The Creed of the Philosopher and the Hope of the Christian.
Page 248 - Had fed the feeling of their masters' thoughts, And every sweetness that inspir'd their hearts, Their minds, and muses on admired themes; If all the heavenly quintessence they still From their immortal flowers of poesy, Wherein, as in a mirror, we perceive The highest reaches of a human wit; If these had made one poem's period, And all combin'd in beauty's worthiness, Yet should there hover in their restless heads One thought, one grace, one wonder, at the least, Which into words no virtue can digest.
Page 25 - Our Place among Infinities: A Series of Essays contrasting our Little Abode in Space and Time with the Infinities Around us.
Page 14 - Lamb's Complete Works, in Prose and Verse, reprinted from the Original Editions, with many Pieces hitherto unpublished. Edited, with Notes and Introduction, by RH SHEPHERD. With Two Portraits and Facsimile of a Page of the
Page 13 - Hood's (Thomas) Choice Works, In Prose and Verse. Including the CREAM OF THE COMIC ANNUALS.
Page 7 - Cyclopaedia of Costume ; or, A Dictionary of Dress — Regal, Ecclesiastical, Civil, and Military — from the Earliest Period in England to the reign of George the Third. Including Notices of Contemporaneous Fashions on the Continent, and a General History of the Costumes of the Principal Countries of Europe. By JR PLANCHE, Somerset Herald.
Page 28 - Signboards : Their History. With Anecdotes of Famous Taverns and Remarkable Characters. By JACOB LARWOOD and JOHN CAMDEN HOTTEN. With nearly 100 Illustrations.