Names of dramas : M-Z. Latin plays by English authors. Oratorios. Appendix to v.2 and 3. Additions and corrections to v.2 and 3Longman, Hurst, Rees, Orme, and Brown, 1812 - English drama |
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Page 7
... Drury Lane , 1796. This piece was a compilation of inci- dents from The Guardian , The Arabian Nights Entertainments , The Persian Tales , & c . The music ( the last that was composed by Storace ) first introduced Mr. Bra- ham ...
... Drury Lane , 1796. This piece was a compilation of inci- dents from The Guardian , The Arabian Nights Entertainments , The Persian Tales , & c . The music ( the last that was composed by Storace ) first introduced Mr. Bra- ham ...
Page 8
... Drury Lane with much applause . 43. THE MAIDEN WHIM ; or , The Critical Minute . A Farce , by Dr. Hill . Acted at Drury Lane , April 24 , 1756 , for the benefit of the author . Not printed . 44. THE MAID IN THE MILL . Com . by Beaumont ...
... Drury Lane with much applause . 43. THE MAIDEN WHIM ; or , The Critical Minute . A Farce , by Dr. Hill . Acted at Drury Lane , April 24 , 1756 , for the benefit of the author . Not printed . 44. THE MAID IN THE MILL . Com . by Beaumont ...
Page 9
... Drury Lane . 4to . 1632 ; 4to . 1638. This play , which has considerable merit , met with great applause , and has a copy of verses prefixed by Sir As- ton Cokain . 48. THE MAID OF HONOUR . Com . Acted at Drury Lane , 1785 . This was an ...
... Drury Lane . 4to . 1632 ; 4to . 1638. This play , which has considerable merit , met with great applause , and has a copy of verses prefixed by Sir As- ton Cokain . 48. THE MAID OF HONOUR . Com . Acted at Drury Lane , 1785 . This was an ...
Page 10
... Drury Lane . 8vo . 1774. The style of this per- formance is less offensively affect ed than that of certain proclama- tions , which induced the Ameri- cans to style our author The Chro- nonhotonthologos of War . The Maid of the Oaks ...
... Drury Lane . 8vo . 1774. The style of this per- formance is less offensively affect ed than that of certain proclama- tions , which induced the Ameri- cans to style our author The Chro- nonhotonthologos of War . The Maid of the Oaks ...
Page 13
... Drury Lane , with considerable success . Syo . 1809 . 83. MANGORA , King of the TIMBUSIANS ; or , The Faithful Couple . Tragedy , by Sir Thomas Moore . 4to . 1718. This play was brought on the stage at the Theatre in Lincoln's Inn ...
... Drury Lane , with considerable success . Syo . 1809 . 83. MANGORA , King of the TIMBUSIANS ; or , The Faithful Couple . Tragedy , by Sir Thomas Moore . 4to . 1718. This play was brought on the stage at the Theatre in Lincoln's Inn ...
Common terms and phrases
Acted at Covent Acted at Drury Acted at Lincoln's afterwards alteration Anonymous appears applause audience Ben Jonson benefit borrowed called character Charles Charles Dibdin Colman comedy comic Company copy Covent Garden dialogue Dibdin drama dramatic piece Drury Lane Dublin Duke edition English Entertainment Euripides Farce five acts founded French Garrick gentleman George Haymarket Henry honour humour Interlude James John John O'Keeffe Johnson King Lady late Lincoln's Inn Fields London Lord Love lover Masque ment merit Never acted night Opera original Performed at Covent play was acted plot poem poet Prince printed prologue published Queen racter Richard Richard Brome satire says scene lies Shak Shakspeare Shakspeare's songs stage story success taken Theatre Royal Thomas Thomas Dekker Thomas Durfey Thomas Middleton thor three acts tion Trag tragedy Tragi-Com trans translated Triumphs verses William writer written
Popular passages
Page 109 - Excellent wretch ! Perdition catch my soul, But I do love thee ! and when I love thee not Chaos is come again.
Page 227 - For physic and farces his equal there scarce is— His farces are physic, his physic a farce is.
Page 158 - They boast they come but to improve our state, enlarge our thoughts, and free us from the yoke of error ! Yes ; they will give enlightened freedom to our minds, who are themselves the slaves of passion, avarice, and pride. They offer us their protection : yes; such protection as vultures give to lambs — covering and devouring them ! They call on us to barter all of good we have inherited and proved, for the desperate chance of something better which they promise. Be our plain answer this : —...
Page 82 - Fountain heads and pathless groves, Places which pale passion loves ! Moonlight walks, when all the fowls Are warmly housed save bats and owls ! A midnight bell, a parting groan ! These are the sounds we feed upon ; Then stretch our bones in a still gloomy valley ; Nothing's so dainty sweet as lovely melancholy.
Page 158 - The throne we honour is the people's choice ; the laws we reverence are our brave fathers' legacy ; the faith we follow teaches us to live in bonds of charity with all mankind, and die with hope of bliss beyond the grave. Tell your invaders this, and tell them, too, we seek no change : and, least of all, such change as they would bring us.
Page 60 - Looking tranquillity! It strikes an awe And terror on my aching sight; the tombs And monumental caves of death look cold, And shoot a chillness to my trembling heart.
Page 111 - The fiery openness of Othello, magnanimous, artless, and credulous, boundless in his confidence, ardent in his affection, inflexible in his resolution, and obdurate in his revenge; the cool malignity of lago, silent in his resentment, subtle in his designs, and studious at once of his interest and his vengeance...
Page 60 - And terror on my aching sight ; the tombs And monumental caves of death look cold, And shoot a chilness to my trembling heart. Give me thy hand, and let me hear thy voice ; Nay, quickly speak to me, and let me hear Thy voice — my own affrights me with its echoes.
Page 116 - Passage (from the Tower) through his Honourable Citie (and Chamber) of London, being the 15. of March, 1603. As well by the English as by the Strangers : With the Speeches and Songes, delivered in the severall Pageants.
Page 42 - WILD and fantastical as this play is, all the parts, in their various modes, are well written, and give the kind of pleasure which the author designed. Fairies in his time were much in fashion ; common tradition had made them familiar, and Spenser's poem had made them great JOHNSON.