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ARTS, LITERATURE, COMMERCE, Manufactures, Fashions, and Politics,
For AUGUST, 1813.
The Fifty-sirth Lumber.
PAGE 1. View of Mr. Pitt's MONUMENT IN GUILDHALL
70 2. PORTMAN-SQUARE
105 3. ANTIQUE SOPA AND TABLE
115 4. Ladies' EVENING DRESS
116 5. MORNING OR DOMESTIC COSTUME
ib. 6. Patterns of British MANUFACTUREs, with Allecóricai Woon.cür jis 7. PATTERNS FOR NEEDLE-WORK. CONTENTS.
PAGI Conversations on the Arts, by Juninus 63 --Ware's Medley Pas-seul; OverDescription of the Monument erect- ture to Aladdin; “Every Face
ed in Guildhall, London, to the looks cheerly;" The Bell Dance, Memory of the late Right Hon. in Aladdin; The Grand March in Wm. Pitt.
70 Ditto-Condell's “ Though highVersatility of Principles, a true Story, est Rank and Power be mine ;" by Kotzebuc
The Medley Pas-seul in Aladdin Account of the Burial of Charles I. 74 -Dussek's Vive Henry IV.-NaMiscellaneous Fragments and Anec
tional Melodies, Nos. XII. and dotes.- Mahomet's Precept-On XX.
99 National Spirit A Character — Description of Portman-Square 105 Extraordinary Resemblance of Retrospect of Politics.—Spanish Petwo Brothers--The Basket-Maker ninsula-Fast of Spain-North of -Matrimony
76 Europe --America - MediterraThe Modern Spectator, No. xxix. S2
106 Brief Narrative of the Voyages and Fashionable Furniture .
115 Adventures of two Russian Offi
Fashions for Ladies
86 On Commerce, No. XXXIII.
Medical Report 94
117 Intelligence, Literary, Scientific, &c. 95 Agricultural Report
ib. Musical Review.-Ferrari's L'Eroina Allegorical Wood-Cut
118 di Raab-Venua's Divertissement Poetry
ib, Dansant - Mazzinghi's " Pray
. 121 Goody"-Valentine's Flight from Russia–Parry's Beauty in Tears
Meteorological Table-Manchester 122 -" The fair Nymph I adore"
Meteorological Table-London 123 Six favourite Songs for the Piano- Prices of Companies' Shares ib. Forte-Les petits Bijoux, No. IX. Prices of Stocks
. 124 Persons who reside abroad, and who wish to be supplied with this Work every Month as published, may have it sent to them, free of Postage, to New York, Halifax, Quebecy and to any part of the West Indies, at £4 198. per Anuum, by Mr. THORNHILL, of the General Post Office, at No. 21, Sherborne. Lane; to Hamburgh, Lisbon, Cadiz, Gibraltar, Malta, or any Part of the Mediterranean, at £4 ius. per Annum, by Mr. SERJEANT, of the General Post-Office, at No. 22, Sherborne-lane ; and to the Cape of Good Hope, or any part of the East Indies, by Mr Guy, at the East-India House, The money to be paid at ibc time of subscribing, for either 3, 6, 9, or 12 months.
TO OUR READERS AND CORRESPONDENTS.
We carnestly solicit communications (post paid) from the professors of the arts in general, as well as authors, respecting works which they may have in hand. We con. ceive that the evident advantage which must accrue to both from the more extensive publicity that will be given to their productions through the medium of the Repository, needs only to be mentioned, to induce them to favour us with such information, which shall always meet with the most prompt attention.
We fear with J. H. R. that his Epistle has not sufficient interest for the readers of the Repository.
The correspondent who proposes to furnish matter for a monthly Olio, is probably not aware, that we have already an article of a nearly similar nature, with which we shall have no objection to incorporale such of his anecdotes as appear worth preserving. The other paper transmitted by kim, has been handed to the conductor of the department for which it was designed.
The Tour through Derbyshire and Part of Staffordshire, is received, and notwithstanding its age, will, we doube not, prove acceptable to our readers.
How far Crito may be in the right, we presume not to determine, but are sure that we should be all in the wrong, were we to give his letter a place in our pages.
Several poetical pieces, signed Anna, J. C., Pindar junior, and Oxoniensis, are below par. Some others are deferred this month, owing to want of room.
Our next number will be accompanied with an engraving and description of a new and ingenious invention for preserving the Lives of shipwrecked Persons,
The Proprietor begs leate to remind such of his Readers as have imperfect sets of the Repository, of the necessity of an early application for the deficiences, in order to prevent disappointment. Those who chuse to return their Numbers to the Publisher, may have them exchanged for Volumes in a variety of bindings, at the rate of 5s. per Volume.
ARTS, LITERATURE, COMMERCE,
For AUGUST, 1813.
CONVERSATIONS ON THE ARTS.-By JUNINUS.
(Continued froin p. 8.) Miss Eve. Suppose, in order to 1 of Scots, is the only, print from change the subject, you give me Hogarth that I have ever seeir elsome particulars of such of Ho-graved by Bartolozzi. gartb's designs as you have not al- Miss Eve. What ladies have been-> ready mentioned.
honoured by the burin of this 'adMiss K. I believe the prints by mirable engraver? Hogarth that I have not mention- Miss K. In this port-folio are ed, are chiefly, - Orator Henley several ladies that have been thus christening a Child, etched by Si. honoured-here is a portrait of AnIreland, and dedicated to Captain gelica Kauffmann, er Academia ReF. Grose; - Taste in High Life, gali Artium Londini, from Sir JoWm. Hogarth pinx. 1742; Sl. shua Reynolds, 1780. Phillips sc. , The Royal Masquer- Miss Eve. This ingenious paint. ade at Somerset-House, Thos. Cook ress seems to have been
beau. sc.;-Beggars' Opera, Mr. Walker tiful in her time. as Macheath, Miss Fenton as Polly, Miss K. Maria Cosway, the W. Blake sc.; Lord Lovat on Trial, paintress, from her husband, Rd. etched by Ireland; who also etched Cosway, 1785. She is also a beaua Landscape from an original pic- tiful woman.-Georgiana Duchess ture in his possession, said to be of Devonshire, and her sister Lady the only landscape ever painted by Duncannon, both from Downman, Hogarth. This print is dedicated for the scenery of Richmond House to the Earl of Exeter. I believe I Theatre.–Lady Smith, from Sir noticed The Shrimp-Girl, which, Joshua Reynolds, 1789.—Wholewith the exception of Mary Queen length of Miss Farren, now Coun. No. LVI. Vol. X.
tess of Derby, from Laurence.- from the characters in which it is George-Anne Bellamy, late of Co- not expected, it is from their acting vent-Garden Theatre, the face from conformably ta their situation, and a picture by Cotes, the figure mo- | from the mode of the passions, pot dernized by Ramberg.–Lady Jane from their having the wit of fine Dundas, from J. Hoppner, 1802.- gentlemen. Thus there is a wit in Miss Gunning, from Saunders,1796. the figure of the alderman, who, -Front face of the late Duchess when his daughter is expiring in of Devonshire, from Nixon, 1789. the agonies of poison, wears a face --- Profile of the same lady, with a of solicitude, but it is to save her book in her hand.—Mary Stuart, gold ring, which he is drawing genQueen of Scotland, from William , tly from her finger. The thought Hogarth.- Bartolozzi has engrav- is parallel to Moliere's, where the ed many other ladies. He has en- miser puts out one of the candles graved more, as well as better, than as he is talking. Moliere, inimiany other artist in this country. table he has proved, brought a rude
Miss Eve. Describe to me some theatre to perfection. Hogarth had of Hogarth's works.
no model to follow and improve Miss K. Horace Walpole, Earl upon. He created his art, and used of Orford, has written well on this colours instead of language: his subject. Come and recline on this place is between the Italians whom couch, while I read his account. we may consider as epic poets and
Miss Eve., I am all attention. tragedians, and the Flemish paint
Miss K. William Hogarth, up- ers who are writers of farce and on the whole, should be consider- editors of burlesque nature. His ed rather as a writer of comedy subjects are universal, and amidst with a pencil, than as a painter. all bis pleasantry, he observes If catching the manners and follies the true end of comedy, reformaof an age, living as they rise; iftion. Sometimes he rises to tragegeneral satires on vices, and ridi- dy, not in the catastrophe of kings cules familiarized by strokes of na- and beroes, but to mark how vice ture and heightened by wit, and conducts insensibly and incidentalthe whole animated by a proper and ly to misery and shame. He warns just expression of the passions, be against encouraging idleness and comedy, Hogarth composed come-cruelty in young minds, and disdies as much as Moliere. In his cerns how the different vices of the Marriage à-la-Mode, there is even great and the vulgar lead by vaan intrigue carried on throughout rious paths to the same unhappithe piece. He is more true to cha- ness. The fine lady in Marriage racter than Congreve. Each per- à-la-Mode, and Tom Nero in the sonage is distinct from the rest, acts Fourth Stage of Cruelty, terminate in his sphere, and cannot be con- their story in blood: she occasions founded with any other of the dra- the murder of her husband; he matis persona. The alderman's foot- | assassinates his mistress. How deboy in the last print of the set Ilicate and superior too is his sahave just mentioned, is an igno- tire! When he intimates in the Col. rant rustic; and if wit is struck outlege of Physicians and Surgeons that preside at a dissection, how they that he drew all his stores from na legal habitude of viewing shocking ture and the force of his own gescenes hardens the human mindnius, and was indebted neither to and renders it unfeeling, the pre- models nor books' for his style, sident maintains the dignity of in- thoughts, or hints, that he never sensibility over an executed corpse, succeeded when he designed for and considers it but as the object the works of other men. of a lecture. In the print of the It is seldom that his figures do Sleeping Judges, this habitual in- | not express the character he intenddifferenceonly excites our laughter. ed to give them. When they wantIt is to Hogarth's honour, that, in ed an illustration that colours could so many scenes of satire or ridicule, not bestow, collateral circumstanit is obvious that ill-nature did notces, full of wit, supply notes. The guide bis pencil.' His end is al- | nobleman in Marriage à-la-Mode ways reformation, and his reproofs has a great air: the coronet on his general, except in the print of the crutches, and his pedigree issuing Times, and the two portraits of Mr. | out of the bowels of William the Wilkes and Mr. Churchill that fol- Conqueror, add to his character. lowed. No man, amidst such a | In the Breakfast, the old steward profusion of characteristic faces, reflects for the spectator. Someever pretended to discover or to
times a short label is an epigram, charge him with the caricature of and is never introduced without a real person, except of such 110- improving the subject. Unfortutorious characters as Chartres and nately, some circumstances that Mother Needham, and a very few were temporary will be lost to posmore, who are acting officially and terity, the fate of all comic authors; suitably to their professions* As and if ever an author wanted a he must have observed so carefully commentary, that none of his beauthe operation of the passions on
ties might be lost, it is Hogarth; the countenance, it is even won- not from being obscure, for he nederful that he never delivered the ver was, except in two or three of features of any identical
his first prints, where transient nait is at the same time a proof of tional follies, as lotteries, Freehis intimate intuition into nature. Masonry, and the South Sea were But had he been too severe, the his topics, but for the use of fohumanity of endeavouring to root || reigners, and from a multiplicity out cruelty to animals would atone of little incidents, not essential to, for many satires. It is another proof | but always heightening the prin* If Hogarth indulged his spirit of ri- cipal action, such as the spider's
* If Hogarth indulged his spirit of ri- web extended over the poor's box dicule in personality, it never proceeded in a parish church, the blunders beyond sketches and drawings: his prints touched the folly, but spared the person. in architecture in the nobleman's One of his early designs represented a
seat, seen through the window in noted miser, one of the sheriffs, trying a
the first plate of Marriage à-lamastiff which had robbed his kitchen; Mode, and a thousand in the strollbut the magistrate's son went to his house, ers dressing in a barn, which, for and cut the picture in pieces.
wit and imagination, without any