The recluse of Norway, Volume 2 |
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Page 6
... the verge of impru- dence ; yet both these qualities were less visi- ble in her appearance than in her conduct . Her manner was timid when her counte nance was most animated : that enthusiasm of feeling , 6 THE RECLUSE OF NORWAY .
... the verge of impru- dence ; yet both these qualities were less visi- ble in her appearance than in her conduct . Her manner was timid when her counte nance was most animated : that enthusiasm of feeling , 6 THE RECLUSE OF NORWAY .
Page 7
Anna Maria Porter. nance was most animated : that enthusiasm of feeling , which usually renders others bolder , made ... feelings . were visible to every surrounding observer ; when prudence or delicacy would have wished them concealed ...
Anna Maria Porter. nance was most animated : that enthusiasm of feeling , which usually renders others bolder , made ... feelings . were visible to every surrounding observer ; when prudence or delicacy would have wished them concealed ...
Page 9
... or twice at him , with a newly - awakened feeling of interest . His large dark eyes , till then as full of sweet-釁 ness as of thought , were directed with so sad B 5 THE RECLUSE OF NORWAY . 9 straint and embarrassment: he was the only ...
... or twice at him , with a newly - awakened feeling of interest . His large dark eyes , till then as full of sweet-釁 ness as of thought , were directed with so sad B 5 THE RECLUSE OF NORWAY . 9 straint and embarrassment: he was the only ...
Page 12
... feelings which this act indicated . Ellesif thus glided from her solitary employment into one that would associate him with her ; he no longer felt an isolated , useless being ; and by degrees . his countenance and his conversation ...
... feelings which this act indicated . Ellesif thus glided from her solitary employment into one that would associate him with her ; he no longer felt an isolated , useless being ; and by degrees . his countenance and his conversation ...
Page 43
... feeling now more pained for her than mor- tified for himself ( deep as was his mortifi- cation ) , turned towards a table covered with ornamental china , as if he had not heard the Chevalier . Count Lauvenheilm's severe glance brought ...
... feeling now more pained for her than mor- tified for himself ( deep as was his mortifi- cation ) , turned towards a table covered with ornamental china , as if he had not heard the Chevalier . Count Lauvenheilm's severe glance brought ...
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Common terms and phrases
Aardal admiration Ager-huus agitation agreeable amuse animated answer appeared asked attachment beauty believed blush Catalonia chaprone character charms cheek Chevalier Christiana Colonel Muller colour Condé Roncevalles Copenhagen Coperstad Count Lauven Count Lauvenheilm countenance Countess Anastasia court Danish cabinet daugh daughters dear delight Denmark Dofrestom Don Balthazar's dore elegant Ellesif emotion exclaimed expression eyes father fear feelings Gaston de Roye graceful hand happy hear heard heart heilm Heinreich her's Holstein honour hope imagination indulge interest King knew ladies leaving Theodore letter lived look Madame Sauveur Marquise ment mind ness never noble Norway obliged observed painful party passion person pleasure pray present Prince Princess Ursini racter replied Theodore Roye's seek Señor Guevara sensibility sentiment shew silence sister Sleswick smile soul Spain spoke surprize Sweden sweet tears tell tenderness Theo Theodore felt Theodore saw Theodore's thing thought tion voice wished young
Popular passages
Page 138 - ON A GIRDLE THAT which her slender waist confined Shall now my joyful temples bind : No monarch but would give his crown His arms might do what this has done. It was my Heaven's extremest sphere, The pale which held that lovely deer : My joy, my grief, my hope, my love Did all within this circle move. A narrow compass ! and yet there Dwelt all that's good, and all that's fair : Give me but what this ribband bound, Take all the rest the Sun goes round.
Page 59 - In courts, at feasts, and high solemnities, Where most may wonder at the workmanship. It is for homely features to keep home; They had their name thence: coarse complexions And cheeks of sorry grain will serve to ply The sampler, and to tease the huswife's wool.