GUERBER, Hélène Marie Adeline.

Legends of the Virgin and Christ, with special reference to

literature and art. 1896. (Art lovers' series.)..

.755 G95

The same. 1896....

.1755 G95

HURLL, Estelle May.

Life of our Lord in art, with some account of the artistic

treatment of the life of St. John the Baptist. 1898....

.755 H951

.755 H95

Bibliography, p.19-22.

Madonna in art. 1897. (Art lovers' series.). .

Bibliography, p.210-211.

"This little book is intended as a companion volume to 'Child-life in
art,' and is a study of Madonna art as a revelation of motherhood."
Preface.

Familiar description rather than critical study. Many reproductions of
paintings.

JAMESON, Mrs Anna Brownell (Murphy).

.755 J16le

Legends of the Madonna as represented in the fine arts.
1895
"Excellent for reference...The historical part, the record of the growth
of the legends and the changes in them, is very imperfect, but no
better book is [1897] readily accessible." Russell Sturgis.
Legends of the monastic orders as represented in the fine arts.
1894. ..

755 J161

"Storehouse of delightful knowledge, as admirable for accurate research
as for poetic and artistic feeling, and only marred to a slight extent
by the author's limited acquaintance with the technicalities of paint-
ing." Dictionary of national biography.

Sacred and legendary art. 2v. 1892-93..
The same; ed. by E. M. Hurll. 2v. 1896.

.755 J16 .1755 J16sI

"Excellent for reference in the matter of recognizing a sacred personage
by his attributes as given in a picture, and as to the proper way
of representing each personage.' Russell Sturgis.

JAMESON, Mrs Anna Brownell (Murphy), & Eastlake, E.
(Rigby), lady..

History of our Lord as exemplified in works of art; with that of His types, St. John the Baptist, and other persons of the Old and New testament. 2v. 1892 ..

LINDSAY, Alexander William Crawford, lord.

.1755 J16h

Sketches of the history of Christian art. 2v. 1885.... .....755 L72

"This work, which was intended to treat of the religious meaning and
the sentiment of Italian painting, was never carried beyond the time of
Fra Angelico. Its tone of discussion is extremely delicate and just."
Russell Sturgis.

SMITH, Henry J.

Illustrated symbols and emblems of the Jewish, early Chris

tian, Greek, Latin and modern churches. 1900... .....qb755 S64 Gives over 350 symbols and emblems with their origin and other information necessary to their correct use in illustration and decoration.

TYRWHITT, Richard St. John.

Christian art and symbolism. 1872.

..755 T98

Contents: Introductory.-Greek and Christian art.-Italian art-history.-
Florentine succession of painters, and history of symbolism and the
grotesque.-Rafael and Michael Angelo.-Dürer and Holbein.-Land-
scape sketching.-Poetry of landscape.-Art, craft and schools.

VAN DYKE, Henry.

755 V18

Christ-child in art; a study of interpretation. 1898.
"Series of richly illustrated...articles on the childhood of Christ...as
reflected in mediaeval and modern art... mainly from the literary and
emotional standpoint...not art-criticism." Dial, 1893.

757

Portraits. Portrait painting

CENTURY CO. pub.

Century gallery of 100 portraits, selected from the Century

magazine. 1897.

ELSON, (A. W.) & CO. pub.

"Makers of our nation." 1900.

Pictures of Washington, Jefferson, Hamilton, Franklin, James
Joseph Warren, Samuel Adams, Patrick Henry, Lincoln and
No text.

HART, Charles Henry.

Hints on portraits and how to catalogue them. 1898....

Brief talk before the fellowship of the Pennsylvania academy of the
fine arts.

.757 H31

LEHMANN, Rudolf.

Men and women of the century; a collection of portraits and sketches by Mr Lehmann; ed. with short biographical notes by H. C. Marillier. 1896...

SHARP, William.

.qr757 L55

Fair women in painting and poetry. 1894. (Portfolio monographs.)

...qr757 S53

Interesting notes on the celebrated women represented in a London
portrait exhibition, with many famous descriptions of women who
exist only in poetry.

WHARTON, Anne Hollingsworth.

Heirlooms in miniature, with a chapter on miniature painting

by E.D. Taylor. 1898..

WHEATLEY, Henry Benjamin.

Historical portraits; notes on the painted portraits of celebrated characters of England, Scotland and Ireland. 1897. (Connoisseur series.)....

WILLIAMSON, George Charles.

.757 W 593

..757 W59

Portrait miniatures, from the time of Holbein, 1531, to that 'of Sir William Ross, 1860. 1897. (Connoisseur series.)...757 W75 Bibliography, p.133-141.

GILBERT, Josiah.

758 Landscape painting

Landscape in art before Claude and Salvator. 1885..

.1758 G38

"The value of this book to the student will be as an historical record
of landscape painting in Europe from the backgrounds of mediaeval
miniatures in books and mosaics down to Rubens, Claude Lorrain,
and Salvator Rosa." Russell Sturgis.

HAMERTON, Philip Gilbert.

Imagination in landscape painting. 1895...

.758 H19

"It is important to understand the relation which the artist's mind plays in the development of landscape art, for students are apt to suppose that in this art at least simple copying of nature is nearly everything. Mr. Hamerton made a careful study all his life of this important subject; his conclusions are set forth in this interesting book, which contains a number of very valuable illustrations." Russell Sturgis. Landscape. 1885....

.qr758 H19

"It is not intended to be a treatise on landscape-painting... nor is it by
any means exclusively a treatise on landscape in nature. My dominant

idea has been the influence of natural landscape upon man." Preface. Illustrated by nearly fifty large plates reproducing the work of famous artists, each accompanied by a note explaining the particular point which the picture illustrates.

MACWHIRTER, John.

Landscape painting in water-colour; with 23 examples in colour by the author. 1900 .

759 History of painting

.758 M22

BELL, Mrs Nancy R. Elizabeth (Meugens), (pseud. N. d'Anvers). Masterpieces of the great artists, 1400-1700. 1895......qr759 B41m "Process plates of a number of the best known pictures in Europe are given in this volume. The text is of little importance, but names and dates, reasonably well verified, give every such book a certain utility." Russell Sturgis.

Representative painters of the XIXth century. 1899........qr759 B41 "An attempt has been made...to give characteristic examples of the work of 50 representative painters of the 19th century...In the brief literary notices accompanying the reproductions, the aim...has been to combine with an account of the leading facts of the art career of each master an analysis of the principles controlling that career and of the qualities setting his work apart from that of any of his contemporaries." Author's note.

BLANC, Charies, and others.

Histoire des peintres de toutes les écoles. 14v. in 12. 1868

84

V.I.

École bolonaise.

..qr759 B53

V.2.

V.3.

École vénitienne.

Écoles milanaise, lombarde, ferraraise, génoise et napolitaine.
V.4. Écoles ombrienne et romaine.

Contents: Drawings by the old masters.-James Barry.-Sir Joshua Rey-
nolds.-Thomas Gainsborough.-Rossetti's influence in art.

First paper was originally designed as an introduction to the catalogue
of an exhibition of old Italian masters. It is rather a graceful accom-
paniment to the drawings than a critical study of the masters. The
other four papers are both biographical and critical.

Les CHEFS-d'oeuvre de l'art au XIXe siècle. 5v. [1891

92.]

.qr759 C41

V. I. L'école française de David à Delacroix, par André Michel.
L'école française de Delacroix à Regnault, par Alfred de Lostalot.
La peinture française actuelle, par Paul Lefort.

V.2.

V.3.

V.4.

La peinture étrangère au XIXe siècle, par T. de Wyzewa.
v.5. La sculpture et la gravure au XIXe siècle, par Louis Gonse.
Accounts of the principal artists and their work. Many illustrations.
CHILD-LIFE in pictures, reproduced in heliotype from the

works of the most famous artists; [plates]. 1876......qr759 C43 COOK, Clarence Chatham.

Art and artists of our time. 3v. [1890.]..

.qr759 C77

Biographical and critical sketches of the leading artists of France, Ger-
many, England and America from about 1850 to 1885, preceded by
brief mention of earlier artists. Many illustrations.

DOWNES, William Howe.

Twelve great artists.

1900

.759 D77

Contents: A day with Hals.-Rembrandt at home.-Rubens.-Fortuny.—
Daubigny.-Félicien Rops.-Boutet de Monvel.-Winslow Homer.-St.
Gaudens's Shaw monument.-George Inness's landscapes.-John La
Farge.-John Sargent's portraits.

FAIRHOLT, Frederick William.

Homes, haunts and works of Rubens, Vandyke, Rembrandt and Cuyp; the Dutch genre-painters; Michael Angelo and Raffaelle.

1871....

.759 F16

A series of artist rambles in Belgium, Holland and Italy. Comprehen-
sive but not original or profound.

FAMOUS paintings of the world; a collection of photographic
reproductions of great modern masterpieces. 1896....qr759 F21
Nearly one-third of the pictures here reproduced were exhibited at the
World's fair at Chicago in 1893.

Mrs.

"The most valuable of the older small histories of painting. Heaton's book has been entirely revised, both as to matters of fact and date and as to critical appreciation. During the fifteen years between the first appearance and the publication of the present edition both the history and criticism of art had been greatly remade. This new material has been well used by the editor." Russell Sturgis. HENLEY, William Ernest.

Century of artists; a memorial of the Glasgow international exhibition, 1888; with historical and biographical notes by W. E. Henley and descriptions of the pictures by Robert Walker. 1889..

HOYT, Deristhe L.

Handbook of historic schools of painting. 1890...

.qr759 H44

.759 H86h

Gives only the most general information about the principal schools of
painting, the chief artists and their most celebrated pictures.

World's painters and their pictures. 1899....

Bibliography, p.15-16.

.759 H86

"References will be found to all painters of importance in the history of
art, a careful analysis of the characteristics of their work, and abun-
dant and well-arranged information concerning their most noted
pictures." Preface.

KEANE, Augustus Henry, tr.

Early Teutonic, Italian and French masters; tr. and ed. fr. the Dohme series.

1880...

..qr759 K14

Selections from a very comprehensive collection of biographical studies
by eminent German writers on the history of art. The earliest Italian
master studied is Masaccio, the earliest French artist is Poussin.
lustrated.

KEDDIE, Henrietta, (pseud. Sarah Tytler).

Modern painters and their paintings, for the use of schools and learners in art. 1899.....

Il

.759 K15

Very elementary account of painters from the beginning of the 18th
century to the latter half of the 19th, special attention being paid to
English artists.

Old masters and their pictures, for the use of schools and learn

ers in art. 1899

.759 K150

Short account of the artists with descriptions of their most famous
works, by an English teacher.

KOLSTOI, Casimir Stephen, comp.

International gallery; a collection of 100 works by ancient

and modern masters. 2v.

1886....

Many of the plates are wanting.

..qr759 K37

KUGLER, Franz Theodor.

Hand-book of the history of painting from the age of Constantine. 2v. 1842-43.....

V.I. The Italian schools of painting; ed. by C. L. Eastlake.

.1759 K43

V.2. The German, Flemish and Dutch schools of painting; ed. by Sir
Edmund Head.

Bibliographies, v.1, p.23-32 and v.2, p.47-52.

.759 M87

For continuation see the Hand-book of the history of the Spanish and
French schools of painting, by Sir Edmund Head, (r759.4 H38).
This work is the foundation for much of the modern study of paint-
ing, and, with revisions incorporating the results of later study, is still
popular and valuable. The first volume has a valuable preface by
the distinguished connoisseur, critic and scholar, Sir Charles Eastlake.
MOORE, George, b. 1853-
Modern painting. 1893
Contents: Whistler.-Chavannes, Millet and Manet.-The failure of the
19th century.-Artistic education in France and England.-Ingres and
Corot.-Monet, Sisley, Pissaro and the decadence.-Our academicians.
-The organisation of art.-Art and science.-Royalty in art.-Art
patrons. Picture dealers.-Mr Burne-Jones and the Academy.-The
alderman in art.-Religiosity in art.-The camera in art.-The New
English art club.-A great artist [Charles Keene].-Sex in art.-The
new art criticism.

"Essays on living painters and modern art tendencies, both good and
evil, with frequent allusions to old artists, and some account of men
who are not painters. Thus the article on Charles Keene, the
draughtsman and caricaturist of the London Punch, is admirable art
criticism. There is some excess of enthusiastic praise of art which he
loves and of contempt for artists and critics whom the author looks
upon as wholly astray in their aims and work, but the book is almost
wholly right in its tendency." Russell Sturgis.

The same.

1900

.759 M87m

The new edition contains 6 additional chapters entitled: Nationality in
art, Mr Steer's exhibition, Claude Monet, Notes, Some Japanese prints,
Long ago in Italy.

MUTHER, Richard.

History of modern painting. 3v. 1896.

The same. 3v. 1895-96....

Bibliography at the end of each volume.

.qr759 M98 .9759 M98

History of painting in the 19th century, with bibliographies, lists of
artists and copious illustrations.

PHILLIPS, Claude.

Picture gallery of Charles I. 1896. (Portfolio mono

graphs.)

.qr759 P51

The authorities of the and they were scattered

"Charles I. of England owned a very large collection of paintings,
many of them of the highest possible value.
Commonwealth ordered the sale of these,
over Europe. The present work is an
them and to ascertain their present location.
tographic reproductions are given." Russell Sturgis.

POYNTER, Sir Edward John, & Head, P.R.

attempt to enumerate Many very good pho

Classic and Italian painting. 1890. (Illustrated hand-books of art history.)....

.759 P87

Brief historical summaries of the rise and progress of the various
schools of painting, with general criticisms on style.