GLADDEN, Washington.

The relations of art and morality. 1897.

.701 G45

Essay on the love of beauty and the love of righteousness as the con-
trolling principles of conduct.

HARRIS, William Torrey.

Art education the true industrial education. 1897. (School

room classics.)

...701 H29

Delivered before the National educational association, 1889.

Short discussion of the theory and objects of art, and how they have
been realized by different people at different times.

HEGEL, Georg Wilhelm Friedrich.

The introduction to Hegel's Philosophy of fine arts; tr. fr. the German by Bernard Bosanquet. 1886.

HIRN, Yrjo.

Origins of art; a psychological and sociological inquiry. ·

1900

"Authorities quoted," p.307-322.

.701 H41

.701 H61

"Divides his inquiry into two parts, the first being an effort to find what
is the original 'art impulse'... and the second, an endeavor to trace
the actual origin of several of the arts as apart from the general art im-
pulse... The book is learned, ingenious and modest, and is marked by
an excellence of English style quite astonishing in the work of a
foreigner." Nation, 1901.

KEDNEY, John Steinfort.

Hegel's "Esthetics;" a critical exposition. 1897....

.701 K15

KNIGHT, William Angus.

Philosophy of the beautiful. 2v. 1895-98. (University exten

sion manuals.)

.701 K34

V.I. Outlines of the history of æsthetics.

v.2. Philosophy of the beautiful; a contribution to its theory and to
a discussion of the arts.

Several of the chapters are followed by bibliographies.

LASAULX, Ernst von.

Philosophie der schönen künste; architektur, sculptur, malerei,

musik, poesie, prosa.

1860.

LESSING, Gotthold Ephraim.

.1701 L33

Laocoön; an essay upon the limits of painting and poetry. 1893.....

.70I L64

"Ranks as a classic not only in German but in European literature, and
its style alone, which is as near perfection as anything Lessing ever
wrote would almost entitle it to this position. His central aim is to
define by analysis the limitations of poetry and the plastic arts.
Many of his conclusions have been corrected and extended by later
criticism, but he indicated more decisively than any of his prede-
cessors the fruitful principle that each art is subject to definite con-
ditions." Encyclopædia Britannica.

Laokoon; oder, Ueber die grenzen der malerei und poesie. 1879. (Bibliothek der deutschen nationalliteratur.). . . . . . .г701 L641 LONG, Samuel Pierce.

Art; its laws and the reasons for them. 1871

.701 L82

Discussion of the principles of art, useful as a text-book or for general
reading for those wishing to form intelligent judgments concerning
works of art.

LONGINUS, Dionysius Cassius.

On the sublime; the Greek text edited after the Paris manu-
script by W. R. Roberts. 1899....
Bibliography, p.247-261.

..1701 L83

"The object of the author...is to indicate broadly the essentials of a
noble and impressive style. In fact if we were to describe the treatise
as one on style, or even on literary criticism generally, we should be

nearer the mark than if we connected it solely with the idea of
'sublimity' in the narrower sense." Translator's introduction.
"The earliest work in which the Sublime is treated as a distinct aesthetic
quality, within or beside the Beautiful." Gayley & Scott's Literary
criticism.

MARSHALL, Henry Rutgers.

Esthetic principles. 1895.

.701 M41

Short explanation of so much of the author's theory of pleasure-pain
as is valuable to students of art. Mr Marshall is [1897] an architect
and designer in active practice.

A full statement of the author's theory may be found in his book,
"Pain, pleasure and æsthetics" (call number, 157 M41).

Essay on the influence of the instinct for beauty on the other instincts
of our natures.

Printed at the Roycroft press.

RAYMOND, George Lansing.

The genesis of art-form; an essay in comparative æsthetics.

1893

...

.701 R24

"The theory upon which the book is based is that as in scientific classification, the aim is to emphasize in each object of thought the ideas which are essential to the purposes of classification, so in art the aim of composition is to emphasize in each work of art the idea which it is the main purpose of the artist to express." Dial, 1893. Painting, sculpture and architecture as representative arts; an essay in comparative æsthetics. 1895.....

.701 R24p

An application to the "arts of sight" of the author's principles that "art in general is nature made human, and that art of the highest character is nature made human in the highest sense." Proportion and harmony of line and color in painting, sculpture and architecture; an essay in comparative æsthetics. 1899 .....

...701 R24pr

"Analysis of proportion and a differentiation of it from perspective, with
a study and exposition of proportion in landscape and the human
form." Literary world, 1900.

Representative significance of form; an essay in comparative
æsthetics. 1900

.701 R24г The prestige of Mr Raymond's professorship of æsthetics in Princeton university (1901) is insufficient to shield this work from harsh criticism in English and American reviews, both in regard to the soundness of its principles and the manner in which they are set forth.

RUSKIN, John.

Eagle's nest; the relation of natural science to art. 1893.......701 R89
Ten lectures given before the University of Oxford in 1872.

"The Lectures have little of the character of an elaborate treatise, but
are rather the free and unmethodical discourse of a man of genius on

a general topic to which he had given much reflection, and with
which his mind was full." C. E. Norton.

Lectures on art. 1891.

.701 R891

Careful statement of his theory of the relation of art to national character,
religion, morals and practical use, with three lectures dealing with
the technical use of line, light and color.

SANTAYANA, George.

Sense of beauty; outlines of aesthetic theory. 1896......

.701 S23

Psychological discussion of the nature of beauty, the materials of beauty,
form, expression.

SCHILLER, Johann Christoph Friedrich von.

Essays, æsthetical and philosophical; including the dissertation on the "Connexion between the animal and spiritual in man."

1900.....

..701 S33

"Most of Schiller's aesthetic writings and especially his Aesthetic Let-
ters, are well adapted to the understanding of beginners. Their place
in the history of Aesthetics, however, can be appreciated only when
they are read in the light of Kant's Critique of Judgment, from which
their material is principally drawn." Gayley & Scott's Literary
criticism.

TAINE, Hippolyte Adolphe.

Lectures on art; tr. by J. Durand. 2v. 1889....

v.1. Philosophy of art.-Ideal in art.

.701 T141

v.2. Philosophy of art in Italy.-Philosophy of art in the Netherlands.
-Philosophy of art in Greece.

"Have attracted much attention because of the literary reputation of
their author...If a reader is thoroughly familiar with any...
epoch or style of art, he will find Mr. Taine's criticism of the...
epoch in question very feeble indeed." Russell Sturgis.

Philosophy of art. 1865...

.701 T14

"The difficulty with such criticism is that any simple theory about a
work of art, its nature, its relation to other works of art, and its place
in the general world of art, is generally a false, or at least an inade-
quate theory." Russell Sturgis.

TOLSTOI, Lyof Nikolaïevitch, count.

What is art? 1898......

.701 T58

Explains Tolstoï's own theory, which is quite opposed to the accepted
theories of art and beauty.

The same. 1899.

.241 T58k

Bound with his "The kingdom of God is within you."

Opere; [con tavole]. 4v. 1830-33....

qr701 W77

WINCKELMANN, Johann Joachim.

Italian text.

Complete works, prefaced by Eiselein's biography. v.4 consists entirely
of fine plates.

"Winckelmann ranks among the foremost writers of the 18th century,
and it is hardly possible to overrate the services rendered by him to
archæology and the study of ancient art. With wide learning and an
extraordinary power of accurate observation he combined imagination
and feeling, and through him the modern world obtained something
like a true conception not only of particular works of Greek art, but of
the general intellectual movement from which they sprang." Encyclo-
pædia Britannica.

ADELINE, Jules, comp.

703 Dictionaries

Art dictionary, containing a complete index of all terms used

in art, architecture, heraldry and archæology. 1891.......г703 A22

CLEMENT, Mrs Clara (Erskine), afterward Mrs Waters.

Handbook of legendary and mythological art. 1894........r703 C56 Gives the legends, stories and ancient myths which have been illustrated in art, many famous legends of places, with a classified catalogue of the principal pictures on mythological and legendary subjects existing in European galleries. Illustrated.

MOLLETT, John William, comp.

Illustrated dictionary of words used in art and archæology.

1883.

VIOLLET-LE-DUC, Eugène Emmanuel, comp.

Dictionnaire raisonné du mobilier français de l'époque carlo

1703 M79

vingienne à la renaissance. 6v.

1858-75

..b703 V34

"This work is several dictionaries in one. The first volume is devoted
to furniture, with as an appendix some very interesting essays on the
method of construction in the Middle Ages. The second volume deals
with utensils...then with goldsmith's work, then with musical instru-
ments, and then with sports and pastimes, including hunting and the
tournament, and gives finally a few pages to tools of the carpenter
and blacksmith, etc.-a very curious encyclopædia of life in the
Middle Ages... The text is throughout of the most suggestive char-
acter, and generally trustworthy; the illustrations have that extra-
ordinary value which has been spoken of under the same author's
'Dictionary of Architecture." " Russell Sturgis.

704 Essays

ARTS AND CRAFTS EXHIBITION SOCIETY, London.
Art and life, and the building and decoration of cities; a
series of lectures by members of the Arts and crafts
exhibition society, delivered in 1896. 1897...
Contents: Sanderson, T. J. Cobden-. Of art and life.-Lethaby, W. R.
Of beautiful cities.-Crane, Walter. Of the decoration of public build-
ings. Blomfield, Reginald. Of public spaces, parks and gardens.—
Ricardo, Halsey. Of colour in the architecture of cities.

CARPENTER, Edward.

..704 A79

Angels' wings; essays on art and its relation to life. 1898......704 C22 Contents: Art and democracy; Wagner, Millet and Whitman.-Angels' wings. Nature and realism in art.-The human body in its relation to art.-Tradition, convention and the gods.-The individual impression.-Beethoven and his earlier sonatas.-Beethoven; his later sonatas and his symphonies.-The art of life.-Manners as a fine art.-The simplification of life.-The return to nature.

CHILD, Theodore.

.qr704 C43

Art and criticism; monographs and studies. 1892...
Contents: Sandro Botticelli.-Some modern French painters.-American
artists at the Paris exhibition.-Jean François Millet. Munkacsy.
Impressionist painting.-The winged victory of Samothrace.-Antoine
Louis Barye.-Modern French sculpture.-Auguste Rodin.-Chantilly,
the château and the collections.-A pre-Raphaelite mansion.
"A dozen papers about different detached phases of painting, ancient
and modern, and a few words about sculpture. There is a serious
lack of exact comprehension of art as a special and peculiar means of
expression, and errors occur, hard to account for, but a good general
impression can be got in each case. Good and well-chosen illustra-
tions. The chapter on the Impressionists is very good." Russell
Sturgis.

CRANE, Lucy.

Art and the formation of taste; six lectures. 1889..

Contents:

.704 C86

Decorative art: form.-Decorative art: color, dress and needlework. Fine arts.-Fine art: sculpture and architecture.-Fine art: painting.

CRANE, Walter.

Claims of decorative art. 1892..

.704 C866

Collection of somewhat disconnected essays, some on decorative art,
others, e. g. "The prospect of art under socialism" and "Art and social
democracy," presenting some of Mr Crane's socialistic theories.

FAIRHOLT, Frederick William.

Rambles of an artist; papers on art in relation to antiques, paintings, art-decorations and art-manufacture. [1871.]. .704 F164 Contents: Rambles of an archæologist among old books and in old places.--Grotesque design as exhibited in ornamental and industrial art. Facts about finger rings.-Ancient brooches and dress fastenings. -Albert Dürer; his works, his compatriots and his times.

Papers originally published in the "Art journal."

Also published with the title "Rambles of an archæologist."

FAIRMAN, James.

Essays on art; including notices of pictures in Carnegie art
gallery, [Pittsburgh], with thoughts on art education
and proposed college of fine arts. 1898..
Originally published in the "Pittsburg dispatch," 1897.

FORSYTH, Peter Taylor.

Religion in recent art. 1889..

.704 F16

Contents: Rossetti; or, The religion of natural passion.-Burne Jones; or, The religion of præternatural imagination.-Watts; or, The religion of supernatural hope.-Holman Hunt; or, The religion of spiritual faith. Richard Wagner and pessimism.-Wagner's Parsifal. GAUTIER, Théophile.

.704 F79

L'art moderne. 1856

.704 G24

Contents: Le Panthéon, peintures murales.-Marilhat.-Du beau dans
l'art Shakespeare aux funambules.-Le théâtre à Munich.-Pierre de
Cornélius.-La nouvelle Pinacothèque.-Théâtre de Psi de Cassiopée.
-L'apothéose de Napoléon.

GUILLAUME, Eugène.

Etudes sur l'histoire de l'art. 1900

.b704 G96

Contents: Le Panthéon d'Agrippa, à propos de découvertes récentes.— Les ruines de Palmyre et leur récent explorateur, [Bertone].-Dante considéré comme artiste.-Apollon.-Bacchus.-Cérès.-Le costume.La coiffure.-Les bijoux, le bracelet, les bagues.-Barbare.-Captif. HAMERTON, Philip Gilbert.

Man in art; studies in religious and historical art, portrait and genre. 1892.

..qr704 H19
Contents: Culture.-Beauty.-Religious art.-History and revivals.—
Portrait.-Life observed.

Having in previous books considered landscape painting, imagination in
landscape painting, and the technical side of art, the author now takes
up art as it deals with man, analyzing the treatment of the expres-
sion of the human body and human face by the artists of different
periods. Most of the 46 illustrations have never before been published.

Portfolio papers. 1889..

...704 H19p

Contents: Constable.-Etty.-Chintreuil.-Adrien Guignet.-Goya.-Notes on aesthetics.-Style.-Soul and matter in the fine arts.-The nature of the fine arts.-Can science help art?-Book illustration. Thoughts about art. 1889.....

.704 H19 "This book, which formed originally part of "The Painter's Camp' is worth reading because of its suggestiveness. Thus, some of the various ways in which different painters undertake their work are made clear in the chapters on 'Painting from Nature' and 'Painting from Memoranda.' The general relation of art, and especially painting, to the general world of thought and perception is more plainly seen after study of this book, especially in the chapters, 'Transcendentalism in Painting' and 'Analysis and Synthesis.' Russell Sturgis. HEINE, Heinrich.

The salon; or, Letters on art, music, popular life and politics. 1893 ...704 H41 "The 'Salon' of Heine, as it was first published, consisted of papers on the annual exhibitions of pictures held in Paris during several years, and a portion of the 'Germany.' In the last complete German edition of his works, this arrangement was changed, and all his letters on art and music included in one volume entitled 'Lutetia'...This I have translated, restoring the title 'Salon." " Translator's preface. HOLDEN, Florence P.

Audiences; a few suggestions to those who look and listen. 1896 .704 H71 Contents: Audiences.-Language of form.-Architecture.-The language of action.-Sculpture.-The language of line.-Etching.-The language of color.-Painting.-The language of word.-Poetry.-The language of tone.-Music.-Musical drama.-Criticism.-Talent of art appreciation. -Applause.-Encore.