The Summing Up, Part 354, Volume 1This book represents Maugham's life and philosophy in his own words. It is autobiographical in nature, though most of the work is concerned with Maugham's unique and fascinating opinions on the theatre, writing, metaphysics and the interesting people he encountered in his long and successful career. |
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Page 54
A great part of our lives is occupied in reverie, and the more imaginative we are,
the more varied and vivid this will be. How many of us could face having our
reveries automatically registered and set before us? We should be overcome
with ...
A great part of our lives is occupied in reverie, and the more imaginative we are,
the more varied and vivid this will be. How many of us could face having our
reveries automatically registered and set before us? We should be overcome
with ...
Page 108
... civilized world of the eighteenth century the actors gave life a touch of fantasy.
Their disorderly existence was a lure to the imagination in the Age of Reason and
the heroic parts they played, the verse they spoke, invested them with a halo.
... civilized world of the eighteenth century the actors gave life a touch of fantasy.
Their disorderly existence was a lure to the imagination in the Age of Reason and
the heroic parts they played, the verse they spoke, invested them with a halo.
Page 164
My lack of imagination (for imagination grows by exercise and contrary to
common belief is more powerful in the mature than in the young) obliged me to
set down quite straightforwardly what I had seen with my own eyes and heard
with my ...
My lack of imagination (for imagination grows by exercise and contrary to
common belief is more powerful in the mature than in the young) obliged me to
set down quite straightforwardly what I had seen with my own eyes and heard
with my ...
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able accept action actors admire appearance artist asked attention audience beauty believe better called cause character claim common concerned course critic deal difficult discover drama dramatist easy effect emotion English exciting existence experience eyes fact feeling forced French gave give given hard human ideas imagination important instinct interest knew knowledge known least less literature live longer look matter meaning mind nature never novel offer once one's passing perfect perhaps persons philosophers picture play pleasure possible present produced prose reader reason seemed seen sense sometimes sort speak spirit story success suppose taken tell theatre things thought tion told took truth turn universe wanted whole write written wrote young youth