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The Works of the English Poets. with Prefaces, Biographical and Critical, by ...
English Poets,Samuel Johnson
No preview available - 2015
afterwards againſt ancients anſwer appears beauties becauſe better called character Charles compoſition conſidered converſation death delight deſign deſired Dryden duke Earl eaſily effect elegant Engliſh equal excellence fame favour firſt fome formed friends genius give given hands happy himſelf honour hope houſe hundred Italy kind King knew known labour Lady language laſt learned leave leſs lines lived Lord manner means ment mind moſt muſt nature never numbers occaſion once opinion performance perhaps pity play pleaſe poem poet poetical poetry praiſe preface preſent produced publiſhed raiſe reader reaſon received remarks reſt rhyme ſaid ſame ſays ſeems ſhall ſhould ſome ſometimes ſtudy ſtyle ſubject ſuch ſuppoſed theſe thing thoſe thought tion tragedy tranſlation turn uſe verſes virtue Waller whoſe writing written wrote
Page 263 - From harmony, from heavenly harmony, This universal frame began : When Nature underneath a heap of jarring atoms lay, And could not heave her head, The tuneful voice was heard from high. Arise ye more than dead. Then cold and hot, and moist and dry, In order to their stations leap, And music's power obey. From harmony, from heavenly harmony, This universal frame began : From harmony to harmony Through all the compass of the notes it ran, The diapason closing full in man.
Page 232 - They have not the formality of a settled style, in which the first half of the sentence betrays the other. The clauses are never balanced, nor the periods modelled: every word seems to drop by chance, though it falls into its proper place. Nothing is cold or languid; the whole is airy, animated, and vigorous; what is little, is gay; what is great, is splendid.
Page 222 - To judge rightly of an author, we must transport ourselves to his time, and examine what were the wants of his contemporaries, and what were his means of supplying them.
Page 247 - Peace is not freed from labour, but from noise ; And war more force, but not more pains employs...
Page 284 - Works of imagination excel by their allurement and delight ; by their power of attracting and detaining the attention. That book is good in vain, which the reader throws away. He only is the master, who keeps the mind in pleasing captivity; whose pages are perused with eagerness, and in hope of new pleasure are perused again ; and whose conclusion is perceived with an eye of sorrow, such as the traveller casts upon departing day.
Page 251 - Which, flank'd with rocks, did close in covert lie ; And round about their murdering cannon lay, At once to threaten and invite the eye. Fiercer than cannon, and than rocks more hard, The English undertake th' unequal war : Seven ships alone, by which the port is barr'd, Besiege the Indies, and all Denmark dare.
Page 47 - There needs no more be said to extol the excellence and power of his wit, and pleasantness of his conversation, than that it was of magnitude enough to cover a world of very great faults; that is, so to cover them, that they were not taken notice of to his reproach, viz..
Page 222 - Learning once made popular is no longer learning ; it has the appearance of something which we have bestowed upon ourselves, as the dew appears to rise from the field which it refreshes.
Page 66 - The topics of devotion are few, and being few are universally known ; but, few as they are, they can be made no more ; they can receive no grace from novelty of sentiment, and very little from novelty of expression.