The rhymes of Dryden are commonly just, and he valued himself for his readiness in finding them; but he is fometimes open to objection. It is the common practice of our poets to end the fecond line with a weak or grave fyllable: Together o'er the Alps methinks we fly, Fill'd with ideas of fair Italy. Dryden sometimes puts the weak rhyme in the firft: Laugh, all the powers that favour tyranny, Sometimes he concludes a period or paragraph with the first line of a couplet, which, though the French feem to do it without irregularity, always displeases in English poetry. The Alexandrine, though much his favourite, is not always very diligently fabricated by him. It invariably requires a break at the fixth fyllable; a rule which the modern French poets never violate, but which Dryden fometimes. neglected: And with paternal thunder vindicates his throne. Of Of Dryden's works it was faid by Pope, that "he could fele&t from them better specimens "of every mode of poetry than any other English writer could fupply." Perhaps no nation ever produced a writer that enriched his language with fuch variety of models. Το him we owe the improvement, perhaps the completion of our metre, the refinement of our language, and much of the correctnefs of our fentiments. By him we were taught "fa pere & fari," to think naturally and express forcibly. Though Davies has reasoned in rhyme before him, it may be perhaps maintained that he was the firft who joined argument with poetry. He fhewed us the true bounds of a tranflator's liberty. What was faid of Rome, adorned by Augustus, may be applied by an easy metaphor to English poetry embellished by Dryden, "lateritiam invenit, "marmoream reliquit," He found it brick, and he left it marble. THE invocation before the Georgicks is here inferted from Mr. Milbourne's verfion, that, according to his own proposal, his verses may may be compared with those which he cenfures. What makes the richest tilth, beneath what figns To plough, and when to match your elms and vines; What care with Aocks and what with berds agrees, And all the management of frugal bees; I fing, Mecenas! Ye immenfely clear, Vaft orbs of light, which guide the rolling year; We fat'ning corn for hungry maft purfue, And thou to whom the woods and groves belong, Ye Ye gods and goddeffes, who e'er with love And thou, great Cæfar! though we know not yet Among what gods thou'lt fix thy lofty feat; Whether thoul't be the kind tutelar god Of thy own Rome, or with thy awful nod Guide the vafl world, while thy great hand fhall bear The fruits and feasons of the turning year, And thy bright brows thy mother's myrtles wear; Whether thou'lt all the boundless ocean sway, Thule, the fartheft island, kneel to thee, Whate'er Whate'er thou'lt be; for fure the realms below Can all her mother's earnest prayers decline. Mr. DRYDEN, having received from Rymer his Remarks on the Tragedies of the laft Age, wrote obfervations on the blank leaves; which, having been in the poffeffion of Mr. Garrick, are by his favour communicated to the publick, that no particle of Dryden may be loft. "That we may the lefs wonder why pity and "terror are not now the only springs on which "our tragedies move, and that Shakspeare may "be more excufed, Rapin confeffes that the "French tragedies now all run on the tendre ; "and gives the reafon, becaufe love is the paffion which most predominates in our "fouls, and that therefore the paffions reprefented become infipid, unless they are "conformable 66 VOL. II. X |